Do Jeito que Elas Querem: O Próximo Capítulo

Book Club: The Next Chapter Is the sequel to the first Book Club movie from 2018. Both films are directed, part written and produced by Bill Holderman.

After the corona pandemic and having read many books because of this, the friends of the book club decide to travel to Italy. They also use this trip as a bachelorette party for Vivian (Jane Fonda) who has been proposed to by her partners. During their journey they experience many pleasant and less pleasant things.

Unfortunately, this sequel quickly comes across as unnecessary, because for a second book club film, little is read or really talked about books. The members of the club go on a vacation alone in this sequel, to admire some culture and fashion styles.

In the beginning, the film also responds to the current situation of the corona pandemic, but does little with this after bringing it up. It just gives the characters an extra reason to want to travel to Italy. During this trip they show beautiful images of famous places and buildings in Italy, but besides showing these things, little is done with them.

The story also remains on a predictable side and remains somewhat the same as many other comedy in which characters take a journey. Thanks to unrealistic or forced moments, the film also loses some of its credible sides and sometimes goes on unnecessarily too long. The movie could have been ten minutes shorter.

The acting is well done by the four actresses who play the friends. They again come across as real friends who have known each other for a long time and are friends with each other. Thanks to the lesser story, they only get little to work with or to do something special with their roles.

Due to the predictable sides, most comedy also has a predictable side. The actresses know how to portray this in appropriate ways in the film, but the final punchline is often not as funny as it could have been.

In the end, this is an unnecessary sequel, which can be fun for fans of the first part, but for a better film, they should also just watch the first part again. In the other place where the story takes place, this film remains somewhat the same as the first film.

Diane (Diane Keaton), Vivian (Jane Fonda), Sharon (Candice Bergen), and Carol (Mary Steenburgen) are the best of friends. They are meeting in person for the first time since the isolation of the pandemic. They decide to go to Italy.

I'm fine with the first movie. It's fine. Don't ask me to watch a sequel. Yet here we are. I don't begrudge anyone from doing a honest day's work, but this one is a classic Adam Sandler move. Sandler often gets a bunch of his friends and makes a movie at some exotic resort location. There's a lot of that here. The writing is boring. I stopped caring about these characters. Maybe they'll stop making these although I can see a way to make the next one interesting.

When an AI script generator is fed "cliches about older women" "Italy tourism brochures" and "text from wine-themed decor items," this is what's spit out. I left 2/3 of the way through so I'm not technically qualified to give a full review... but I had to force myself to stay that long. Jane Fonda was particularly assaulted by the script, but none were spared. Even Italy should fire their agent over this one~ no hackneyed tourist trap was overlooked, no cliche left out. I need 118 more characters for this review to post but the movie was so dull that further criticism is fruit hanging too low. Just. Don't. Do It.

This appears to be a good excuse for four actors, who seem to get on quite well together, to get someone to fund an all expenses paid trip to Italy to make a movie underpinned by the thinnest of plots. That plot sees the group emerging from lockdown when they finally manage to meet for their routine bookclub. It's at this get-together that "Vivian" (Jane Fonda) announces that she - a lifelong opponent of the institution - is to marry "Arthur" (Don Johnson). "Carol" (Mary Steenbergen) comes up with the idea of a hen trip to Italy and after a bit of scepticism from "Diane" (Diane Keanton) and the timely death of the cat of judge "Sharon" (Candice Bergen) they embark on their trip of a lifetime. What now ensues is a rather predictable and lightweight comedy drama that starts off entertainingly enough but runs out of steam quickly and permanently. The last twenty minutes take us into cheesy territory that really did have me looking around the cinema at the ceiling thinking - "oh, just get on with it". There are a few fun contributions from Giancarlo Giannini as the rather dishevelled police chief and a few cameos from Andy Garcia, but for the most part this is just four folks having a jolly time whilst those of us sitting down remember (or discover) just how beautiful Venice is. It's all instantly forgettable stuff, this, but Bergen has her tongue firmly in her cheek and Jane Fonda just seems to look more android the more films she precariously totters through nowadays.

A clean, polished, well produced film with some very accomplished and famous stars of Hollywood. So why is it boring?

It feels as though they have tried to find how to prove much older women can't star in films, and wrote a script to prove that. But to hold your interest they locate it in a beautiful country which they show you a lot of.

It's sad that Jane Fonda has so obviously had lots of surgery, but the rest don't appear to have and they've aged well. So why mistreat them by making this shambles of an uninteresting film?

I think it dissolves their reputations somewhat as the film is just not good except in terms of a travel brochure for Italy.

Give it a miss, you won't miss anything.