Meu Filho, Nosso Mundo

I don't understand the ones that hated this to me it's one of the most heartwarming, quite relatable, and wonderful tearjerker; I'm probably one of few that cried a couple times during this. I have had stomach pain most the day but I love crying to movies I sympathize with and felt sad I don't have a great dad like Bobby Cannavale's character even Robert De Niro was magnificent in this!

I'm fine with being in the minority that loved this a lot to me anything about someone on the spectrum hits the spot and this is one of the best ones I've seen. I quote movies often, I've had meltdowns, I have sensory to certain foods, and I was forced into special needs classes at a young age. I genuinely hope Ezra gets appreciated truly deserves it.

Sometimes people think I'm a fool for not answering them, but I do respond internally, often with quotes from my favorite books and movies... just like Ezra.

Ezra is a film that beautifully weaves together the story of three generations of autism within a single family. It's brought to life by the masterful direction of Tony Goldwyn, whose talent never fails to impress me, and written by Tony Spiridakis, who is himself a parent of an autistic child.

Tony Goldwyn has assembled an incredible cast. It was heartwarming to see him reunite with Whoopi Goldberg after "Ghost," along with the brilliant Vera Farmiga, Rainn Wilson, and the always-reliable Robert De Niro in supporting roles.

But the true magic of the film lies in the performances of Bobby Cannavale, who proves what a remarkable actor he can be when given the chance, his real-life partner Rose Byrne, and the astonishing William Fitzgerald.

Director Tony Goldwyn insisted on casting an autistic actor to play Ezra, which was no easy feat, as Hollywood tends to shy away from decisions that increase legal liability. The film's co-producer, Alex Plank, is also on the autism spectrum. The goal was not only to make an authentic film but also to create an accessible film set for neurodivergent actors and crew members. Under Plank's guidance, everyone on set participated in autism training sessions throughout the production.

The film's cinematography, handled by Daniel Moder, is a visual treat with its story-driven use of color and camera work.

Unlike the usual (and frankly offensive/misleading) autism-centric films, "Ezra" takes a more accurate path, embracing neurodiversity, and has deepened my respect for Tony Goldwyn. The film avoids the common tropes and stereotypes associated with autism, instead offering a nuanced and authentic portrayal of the challenges and joys of living with autism. It celebrates the unique strengths and perspectives of neurodivergent individuals, while also acknowledging the difficulties they face in a world that often misunderstands and stigmatizes them.

In conclusion, "Ezra" is a heartwarming and thought-provoking film that sheds light on the complexities of autism with sensitivity and compassion. It is a must-see for anyone who wants to gain a deeper understanding of neurodiversity and the importance of acceptance and inclusion.

Ezra, directed by Tony Goldwyn, stars Bobby Cannavale as Max Bernal, with Robert De Niro, Rose Byrne, and William Fitzgerald in key roles, and has a runtime of 105 minutes. The film tells the story of a father navigating the challenges of co-parenting his autistic son, Ezra, through a heartfelt cross-country road trip.

Initially, the movie threw me off with a somewhat cliché start. The plot was set into motion by decisions that felt irrational and not entirely believable, making it difficult to get fully immersed right away. However, as the story unfolded, Ezra managed to win me over. The narrative gradually moved away from the typical setup and developed into a more nuanced exploration of family, connection, and personal struggles.

One of the film's biggest strengths is the performances from the entire cast. Bobby Cannavale and William Fitzgerald lead the charge with compelling portrayals, and you can feel every emotion emanating from their characters. Robert De Niro and Rose Byrne add depth to the supporting cast, and all the actors bring a sincerity to their roles that makes the story engaging. Each scene is given room to breathe, allowing the characters' emotions to resonate without feeling rushed.

The film's pacing is another highlight, as it never felt hurried or forced. This careful approach allowed Ezra to evoke some truly heartfelt emotions, making the viewer feel invested in the journey of Max and his son. It's clear that Tony Goldwyn's direction and Tony Spiridakis's writing aimed to capture the raw and tender moments of parenting, and for the most part, they succeeded.

In conclusion, despite a rocky start, Ezra finds its footing and delivers a touching, emotional journey. The strong performances and well-paced storytelling make it a movie worth watching. I give it a 7 out of 10.

He's read the New York Times since he was 5 and can eat only with plastic silverware. That's Ezra, the film is Ezra, and Ezra is autistic. This new melodrama from Hollywood, directed by Tony Goldwyn, is a tearjerker in its best form: so likeable is dad, Max (Bobby Cannavale in his career high), so fetchingly gruff his grandpa (Robert De Niro), so loveable Ezra (William A. Fitzgerald) that you root for them from the first frame to the last.

Max doesn't want Ezra to be put in a special school, so in his usually off-kilter way, he kidnaps Ezra to take him to California away from the cold-hearted child services and to appear as a comedian on the Jimmy Kimmel show. Despite the challenge of an Amber Alert, the fugitives manage to make the odyssey with grandpa's help and that of the endearing mother (Rose Byrne), divorced from Max but loving both Ezra and him. That she accepts the authorities' decision to drug Ezra and place him in a special school stretches credibility given the questionable authorities.

Although some of these situations seem like setups for pulling at the heart, the film peppers each with a reality that proclaims how we could easily be in the same situation. Max often acts like a child, while the child acts like an adult. When Max attacks the principal, the script seems unreal.

However, the film successfully shows not only the rough side, but also the charming side of autism, much as Rainman did. In other words, humanity outweighs film formula.

Life constantly gives Max chances while he tends to blow the opportunities. While being a stand-up comedian who earns a gig on Kimmel, he has some of the worst jokes ever, such as finding his inner child who happens to have a gun.

One of the memorable segments is De Niro showing his considerable chops when he apologizes to Max for being an emotionally distant father. It's the old Travis first-rate acting even when it feels like writer Tony Spiridakis is forcing the moment and its emotion.

The movie Ezra is a stellar summer outing with excellent acting and caution about being a parent and bringing up an autistic child. The imperfections are negligible when you consider its strengths.

I'm a fan of sweet, simple stories with memorable characters and I found all of that in Ezra. Bobby Cannavale turns in a magnificent performance in the role of Max, a struggling standup comic co-parenting his autistic 11-year-old son Ezra with his ex-wife Jenna played by the always fabulous Rose Byrne. When Ezra's outbursts spin out of control at school, a doctor suggests putting him on a special medication. Jenna is receptive to the idea, but Max is having none of it and flees with Ezra, taking him on a cross-country road trip with hopes of appearing on Jimmy Kimmel Live. It's a trip that proves life-changing for both Max and Ezra.