Acompanha Elphaba, a futura Bruxa Má do Oeste, e seu relacionamento com Glinda, a Bruxa Boa do Norte. O segundo de uma adaptação cinematográfica em duas partes do musical da Broadway.Acompanha Elphaba, a futura Bruxa Má do Oeste, e seu relacionamento com Glinda, a Bruxa Boa do Norte. O segundo de uma adaptação cinematográfica em duas partes do musical da Broadway.Acompanha Elphaba, a futura Bruxa Má do Oeste, e seu relacionamento com Glinda, a Bruxa Boa do Norte. O segundo de uma adaptação cinematográfica em duas partes do musical da Broadway.
- Direção
- Roteiristas
- Estrelas
- Prêmios
- 4 vitórias e 19 indicações no total
Ariana Grande
- Glinda
- (as Ariana Grande-Butera)
Colman Domingo
- The Cowardly Lion
- (narração)
Aaron Teoh Guan Ti
- Avaric
- (as Aaron Teoh)
Sharon D. Clarke
- Dulcibear
- (narração)
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Avaliações em destaque
Lacks the magic and focus of Part One
Surprising even the most optimistic of pundits last year, Wicked: Part One took the world by storm with its toe-tapping and empowering song and dance numbers, breathtaking filmmaking and star-making performances, setting in motion a phenomenon that has been reaching fever pitch as diehard and casual fans alike waited with bated breath as the second and final instalment For Good was unleashed around the globe.
One of those rare Hollywood blockbusters that managed to be a critical and awards darling as well as an audience pleaser, Wicked was a star aligning experience that now appears to have been a one off, with returning director Jon M. Chu and his star-studded cast struggling to bring the same amount of energy and magic to proceedings here in what amounts to a much more po-faced and stilted feature with only glimmers of the enchantment that made the first instalment of Wicked such a winner.
More serious in nature due to the requirements of its dramatic focussed narrative arc that differs majorly from the first films whimsical university vibrancy and introduction to the wonderful world of Oz, For Good feels like more of a procession of big plot developments and Hallmark like emotional beats as Cynthia Erivo's mistreated witch Elphaba and Ariana Grande's princess like Glinda find their lives clashing and their once fruitful friendship threatening to be torn apart permanently.
With the Broadway show on which Wicked stems from widely regarded as having a very clear winner in its two-act approach, with the plays first act accepted by most as the standout, Chu and his team had their work cut out for them as they attempted to bring a lesser collection of songs and ballads to life, as well as tie-up a story that in this slightly longer than two hours feature feels too crammed with conflicts and resolutions as the likes of Jonathan Bailey's Fiyero, Ethan Slater's Boq and Michelle Yeoh's Madame Morrible all get relegated to bit players as Chu struggles to maintain focus.
Lacking the equivalent of a toe tapping Dancing Through Life, a catchy and humorous Popular or the raw intensity or emotional power of Unlimited or Defying Gravity, plus the initial spark many felt when they were first welcomed through to the doors to Oz or Shiz University, For Good still finds its cast committed and up for the challenge but despite their best intentions and the films eye capturing visual design, the sparkle of Part One often feels distant and foreign to this outing that never manages to connect like its predecessor.
There's likely still going to be a collection of invested fans that find For Good meeting all their needs and box office receipts for this much-anticipated outing will likely be a godsend for many cinema chains around the world but after the highs of the first wonderous outing, it's hard not to feel disappointed by this follow-on that failed to find the heart and wonder that was so evident the first time around.
Final Say -
Destined to be more divisive than the universally appreciated and adored first film, Wicked: For Good lacks in many departments Jon M. Chu's first film thrived in, leaving us with a pretty but hollow vessel of what once was.
2 1/2 transport bubbles out of 5.
One of those rare Hollywood blockbusters that managed to be a critical and awards darling as well as an audience pleaser, Wicked was a star aligning experience that now appears to have been a one off, with returning director Jon M. Chu and his star-studded cast struggling to bring the same amount of energy and magic to proceedings here in what amounts to a much more po-faced and stilted feature with only glimmers of the enchantment that made the first instalment of Wicked such a winner.
