Dark Feathers: Dance of the Geisha

This movie has a complicated plot with several twists. But beyond the surface, we all want to be understood, loved or accepted by a higher power. Dark Feathers is more than a fancy symbol, it is the true essence of human nature. I think if you are attracted by other people, you are more likely is felling love with yourself. We think we cannot help to love another person more than anything, but in the fact, if you find love in your heart and truly accept yourself, then it is hard for you to be lost by beauty or beast. There is misery of why the dancing parters are all falling in love with the main role, no matter they are men or women. That's the part of this movie to me is a little bit beyond my understanding and knowledge about Geisha.

The cinematography is great. There are lovely scenes in beautiful settings ranging from Northern California to traditional Japanese temples. There is an interesting mix of Asian and Western cultures. The traditional Japanese outfits and ceremonies open the window to another culture. This is contrasted with equally beautiful Western dance scenes. The dancers move with such grace and athleticism! They are truly skilled dancers. The lead actress Crystal Huang is beautiful and enigmatic as befits her role as a mysterious temptress .

The plot however is difficult to follow at times and the viewer is left with questions about the underlying relationships and histories between some of the characters.

Dark Feathers is not just another film; it's a unique cinematic experience that sets itself apart in a crowded landscape. The narrative is meticulously crafted, with a tightly woven plot that ensures every moment is vital and compelling. This precision in storytelling creates a sense of urgency and engagement that is rarely matched, making it impossible to look away.

What truly distinguishes Dark Feathers is its remarkable fusion of Eastern and Western aesthetics and cultural sensibilities. The director has achieved something extraordinary by seamlessly blending these two worlds, creating a visual and thematic tapestry that is as unique as it is beautiful. The Eastern influence brings a rich layer of subtlety, symbolism, and spiritual depth, while the Western elements provide dynamic visuals and a narrative structure that is universally accessible.

Love this unique and original movie. One would have never imagined how the movie can combine ballroom dancing, Japanese Samurai culture, and murders into the same plot but when it happens - it's refreshing to see because you really don't know what to expect. The leading ladies - Kate (Crystal J. Huang) and Amelia (Dancing with the Stars pro Karina Smirnoff) are sensational in acting and beautiful in dancing. Love the cello music as well! Now - I'm still trying to figure out the meaning of ending - if anyone figures it out - please comment. I'll likely to watch a 2nd time to piece it together :)

As someone who's familiar with both Asian and Western cinema, this movie was incredibly disappointing. I, an American, watched it with a friend from mainland China, and neither of us could follow most of what was happening. The lead actress shows absolutely no emotion throughout the entire film-honestly, a robot could have played her role, and you wouldn't have noticed a difference. Yet, somehow, every character she meets falls head over heels for her. Why? I found myself laughing at the dialogue, but not in a good way. The same monotonous score plays over and over again, making it even more unbearable. Easily one of the worst films I've ever endured.