The Turkish Detective

I really don't understand the great reviews for this series which revolves around a young detective from the UK obviously of Turkish origins - name is Mehmet and looks Turkish (no racism just observation) being paired with a retirement age detective in Istanbul.

It is clichéd and although the lead character Çetin Ikmanhas a certain rough scruffy charm and is likeable and I like his approach and understanding of people, his sidekick Mehmet is wooden and not convincing at all, likewise the female detective seems a token addition. It lacks credibility, and as a frequent visitor to Istanbul and Turkey some of it makes me cringe. I don't mind the mixing of Turkish and English language. The plots are weak but they are based on a novel so perhaps the novel is not good. I am critical because I love the genre of detective crime mysteries and thrillers so I hold this up against the many superb ones I have watched. I am only up to episode 4 so I will continue to finish the series and maybe my opinion will change. It is watchable but as light entertainment. I don't understand the comment about Arabic by another reviewer, I have heard very few Arabic words, Turkish and English are mainly spoken and likewise the subtitles.

This series, inspired by the books of Barbara Nadel, is set in Istanbul. Mehmet Suleyman, who was born in Turkey but lived in London, has returned to become a detective in the local police force. He serves under Inspector Cetin Ikmen and alongside Detective Ayse Farsakoglu. It soon becomes apparent that Hehmet had a specific reason to return to Turkey; his ex-girlfriend, an investigative journalist, was seriously injured in a hit and run incident... he is convinced that it was no accident. This private investigation continues in the back ground while the police investigate a variety of other crimes, these are each wrapped up in a two episode long story.

I really enjoyed this series. In many ways the two part mysteries are typical 'Saturday night crime drama' but the Istanbul location gives it a freshness. When I started watching I assumed Mehmet was the titular 'Turkish Detective' but Inspector Ikman is at least as important to the stories. Characters speak a mix of English and Turkish; perhaps not realistic but acceptable as the writer is English and the production American. The use of Some Turkish reminds us where we are... if that was necessary given the numerous scenes featuring the Bosporus and the Hagia Sophia in the background. The characters are interesting, especially Inspector Ikman and the cast do a solid job bringing them to life. Overall I'd definitely recommend this to fans of easy going murder mysteries looking for something a little different; I hope we get further series.

Surprised at some of the negative reviews, but this should change as this wonderful production progresses I'm sure. I love a crime mystery with twists and turns, especially one with a great sense of place and this has that in spades. But not only do you get a sense of this beautiful, ancient, complex city, but right from the beginning we are beguiled by the subtleties of culture and how the police, led cleverly by Haluk Bilginer's character, Cetin Ikmen have to navigate that for best result. Just enough humour, just enough pathos, and Ikmen's character gives us back our faith in human nature and understanding. Young protagonist Mehmet, used only to 'the British way' in London realises quickly he's going to have to adapt. Ikmen is quick to realise this may take time and so keeps him at distance for interviewing local suspects, but lets him rip at crime scenes - Ikmen recognises his strengths and how to use that. Interesting ongoing sub-plot with Mehmet's ex-girlfriend/reporter who has been devastatingly affected by a suspicious hit and run and Mehmet's need to investigate the reasons. Of course this is all conducted in English with aside, subtitled conversations in local dialect, because this is made to introduce westerners to Istanbul and its people in way that's easier for them, but this was made by a Turkish production company financed by Paramount and so that was their decision for wider distribution I guess. I'd guess the Turkish authorities will be happy that lots of westerners like me will be avidly waiting for the next episode and dreaming of visiting this amazing place, its great for tourism no doubt. Crime/murder mystery fans like me always wait for something a bit different, perhaps an authentic-feeling touch of the exotic and this is it. Congratulations to Ay Yapim on a fantastic quality production, hopefully we'll be seeing more.

While this is your average crime/thriller story, with a new mystery every 2 episodes and one that spans over the whole series there are several factors that would make me choose this one over several similar brit-crime variations.

First: I really enjoy the setting. Istanbul is an exciting city and the series manages to capture the vibe quite well.

Second: The script. Each episode is well written, and balanced both in dialogue, character development and in mysteries that somehow feels like a fresh take than the average (maybe it is the environment, maybe the somewhat straightforward storytelling, either way, it works).

Third: likeable characters and good acting. The characters are believable and likeable but not without faults. Thankfully the depressed-alcoholic-cop-trope is no way to be seen. Rather the characters are more multifaceted with have weaknesses, strengths, doubts and sides that are less flattering, just like all humans. Perhaps that is why they feel so relatable.

Over all, the series are evidently well crafted, and enjoyable. Nothing mind blowing, but an enjoyable watch. If you like series like the Icelantic "Trapped" or the Danish "Rejsholdet", this is for you.

The opening music just sets the mood beautiful. You're drawn in by the opening scenes, as the plot moves from serious to humour back to serious.

There's a plot within the main plot, which keeps you wanting more. And there's details that draw you in and cause you to emphasise with some of the key characters. The pace is good, without rushing. Each scene leads you you onto the next one, without the sudden jumps some producers seem to love.

It is a multi-language production. I understand why it's not entirely shot in Turkish, as they need to appeal to an international audience. However the accusation that the lead actor, Haluk Bilginer, is not Turkish is bizare (he is Turkish) and the accusation must be due to some local politics I'm unaware of. This award winning actor spans a range of emotions across the series, and is a delight to watch.

Shout out to the music, which no one has yet mentioned. It helps tie in the mood and the scene.

Really hoping for a second series.