More serious in nature due to the requirements of its dramatic focussed narrative arc that differs majorly from the first films whimsical university vibrancy and introduction to the wonderful world of Oz, For Good feels like more of a procession of big plot developments and Hallmark like emotional beats as Cynthia Erivo's mistreated witch Elphaba and Ariana Grande's princess like Glinda find their lives clashing and their once fruitful friendship threatening to be torn apart permanently.
With the Broadway show on which Wicked stems from widely regarded as having a very clear winner in its two-act approach, with the plays first act accepted by most as the standout, Chu and his team had their work cut out for them as they attempted to bring a lesser collection of songs and ballads to life, as well as tie-up a story that in this slightly longer than two hours feature feels too crammed with conflicts and resolutions as the likes of Jonathan Bailey's Fiyero, Ethan Slater's Boq and Michelle Yeoh's Madame Morrible all get relegated to bit players as Chu struggles to maintain focus.
Lacking the equivalent of a toe tapping Dancing Through Life, a catchy and humorous Popular or the raw intensity or emotional power of Unlimited or Defying Gravity, plus the initial spark many felt when they were first welcomed through to the doors to Oz or Shiz University, For Good still finds its cast committed and up for the challenge but despite their best intentions and the films eye capturing visual design, the sparkle of Part One often feels distant and foreign to this outing that never manages to connect like its predecessor.
There's likely still going to be a collection of invested fans that find For Good meeting all their needs and box office receipts for this much-anticipated outing will likely be a godsend for many cinema chains around the world but after the highs of the first wonderous outing, it's hard not to feel disappointed by this follow-on that failed to find the heart and wonder that was so evident the first time around.
Final Say -
Destined to be more divisive than the universally appreciated and adored first film, Wicked: For Good lacks in many departments Jon M. Chu's first film thrived in, leaving us with a pretty but hollow vessel of what once was.
2 1/2 transport bubbles out of 5.
Pacing suffers
The pacing in this film doesnt quite hold attention like the first. For some reason the set pieces still look good but also seem a bit smaller somehow? Or less detailed maybe? Not sure but there felt like a lot of more obvious cgi in this one. There was no real main hit song like the first one had and they were all a bit less memorable so that was disappointing, possibly aside from no place like home. I was personally happy with the ending. All of these 10s are embarrassing this film was not at all visually stunning and was hard to hear regularly. Obviously die hard wicked fans who would give anything wicked a 10. If youre not a serious man wicked fan this isnt a good movie.
Just not as good
Despite Cynthia stealing every scene with her amazing presence, voice and acting, for me part 2 just didn't work. Weak plot, what was there was rushed through, squeezed in Dorothy etc with no explanation or context, Nessa story not explained (although she's annoying so glad she wasn't on screen any more than needed), very little on the wizard, quick spoiler reveal and then he flew off, and Michelle yeoh is just dreadful throughout. The passion between fiyaro and elpheba was a bit awkward and unbelievable, which is a shame. But the friendship between Glinda and Elpheba was strong and emotional, by far the outstanding performance, but nothing else came close. And the music was just a bit rubbish, perhaps we were spoilt in the first.
A Disappointingly Flat Experience
"Wicked: For Good" aims high with its musical ambitions, but the final result feels surprisingly hollow. It's the kind of film that promises grandeur - rich songs, emotional storytelling, a sweeping theatrical tone - yet delivers something that rarely rises above mediocre. For me, in contraposition with the previous very well done production, this movie is carried only by a few scattered moments of charm but weighed down by far too many shortcomings.
The biggest disappointment is the music. In a film where songs should carry emotion, character, and narrative weight, they instead feel weak, repetitive, and strangely uninspired. Most numbers come and go without leaving any impression, lacking both melodic strength and thematic purpose. Rather than elevating the story, the music often slows it down.
The script doesn't help. It feels thin, undercooked, and far too reliant on broad strokes rather than meaningful character development. Emotional turns arrive without buildup, conflicts lack impact, and the dialogue rarely adds depth. It's a story with potential, but very little of that potential makes it to the screen.
