Table for Six

This movie is a random pot of nonsense with cheap and borderline funny jokes scattered across. It has no coherent story, and one may argue this movie has no plot at all. The seismic tonal shifts are also unbearable. One second it seems to be earnestly exploring themes of family conflict and legacy, but a second later they devolve into a slow-motion fist-fight destruction montage for no reason, nothing happens afterwards and the characters still live their usual lives. The characters are still the exact same characters at the start of the movie, and the tiniest of character revelations have nothing to add to the plot at all. No idea why this movie could succeed at the box office.

This film is about a man who lives with his two younger brother. One day, one of his brothers take a girlfriend home for dinner, and this girlfriend happens to be his ex-girlfriend.

The story of "Table for Six" is really fun and hilarious. It made the cinema viewers laughed very hard, and it created such a joyful atmosphere. Towards the end, there is a lot of emotional elements involving multiple characters, which I find understandable to give the story more depth, but ultimately slightly forced. Overall, I really enjoyed watching this comedy, and I would not hesitate to recommend this to my friends.

This is one of those family films that seems to resonate more at Christmas - a time when we all tend to get together and then, shortly afterwards, wish perhaps that we hadn't! This reunion is predictably doomed to failure when "Bernard" (Louis Cheung) introduces his new girlfriend to his two brothers. Snag is - she "Monica" (Stephy Tang) used to date the elder one "Steve" (Chi-Wah Wong). Awkward! Luckily, he has recently met super-chef "Josephine" (Ivana Wong) and so manages to get her to play along as his new, long-term girlfriend. All of this is being egged on by the mischievous "Lung" (Charm Man Chan) who is the only one with a real girlfriend - "Meow" (Min Chen Lin)! As their large apartment starts to become home to new faces, chaos and misunderstandings ensue and the poor lads are soon very much out of their depth. It has an element of quickly paced, verbal, slap-stick to it, and though the joke does begin to wear a bit thin after the hour mark, the characters are engaging and their suffering is actually fairly entertaining (and plausible) as we head towards the conclusion that we just know might not end well for anyone! There is also quite a fun contribution from Fish Liew as the elderly mother whose pithy and observational one-liners frequently raise a smile. It's too long, but it's still good fun.

Hong Kong has become one of the most depressed cosmopolitan cities because of political environment, unaffordable housing, and many other reasons. To be honest I really can't think of how long I haven't watched an even above-average comedy in the cinema. Most of the films in Hong Kong in the past years are either serious and depressing local films, or crime films. They may be good or bad, but sometimes, in a city like this, I want to escape from having a laugh at a comedy film. I do think Hong Kong people are so unhappy that we can't make a good comedy again like we were in 90s. Luckily, in 2022 we have Table For Six.

The script is one of the best in Hong Kong history. The dialogues brought out a very Hong Kong style but unique jokes that play Cantonese so well. The scenes are smooth and you won't find some awkward and embarrassing moments like other Hong Kong badly produced comedy film. It's a non-stoppable laughing experience for me.

And there are some touching moments and brought messages talking about the importance of families to the audiences. I guess director may want to imply the migration issues happening in Hong Kong as well. It is a comedy, the touching scenes mix with the hilarious moments, but also let you ponder.

This is not the black humor masterpiece like Parasite, that Hong Kong people can be so proudly to have an academic award, but Hong Kong people should be glad that this is an almost pure comedy, and very local one, that let you enjoy your 2 hours in a cinema, and we have long lost for. At least I enjoy this film so much. We may never have a Stephen Chow again, but we can have more unique comedies like Table For Six, to let us take a breathe from the pressure.

Had it not been for the COVID-19 pandemic, 'Table for Six' and 'Chilli Laugh Story' would have gone head to head at the box office during the lucrative Chinese New Year period. That both films decided in the end to find separate release windows is a blessing in disguise, for both are worthy and deserving of audience attention. Whereas 'Chilli' saw the filmmaking debut of Coba Cheng under the tutelage of producer Sandra Ng, 'Table' marks the sophomore film by veteran screenwriter Sunny Chan under producer Bill Kong, and it is to the credit of both producers that each of these films are warm, wise and funny in their own ways.

Unfolding largely within the confines of their father's former barbeque pork kitchen which three brothers have since converted into a spacious apartment, 'Table' weaves a coming-of-age story for the siblings Steve (Dayo Wong), Bernard (Louis Cheung) and Lung (Peter Chan). The eldest Steve is a professional photographer, who has converted part of the space in the apartment into his own studio; more importantly though, he has taken it upon himself to head the household following the death of their parents. Lung has quit his day job in the hopes of making it big as a professional e-sports player, much to the chagrin of his longtime girlfriend Josephine (Ivana Wong). Among the three, Bernard seems to be the most well-adjusted, though it is also him who throws all their lives into disarray.

The first of several reunion dinners that are the equivalent of the movie's set-pieces sees Bernard bringing home his new girlfriend Monica (Stephy Tang), who was Steve's ex-girlfriend until their break-up three years ago that he still hasn't gotten over. Despite his own feelings, Steve generously welcomes Monica to join the family, inviting her to move in with them than remain in her subdivided flat he is all too familiar with. Steve further over-compensates by asking popular internet model Meow (Lin Min Chen) to move in as well, the latter an online celebrity who happens to be his biggest fan. Together with Josephine, whom Steve and Bernard had earlier invited to move in to be their resident chef, it is as crowded and as complicated as it gets.

Eschewing the 'mo lei tau' style of comedy of the typical CNY comedy, Chan adopts a dialogue-heavy, character-driven approach to his storytelling. A subsequent dinner conversation lays bare how Bernard had been interested in Monica even when she was Steve's girlfriend and had deliberately engineered their meet-cute over a project which Monica's advertising company had tendered for. A heart-to-heart talk between Steve and Meow reveals how the latter is a lot more astute and perceptive than her cutesy image suggests, and what Steve has been suppressing all these years in order not to be a cause of worry to his brothers. And just when you think the only thing that could go right would save the family from being torn apart, Lung and Josephine's relationship unravels in unexpected ways.

That none of the characters ends up being superfluous is credit to Chan's scripting, which takes time to sculpt each character's anxieties, insecurities and motivations. It is no surprise the family will come apart before coming back together again, but the process of doing so feels authentic, heartfelt and utterly relatable. It is also to Chan's credit that the film never loses its cinematic quality despite being largely a chamber piece, with Meteor Cheung's dexterous camera work ensuring that the movie feels intimate yet expansive at the same time. And then there is the ensemble cast, whose chemistry enlivens the material and makes it a lot more than the sum of its parts; in particular, (Dayo) Wong and Tang shine as ex-lovers who have to decide how to move forward not just for their sakes but also for the sake of those they care about.

We'd even go so far as to say that 'Table' is one of the best family dramas we've seen in a while, and with 'Chilli', even more reason to have faith once again in Hong Kong cinema. Kudos to Chan for not falling back on genre tropes for a Chinese New Year movie, choosing instead to pen quite possibly one of his best films to deliver an amusing, affecting and absorbing portrait of what it means to stay together as family. So even though it is now repackaged as a Mid-Autumn Festival release, 'Table' loses none of its joys or poignancy, and amidst a resurgence of Hong Kong cinema, may very well be the best of a very good lot.