Adicionar um enredo no seu idiomaA dark satire of social media and influencer culture, unflinching take on fame and what new celebrities are willing to do to attain it.A dark satire of social media and influencer culture, unflinching take on fame and what new celebrities are willing to do to attain it.A dark satire of social media and influencer culture, unflinching take on fame and what new celebrities are willing to do to attain it.
- Direção
- Roteirista
- Artistas
Abigail Killmeier
- Molly Rose Richardson
- (as Abigail Fierce)
Rumer Willis
- Newswoman
- (as Rumor Willis)
Avaliações em destaque
Skillhouse fits the bill for an all around decent and entertaining watch - imagine influencers trapped within a mansion in LA Saw style with 50 Cent as the Jigsaw figure, it's as awesome and hilarious as it sounds.
Dialog and acting aside some nitpicking scenes of underwhelming responses is nothing to complain about. Kills, gore and progression isn't terrible nor a complaint either. The pacing is akin again, to saw, characters getting picked off, some suspense on who's next and thensome with some pretty successful comedy thrown in. Overall nothing entirely unique or groundbreaking, but works heavily with the content it aims to tackle - that being a dark, comedic whodunit with Saw tropes sprinkled about. Watch this film if you want something to laugh at, something to enjoy with some friends or something to bluntly enjoy; 50 Cent as a Jigsaw, despite his recent attempts to sue is worth watching. Post credit sequence and all.
Dialog and acting aside some nitpicking scenes of underwhelming responses is nothing to complain about. Kills, gore and progression isn't terrible nor a complaint either. The pacing is akin again, to saw, characters getting picked off, some suspense on who's next and thensome with some pretty successful comedy thrown in. Overall nothing entirely unique or groundbreaking, but works heavily with the content it aims to tackle - that being a dark, comedic whodunit with Saw tropes sprinkled about. Watch this film if you want something to laugh at, something to enjoy with some friends or something to bluntly enjoy; 50 Cent as a Jigsaw, despite his recent attempts to sue is worth watching. Post credit sequence and all.
"Skillhouse" begins with Carter Swick and his sister Lauren filming a video for a social media platform called "Triller." They are attacked and it is a media sensation, but three months later the attacker is back and this time he has kidnapped ten people for his "Social Media Game"...
"Skillhouse" is another in a long line of "Psycho kidnaps influencers and makes them compete for "Likes" for their lives" movies. All the typical tropes are here -- incredibly annoying characters that we hate from the get-go, a psycho who can somehow control time and space, long rambling speeches about "This is not real life" and "Is this what you want to see", thousands of people watching without calling the police, "rules" that change on a whim, etc, etc... And I'm not sure the writer really "gets" social media, if you watch the movie you will definitely say, "No way in real life that person got the "least views" of that entire group."
On the plus side, though, the body count is impressive with some gruesome kills, and only a couple of shoddy CGI effects to hurt the set pieces. Overall, there's nothing really new in "Skillhouse" and there are plenty of better "Influencer Kidnapped" movies out there, but it moves along pretty quickly. Nothing original or special, just sort of "OK."
"Skillhouse" is another in a long line of "Psycho kidnaps influencers and makes them compete for "Likes" for their lives" movies. All the typical tropes are here -- incredibly annoying characters that we hate from the get-go, a psycho who can somehow control time and space, long rambling speeches about "This is not real life" and "Is this what you want to see", thousands of people watching without calling the police, "rules" that change on a whim, etc, etc... And I'm not sure the writer really "gets" social media, if you watch the movie you will definitely say, "No way in real life that person got the "least views" of that entire group."
On the plus side, though, the body count is impressive with some gruesome kills, and only a couple of shoddy CGI effects to hurt the set pieces. Overall, there's nothing really new in "Skillhouse" and there are plenty of better "Influencer Kidnapped" movies out there, but it moves along pretty quickly. Nothing original or special, just sort of "OK."
Interesting premise for a movie but it tends to feel like its copying from the saw movies.
I thought a lot of the acting was a bit wooden and the set and costume design felt really cheap.
However, Bryce Hall is the man, I love him very much!
I heard the guy who produced this is the same guy who kicked off the marvel franchise, which would explain why it is produced so well.
It is however a shame that the producer is targeted so much by a youtuber who will try and get his audience to review bomb the movie.
Although, I did enjoy watching it while drinking wine, I did have a bit too much wine but I didn't get wet and reckless.
I thought a lot of the acting was a bit wooden and the set and costume design felt really cheap.
However, Bryce Hall is the man, I love him very much!
I heard the guy who produced this is the same guy who kicked off the marvel franchise, which would explain why it is produced so well.
It is however a shame that the producer is targeted so much by a youtuber who will try and get his audience to review bomb the movie.
Although, I did enjoy watching it while drinking wine, I did have a bit too much wine but I didn't get wet and reckless.
Skill House arrives as yet another indie horror project clawing its way into a limited theatrical release via Fathom Events, hoping to join the growing list of low-budget gems tapping into our digital age paranoia. But while films like Spree, Stream, and Dark Game found ways to blend horror and online culture with raw energy, Skill House stumbles over its own premise with frustrating execution and a lack of, well... anything to root for.