The pacing is equally problematic - inconsistent to the point of distraction. Some scenes drag without offering substance, while others rush through moments that should carry dramatic weight. The result is a film that feels both bloated and oddly empty, never finding its rhythm.
"Wicked: For Good" isn't without effort or intention, but it never manages to bring its ideas together into something compelling. It's underwhelming, forgettable, and a far cry from the magical musical experience it tries to be.
The biggest disappointment is the music. In a film where songs should carry emotion, character, and narrative weight, they instead feel weak, repetitive, and strangely uninspired. Most numbers come and go without leaving any impression, lacking both melodic strength and thematic purpose. Rather than elevating the story, the music often slows it down.
The script doesn't help. It feels thin, undercooked, and far too reliant on broad strokes rather than meaningful character development. Emotional turns arrive without buildup, conflicts lack impact, and the dialogue rarely adds depth. It's a story with potential, but very little of that potential makes it to the screen.
The pacing is equally problematic - inconsistent to the point of distraction. Some scenes drag without offering substance, while others rush through moments that should carry dramatic weight. The result is a film that feels both bloated and oddly empty, never finding its rhythm.
"Wicked: For Good" isn't without effort or intention, but it never manages to bring its ideas together into something compelling. It's underwhelming, forgettable, and a far cry from the magical musical experience it tries to be.
I wanted to love it
After all of the audio cuts from the trailers that had me SO looking forward to entire numbers, I daresay it landed flat for me. I wanted to be gut-wrenched during and after this film but I just wasn't. There wasn't enough tension build-up to release during For Good and unfortunately I was underwhelmed by the delivery. I left the theater unmoved by the supporting cast performances. Act II is known to be the weaker act for the stage version, but the film had an opportunity to deliver better pacing and fuller picture. The plot points that feel rushed on stage felt rushed in the move as well.
Overall, the film kept my interest and boasts stunning optics, but doesn't touch the level of masterpiece or re-watchability part one had.
Overall, the film kept my interest and boasts stunning optics, but doesn't touch the level of masterpiece or re-watchability part one had.
'Wicked: For Good' Stars Through the Years
'Wicked: For Good' Stars Through the Years
From Harriet and The Legend of Sleepy Hollow to "Scream Queens," check out the TV and movie roles of Cynthia Erivo, Jeff Goldblum, Ariana Grande, and more stars of Wicked: For Good.
Você sabia?
- CuriosidadesWicked (2024) first announced it would be split into two films in April 2022, with composer Stephen Schwartz explaining: "The truth is we tried for some time to make it one movie (which) required us to cut or omit things we wanted to include that we believe fans of the show and story will appreciate." He added, "We found it very difficult to get past 'Defying Gravity' without a break. That song is written specifically to bring a curtain down, and any scene that follows it without a break just seemed hugely anti-climactic."
- Erros de gravaçãoWhen Elphaba takes Fiyero to her hideout and starts singing "As Long as You're Mine", he unbuttons his shirt. In some shots the shirt is unbuttoned down to his chest, in others it's closed to his neck.
- Cenas durante ou pós-créditosThe Universal Pictures logo used is the 1937-47 version, in tribute to the era when O Mágico de Oz (1939) was released, appearing in a zoom-out shot used by the current logo. The logo is also in green and pink, the colors of the main characters Elphaba and Glinda.
- ConexõesFeatured in Animat's Crazy Cartoon Cast: Chip n' Dale: A New Legacy (2022)
- Trilhas sonorasEveryday More Wicked
Written by Stephen Schwartz
Performed by Cynthia Erivo, Michelle Yeoh, Ariana Grande, and Cast
Principais escolhas
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- How long is Wicked: For Good?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Wicked: For Good
- Locações de filme
- Inglaterra, Reino Unido(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 270.440.920
- Fim de semana de estreia nos EUA e Canadá
- US$ 147.004.640
- 23 de nov. de 2025
- Faturamento bruto mundial
- US$ 393.258.920
- Tempo de duração
- 2 h 17 min(137 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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