Os Bucaneiros

... one critic's comments... "The Buccaneers, a refreshing take on the period drama genre, exploring the clash of cultures and the pursuit of love and ambition with a modern sensibility, all within the enchanting setting of 1870s London. Its bold and unapologetic approach might not be everyone's cup of tea, but it undeniably adds a unique flavor to the genre."

... an ok show, well done for the most part... you'll know within the first episode if you're going to be sticking with it week to week... it's entertaining to a 6 of 10, really not much more... acting like it's trying to be, yet Bridgerton it's not

... 12.14.23 - quite the S1 ending ... night b4 wedding, hubby-to-be out on some balcony drinking, while fiance's 'bedroom-entertaining'.. and that's only one of the pairings... S2 coming ... (and actually early-episodes new-Bridgerton's-boring)

I absolutely hated this when I started watching it. It felt like a rip-off Bridgerton. And in many ways it is. It was Bridgerton but not as good. I almost stopped watching. But then something odd happened. Partway through episode two, I began to enjoy it a bit more. A storyline of sorts began to develop. Someone's said the acting was bad. It wasn't. In fact, there are some good, well-known actors in the show. What irked, initially, was probably more the fault of the director than the actors - the vacuous cheerleader type vibe, which didn't sit well with 1870s England. It was also a mistake copying Bridgerton and using a modern music score. That jarred. And where it worked in Bridgerton, it didn't here. But even so, as the story and characters (along with their secrets) developed, I found myself pretty hooked on this. Is it historically accurate? Nope. Is it slightly the wrong side of light and frothy? Yes. But it's also quite addictive. I found myself thinking about it when I wasn't watching it and wanting to get back to the characters. There's also a darkness (particularly with one character) which helps to take the edge off the fluff. It's not a long series and, by the end, I wished it had been longer. I really hope a second season is on the way.

Not great at first, definitely trying hard to be Bridgerton, but still entertaining. The worst decision the creators of the show did was cast Alisha Boe, I'm sorry but she brings down the quality of the show making it feel very "High School" and she plays almost the exact same character as she does on 13 Reasons why. I feel the show would have been much better without her. Other than that, the rest of the casting is great. I love all the characters and the actors do a great job bringing their characters to life. It's very unrealistic but so is any show of that theme. The storylines are good and catchy. The costumers are ehh. Nan, Guy, Theo, and Lizzie are all easy to love and get into.

No wonder there's so much disdain and lack of appreciation for how people lived in the past. Stop making films about old world history as though it's today's teenagers playing dress-up. Use of current music distracts from immersing oneself in the time period.

The 1995 miniseries with Carla Gugino, Mira Sorvino, Greg Wise, Michael Kitchen and Cheri Lunghi is so much better than this drivel. Carla is wonderfully cast as is James Frain.

Learned recently that this story is loosely based on Winston Churchill's mother.

The original version is 6 episodes long and enthralling from beginning to end.

I haven't read the Edith Warton novel this is based on but I enjoyed the 1995 miniseries much more than this one even with all its flaws. I can see by some of the reviews that people don't realize this based on a historical fiction novel set in the Gilded Age (late Victorian) not set in an alternate universe (à la Bridgerton). Wharton was born in 1861 so she wrote from first hand experience. The original novel was unfinished so it has been open to reworking and finishing since her death. It seems someone decided Wharton's excellent writing needed the "Bridgerton treatment". I've seen some other historical fiction series that were able to incorporate modern music and language in a way that fits with the tone and style of the story but this is definitely not one of those. The music seems like they just picked random pop songs that don't fit with anything. Also insults the viewer's intelligence by hitting you over the head with the feminist theme in modern language as if we can't figure it out on our own.