Em um mundo onde dinossauros e humanos vivem lado a lado, um apatossauro chamado Arlo é um amigo humano improvável.Em um mundo onde dinossauros e humanos vivem lado a lado, um apatossauro chamado Arlo é um amigo humano improvável.Em um mundo onde dinossauros e humanos vivem lado a lado, um apatossauro chamado Arlo é um amigo humano improvável.
- Prêmios
- 9 vitórias e 41 indicações no total
Jeffrey Wright
- Poppa
- (narração)
Frances McDormand
- Momma
- (narração)
Maleah Nipay-Padilla
- Young Libby
- (narração)
- (as Maleah Padilla)
Ryan Teeple
- Young Buck
- (narração)
Jack McGraw
- Young Arlo
- (narração)
Marcus Scribner
- Buck
- (narração)
Raymond Ochoa
- Arlo
- (narração)
Jack Bright
- Spot
- (narração)
Peter Sohn
- Pet Collector
- (narração)
Steve Zahn
- Thunderclap
- (narração)
Mandy Freund
- Downpour
- (narração)
Steven Clay Hunter
- Coldfront
- (narração)
A.J. Buckley
- Nash
- (narração)
- (as AJ Buckley)
Anna Paquin
- Ramsey
- (narração)
Sam Elliott
- Butch
- (narração)
David Boat
- Bubbha
- (narração)
- (as Dave Boat)
Carrie Paff
- Lurleane
- (narração)
Calum Grant
- Pervis
- (narração)
- (as Calum Mackenzie Grant)
Enredo
Você sabia?
- CuriosidadesArlo's movements were based on those of young elephants.
- Erros de gravaçãoIn the film, the T-Rexes gallop although in real life they would have run more like birds. However, the T-Rexes are cast in the film as cowboys riding herd on their longhorns. The animators clearly used galloping to fit this trope. Humor is added by the straight posture of the T-Rexes and their short arms which mimics the role of riders holding reins while atop horses (and how many children act while playing 'cowboy').
- Cenas durante ou pós-créditosThis sentence appears towards the end and is then encircled in a ring, like the human family towards the end of the movie: "We are grateful to the family and friends of The Good Dinosaur crew your love and support made this film possible."
- ConexõesFeatured in Annoying Orange: Trailer Trashed: The Good Dinosaur (2015)
Avaliação em destaque
If you can make it through the tedious first third, it's not a bad little movie. The interplay between Arlo and Spot is generally enjoyable (the first really good scene is Spot trying to feed Arlo). The movie can be quite funny, somewhat thrilling, and occasionally touching.
So basically, if this was some kids cartoon from some lesser studio, this would be pretty good. For Pixar though, it's a big disappointment.
One of the film's biggest flaws is also one of its greatest strengths; the animation. On the one hand, the landscapes - forests, rivers, fields - have an amazing photo-realism that mark them as an incredible achievement in animation. But this hyper-realism makes the main dinosaur breed look terrible; they are about as realistic as the cars in Cars, and it's like someone filmed a sock puppet show in the Grand Canyon. It's the thing most reviewers seem to talk about, so it's rather amazing that Pixar didn't see the problem themselves.
It's not that the dinosaurs needed to look real, but the insistence on those giant, soulful eyes made the heads misshapen, and the colors are too clean and shiny to meld with the environments. Other breeds of dinosaurs and insects have an acceptable cartooniness, but Arlo is just annoying in design, creating a constant de-immersion signal.
The story is conventional and predictable, the emotional moments feel manipulative, but still, it's not bad as kid's cartoons go. But it sure isn't what we expect from Pixar.
So basically, if this was some kids cartoon from some lesser studio, this would be pretty good. For Pixar though, it's a big disappointment.
One of the film's biggest flaws is also one of its greatest strengths; the animation. On the one hand, the landscapes - forests, rivers, fields - have an amazing photo-realism that mark them as an incredible achievement in animation. But this hyper-realism makes the main dinosaur breed look terrible; they are about as realistic as the cars in Cars, and it's like someone filmed a sock puppet show in the Grand Canyon. It's the thing most reviewers seem to talk about, so it's rather amazing that Pixar didn't see the problem themselves.
It's not that the dinosaurs needed to look real, but the insistence on those giant, soulful eyes made the heads misshapen, and the colors are too clean and shiny to meld with the environments. Other breeds of dinosaurs and insects have an acceptable cartooniness, but Arlo is just annoying in design, creating a constant de-immersion signal.
The story is conventional and predictable, the emotional moments feel manipulative, but still, it's not bad as kid's cartoons go. But it sure isn't what we expect from Pixar.
- cherold
- 13 de ago. de 2016
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- The Good Dinosaur
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 200.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 123.087.120
- Fim de semana de estreia nos EUA e Canadá
- US$ 39.155.217
- 29 de nov. de 2015
- Faturamento bruto mundial
- US$ 332.207.671
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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