Treto poluvreme

Even though I'm from Macedonia, I will try to review this title from the most objective point of view possible.

I honestly had a higher expectations from this motion picture, simply because I believed (and I still do) that the director Darko Mitverski is a great director. Unfortunately, better director than this movie.

The movie according to my humble opinion is good, but not excellent. Good idea, averagely implemented. The characters are not fully processed and most part of scenes and time on screen is wasted on less important facts (some fictional) for the story line. Emil Ruben and Richard Sammel delivered amazing roles. Toni Mihajlovski and Verica Nedeska too who had small parts proved that all what outstanding actors need is one or two short lines and gestures to make a great role. This is Saso Kocev's first leading role in a movie and that's why I'm gonna give him a break. He really was trying but sometimes is hard to deliver a believable character when you have a partner like Katarina Ivanovska who looks great and breathtaking and nothing else. I don't know much about the movie making process in general, but I most definitely know that you DO NOT sacrifice the whole movie for a couple of camera shots on a pair of perfectly shaped breasts. If I was the director I would have chosen Verica Nedeska for the part of Rebeka.

From an aesthetic point of view (costume designs, photography and scenery) the movie makes positive progress in the Macedonian cinematography but we've already seen all that in the Milco Mancevski movies so yes, progress but nothing unseen or outstanding especially if we consider the money spent on the film.

All in all, I really wanted to fell in love with this movie but it was impossible. I don't react well on movies which try to push down my throat way too pathetic scenes on a patriotic basis. I'm gonna be honest and say that there were some scenes that provoked tears in my eyes but they didn't deliver anything huge. Maybe I'm the problem. Maybe I've already seen too many motion pictures and theatrical performances in my life to blindly shout out loud Hooray!

Two thumbs up beside all. It's better to have any kind of movie, than no movie at all. For all you reading, watch it and make a decision on your own. The third Half it is a movie that impacts differently on different types of people.

No matter of the review that i'll write for all the viewers of the movie i think that if you are not Macedonian you won't get the point of this movie.The movie have strong behind and a message full of anger and revenge of what they where doing to Macedonia in the past.By revenge i mean that the director want the viewers to see how humiliating was the past for our people and how they apart our land and whit those a lot of families where separated,a lot of love stories where broken,a lot of dreams where gone.That's why i think this movie is something that describe us like a nation a history of people that survived this and now are only memories left for tell. About the actors i think that Sasko did well his role,but Karerina was week in some parts,i guess that's because this was her first movie.The songs in the movie are also very touchable part, and i think that there is no Macedonian who watched the movie and not get thrill all over her/his body.I recommend the movie for all, for me was great.

p.s Sorry if i have some grammar mistakes.

As it is obvious there are too many languages used for almost all actors. In my opinion it is very hard to distinguish for foreigners between Macedonian, Serbian, Bulgarian, Croatian, German, Jutish-Latino... That is the reason that I propose when translating the title for different languages to be written using different font shape and if possible different color. This will enhance full understanding of the story, especially taking into account that some actors speak several languages. Doing so it will clarify the main message (according to my understanding) sent to us by the author: Love can find its way in any circumstances, and it is always stronger than hate.

In Macedonia, during World War II, a football team hires a German coach to improve its results. But the war will son caught up with the team, as the German-allied Bulgarian army invades the country. Sasko Kocev stars as Kosta, a handsome if a somewhat rakish footballer. Kosta pursues the beautiful Rebecca (Katarina Ivanovska), the daughter of Don Raphael (veteran actor Rade Serbezidja), a wealthy Jewish businessman. Richard Sammer is Spitz, the German trainer, who is persecuted by the authorities after they find he is a Jew (this is based on a real character, though many details were changed). The movie also covers a lot of political issues, like the Bulgarian-Macedonian rivalry, which I can't comment on deeply since it is a territory I'm quite unfamiliar with. This political aspect can be quite crude. For instance, all the Bulgarian characters look bad here, starting with the nasty General Gorvanov (a great performance of Emil Ruben). Overall, this is an entertaining film. Note: the former Yugoslavia seems to have cornered the market on period football films: some years ago, there was a fine Serbian film called Bog Te Video, about the Yugoslavian team that played in the 1930's World Cup.

embroidery of stories. slice of history. joy, love, ambition, passion. and the war. changing all. a great film for the fine recreation of atmosphere. for the good intentions. for the sketch of love story. for the passion for football in coherent manner. like many films from the East, a form of exorcism. not real surprising. because the art is tool for old testimonies about pain, injustice, hope, small victories. and this is the motif for see The Third Halv. more as a collection of old photos than example of acting. because remains the impression of fear of actors to assume in real manner, the roles. sure, an explanation could be the absence of artistic skills. but important remains the authenticity of scenes from a lost Macedonia and the stories of this in many ways, ignored land.this is the essence of the work of Darko Mitrevski. and it is an admirable work.