The film centers on 10 top-tier influencers who wake up in a hellish streaming nightmare, kidnapped, trapped, and forced to participate in a brutal, live streamed social media survival game. It's the kind of setup that screams modern slasher gold: commentary on fame obsession, influencer culture, and viral notoriety, with blood and body count to match. Unfortunately, the execution is more cringe than clever.
Right from the start, the movie kneecaps itself.
Before the first frame even rolls, a well-meaning intro by director Josh Stolberg and one of the stars essentially spoils the ending. In a genre built on tension, misdirection, and surprise, this was a huge misstep-especially for a theatrical experience where the unknown is half the thrill. It's a head-scratcher of a move and sadly, the movie never quite recovers from it.
The characters? Disposable and annoying-by design. You're not really supposed to like anyone in Skill House, and that's part of the point. These are influencers engineered for maximum social media toxicity. But unlike the Netflix reboot of Texas Chainsaw Massacre, where hating the cast made their deaths gleeful crowd pleasers, here it just results in apathy. There's no rooting interest, no investment, no memorable personalities just a series of TikTok shaped placeholders wandering from trap to trap.
A good slasher lives and dies on three pillars: the killer's look, the quality of the kill bait, and the kills themselves. Skill House fumbles two out of three. The killer's mask a clumsy, derivative riff on the Brandon James mask from Scream: The TV Series, feels like an afterthought. The kills? Outside of one genuinely creative and brutal moment (which I won't spoil), they're largely forgettable. I had to genuinely think back to recall any of them, which is never a good sign for a film promising carnage.
The dialogue is intentionally obnoxious, playing up influencer stereotypes and Gen-Z speak, but it wears thin fast. The script introduces some interesting ideas a global audience watching the bloodshed, other streamers reacting in real time, the commodification of violence but none of these threads are explored with any real depth. You can feel the influence of better films like Stream and Dark Game, but Skill House doesn't carve out its own identity. It's less a love letter to horror and more a mashup of viral culture buzzwords with blood spatter.
Skill House is not offensively bad, just frustratingly forgettable-a missed opportunity in a time when horror needs bold voices with something to say.
The film centers on 10 top-tier influencers who wake up in a hellish streaming nightmare, kidnapped, trapped, and forced to participate in a brutal, live streamed social media survival game. It's the kind of setup that screams modern slasher gold: commentary on fame obsession, influencer culture, and viral notoriety, with blood and body count to match. Unfortunately, the execution is more cringe than clever.
Right from the start, the movie kneecaps itself.
Before the first frame even rolls, a well-meaning intro by director Josh Stolberg and one of the stars essentially spoils the ending. In a genre built on tension, misdirection, and surprise, this was a huge misstep-especially for a theatrical experience where the unknown is half the thrill. It's a head-scratcher of a move and sadly, the movie never quite recovers from it.
The characters? Disposable and annoying-by design. You're not really supposed to like anyone in Skill House, and that's part of the point. These are influencers engineered for maximum social media toxicity. But unlike the Netflix reboot of Texas Chainsaw Massacre, where hating the cast made their deaths gleeful crowd pleasers, here it just results in apathy. There's no rooting interest, no investment, no memorable personalities just a series of TikTok shaped placeholders wandering from trap to trap.
A good slasher lives and dies on three pillars: the killer's look, the quality of the kill bait, and the kills themselves. Skill House fumbles two out of three. The killer's mask a clumsy, derivative riff on the Brandon James mask from Scream: The TV Series, feels like an afterthought. The kills? Outside of one genuinely creative and brutal moment (which I won't spoil), they're largely forgettable. I had to genuinely think back to recall any of them, which is never a good sign for a film promising carnage.
The dialogue is intentionally obnoxious, playing up influencer stereotypes and Gen-Z speak, but it wears thin fast. The script introduces some interesting ideas a global audience watching the bloodshed, other streamers reacting in real time, the commodification of violence but none of these threads are explored with any real depth. You can feel the influence of better films like Stream and Dark Game, but Skill House doesn't carve out its own identity. It's less a love letter to horror and more a mashup of viral culture buzzwords with blood spatter.
Skill House is not offensively bad, just frustratingly forgettable-a missed opportunity in a time when horror needs bold voices with something to say.
New Horror Releases in July 2025
New Horror Releases in July 2025
With I Know What You Did Last Summer coming to theaters and Sinners dropping on HBO Max, let's take a look at the wide world of new horror offerings this July.
Você sabia?
- CuriosidadesCast member 50 Cent filed a lawsuit to block the release of the movie, claiming that producer Ryan Kavanaugh refused to pay him and unlawfully used his name to promote the movie. The lawsuit was dismissed on July 2, 2025, allowing the movie to be released as planned just nine days later.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Skillhouse?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Também conhecido como
- Skillhouse
- Locações de filme
- Aero Mock-Ups - 13126 Saticoy St, North Hollywood, Califórnia, EUA(Airplane Scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 39 minutos
- Cor
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente