O Inocente

I read critics lauding this film using superlatives like 'amazing', 'hysterically funny' and 'a delight'. With great hopes we handed over our money and went in. I enjoy French comedies but they have proven to be hit and miss over the years. This one is a big MISS. It's also a mess. The acting was fine, as was the plot, so what was it? I can only put it down to the script, direction and editing, which is pretty much most of how a film is made. Apart from not being even mildly humorous it was just so disjointed. Some scenes made little sense. I do give it points for the scene in the diner. That was quite well made and hinted at a completely other film the director might be more proficient at.

... and then I discovered he was the Director as well! It probably explains why he got the job, but not really why he'd want to come across so badly in this. He was so awful that I nearly gave up about 20 minutes in, but stayed around for Noemie Merlant - who really makes this film - and Roschdy Zem, who I'd not seen before but does a very nice turn as the errant (but convincingly loving) husband.

As a variant on the "heist caper" it's quite nicely done, with some humorous moments, but because I didn't empathise at all with Garrel's character it was hard to see the ending as "happy" - as I'm sure was intended.

If you can cope with Garrel, I'm sure it's fine.

I really don't know what to think about it. What's this, a comedy, a thriller, a drama? It hesitates between all of those elements and that mixes me up. Good directing, good acting, but you always wonder what are you going to see, but this time in the not so good way. Because, I know, that most of time when you don't know what to deal with, it may be exciting. Not here. Sorry. But honestly, it is a good entertainment, it's impossible to get bored and that's the most important, no matter my sensitiviy and taste. After all, there is no rule in story telling, nothing at all prevents a story to be a mix up between comedy, horror, drama, crime, science fiction.... Nothing.

Even though the movie is rated as a comedy, 90% of it is drama, with only 2-3 scences with medium laugh. The action is surrounding the main character Abel, through the life of his newly married mother with an ex prisoner.

There are a few scenes that showcase love and appreciation, especially between elder people, which I find great because not a lot of movies are doing that.

The only funny character was Clemence, which is a secundary character with not a lot of screen time, but she ends up an important part in the plot.

I was expecting a lot more funny scences, as I had great experiences with some French movies, but even the music and the way it was filmed reminded me of a drama waiting to happen.

I like Louis Garrel - he has something about him that I usually find engaging to watch on screen. Here, though, the story is all just a little too far-fetched! He ("Abel") takes his mother "Sylvie" (Anouk Grinberg) to prison where she runs an acting class and where she has hooked up with "Michel" (Roschdy Zem). Now "Abel" is a bit sceptical about his mother marrying an ex-con and soon he and his best mate "Clémence" (Noémie Merlant) and carrying out some fairly clumsy surveillance on the man. "Michel" is no fool though and before we know it, the spying pair are mixed up a plan to pinch a great supply of caviar from a van in a petrol station car park! What ensues here does raise the odd smile and is generally an adequate little drama - but it still tends a little too much to weak slapstick inso far as it's a comedy. It's also a love story and a family drama that is better than soap, but only just - it's like we are watching an incomplete episode in the lives of people that we don't really know - nor get to know, either. Merlant is a breath of fresh air and she gels well with her increasingly hapless pal "Abel" as we head to a denouement with a few twists to keep us guessing. I did quite enjoy it, but it's totally forgettable fayre, sorry.