Avaliações do Metacritic

For a movie that has dark in its title, and which is — yes! — darker (people die, Asgard is grimier, as befitting Alan Taylor’s Game Of Thrones heritage), Thor 2.0 is consistently amusing.

Marvel’s man with the mallet does all that’s required of him in a breakneck sequel that’s never dark for long. Next time, though, we’ll have more Loki and fewer elves.

This robust, impersonal visual-effects showpiece proves buoyant and unpretentious enough to offset its stew of otherwise derivative fantasy/action elements.

Thor: The Dark World gets a lot more entertaining in the second hour, when the shape-shifting Loki is sprung from his cell (for complicated reasons) and immediately begins trading bitchy insults with his forthright, manly brother.

No amount of tool-wielding heroism can save The Dark World from being a startlingly unbalanced movie.

This is a deeply silly, extremely noisy and sometimes impenetrable action movie that’s drowning in CGI, wild overacting and mullets. And it’s enormously entertaining.

If only all of Thor: The Dark World could capture the magic of its last act, the film wouldn’t feel like such a chink in Marvel’s otherwise solid armor.

A film that is enjoyable in spots, but haphazard and ultimately unsatisfying.

Although director Alan Taylor manages to get things going properly for the final battle in London, the long stretches before that on Asgard and the other branches of Yggdrasil are a drag.

It feels entirely made by committee – the definition of house style, without a personal stamp in sight.