Jim Henson: O Homem-Ideia

"Jim Henson: Idea Man" shows us the trajectory and work of the revolutionary and visionary artist known as the mind and personality behind the Muppets. With a wide variety of interviews, supporting material, and great admiration from director Ron Howard, this documentary provides us with information that goes far beyond the creation of Kermit the Frog and his group of puppets. It's a journey through the motivation, relentless work, perseverance, and great talent of a character who, along with his wife and team, always sought to surprise, innovate, and change the possibilities that television offered.

Jim Henson is undoubtedly a pillar of creativity and positive artistic attitude in recent years, and his legacy will be indelible not only for the relevance of Sesame Street for a generation of children or the cultural phenomenon that the Muppets brought to millions of viewers. He is also a source worthy of admiration and inspiration in a world where everything may seem already defined.

This documentary is a beautifully crafted tribute to one of the most imaginative and creative individuals of our time. Seeing Henson, Oz, and the talented team of Muppeteers at work, performing just below the frame, was both surreal and slightly heartbreaking. It felt as though I had seen too much behind the curtain, losing a bit of that childhood magic where Kermit, Piggy, Fozzy, and Gonzo were real to me.

While the film is visually stunning and expertly made, I felt that certain parts of the 80s were glossed over, leaving me wanting more depth in that era. However, the use of stop-motion was a wonderful addition, complementing the storytelling beautifully.

Ultimately, this documentary paints a touching and heartfelt portrait of an extraordinary man, told through the eyes of those who knew and loved him. It's hard not to be moved by the end, and it's easily one of the most enjoyable projects from Ron Howard.

Jim Henson is the movie-maker that got me into movies. When I saw The Dark Crystal at age five, I was never the same again. This was when I first felt that I simply had to know how movies get made. Later on, I became a fan of Muppets and Fraggles alike (yes, I got to the Skeksis before I got to Kermit, at least in terms of adoration) and by now, I consider Henson one of the most important creatives of the 20th century.

He changed the way I take in art, and did this and insurmountably more to countless others around the world. Even all these years after his death, he touches generations of people through his colorful creations -- so lifelike, nay, alive in spite of so clearly not being "real". In Ron Howard's documentary, Jim Henson: Idea Man, we see most of his life laid out (albeit sometimes in disappointingly brief snippets), from his youth to his early TV gigs (like those 1950s Wilkins Coffee commercials where a Kermit prototype puppet commits murder indiscriminately); from the inception of Sesame Street to the rise of the Muppets and the bona fide celebrity status of Kermit and Miss Piggy; from the creation of The Dark Crystal (which also involved the opening of the Henson Creature Shop) to the disastrous release of the now-beloved Labyrinth.

Meanwhile, we learn of his personal life and the way he inspired, not just us, but those around him. In one notable moment, Frank Oz recalls how Henson pushed for him to co-direct The Dark Crystal, as Henson felt he himself lacked something that he saw in Oz.

The documentary is cleverly presented, making good use of projectors, stop-motion interludes, and some animations Henson himself created before the Muppet years. Unfortunately, it is missing -- or just barely mentions -- a lot of information about Henson's life that would have made this documentary go from good to great. Still, it is a worthy celebration of that Rainbow Connection (sorry) that Henson created between all of us.

When I was in high school, Sesame Street came along. I had study hall before lunch in a small room where we could watch the show on TV. That began my interest in the Muppets and Jim Henson. This documentary is a great view of the history of both.

That said, I'm halfway through and the music is annoying. I'm trying to listen to people talk, watch the pictures, and there's distracting music playing that interferes with the sound.

It's not flowing music, it's short and choppy. That would be fine for scenes that need to imply action, but it's people talking in short, choppy words. The music is ear-catching when it should be subtle and not distracting. Music should be an additive to scenes that don't have dialogue. When people are talking, let them talk!

I knew immediately that this bio documentary about Jim Henson was in good hands (Ron Howard directing) with the opening, played out against the rousing music of Charles Mingus in one of his trademark barn-burning performances. The story is one of unbridled creativity, and the movie, along with authoritative commentaries by the likes of Frank Oz and Jennifer Connolly, speaks for itself. Howard is especially successful at the poignant way he handles Henson's sudden death, which I had forgotten even though I was a reporter covering the movie industry 34 years ago when it occurred.

One element that hit me out of the blue was a shot of George Lucas on screen during the coverage of "Labyrinth". It reminded me how difficult it would be to make a documentary on Lucas's life, and how there are book-ending similarities in his career relative to Henson's: both were once experimental filmmakers in the 1960s (THX 1138 4EB versus Timepiece), later becoming entwined in the commercial side of the entertainment business with huge financial success, and their creative achievements ended up in the domain of Walt Disney (himself an analogous figure in history).