Quando uma ameaça sinistra de sua infância volta a assombrá-lo, um pai luta desesperadamente contra seu medo mais profundo. Só que, desta vez, a luta não é por ele mesmo; é por sua família.Quando uma ameaça sinistra de sua infância volta a assombrá-lo, um pai luta desesperadamente contra seu medo mais profundo. Só que, desta vez, a luta não é por ele mesmo; é por sua família.Quando uma ameaça sinistra de sua infância volta a assombrá-lo, um pai luta desesperadamente contra seu medo mais profundo. Só que, desta vez, a luta não é por ele mesmo; é por sua família.
Caréll Vincent Rhoden
- Jake McKee
- (as Caréll Rhoden)
Sharon D. Clarke
- Barbara
- (as Sharon D Clarke)
Ross Green
- Bagman
- (narração)
Avaliações em destaque
"Bagman" (2024) is a horror film that explores the terror of a family haunted by a malevolent entity. While it delivers some effective scares and a chilling atmosphere, the film ultimately falters due to predictable plot points and a lack of originality.
The movie effectively uses sound design, lighting, and a secluded setting to create a sense of dread and unease. The jump scares, though frequent, are well-timed and genuinely startling. The performances, particularly from leads Sam Claflin and Antonia Thomas, are commendable, conveying the characters' fear and vulnerability convincingly.
However, "Bagman" suffers from a reliance on familiar horror tropes. The plot follows a predictable pattern, with the family members making questionable decisions that escalate the danger. The antagonist, while visually unsettling, lacks a compelling backstory or motivation, reducing it to a generic force of evil.
Furthermore, the pacing feels uneven. Some scenes drag, while others feel rushed, disrupting the flow of the narrative. The film also fails to delve deeper into the psychological impact of the terror on the family, focusing primarily on the physical threats.
Despite its shortcomings, "Bagman" offers a decent dose of jump scares and a chilling atmosphere for horror enthusiasts. However, those seeking originality or a more nuanced exploration of fear may find it underwhelming.
The movie effectively uses sound design, lighting, and a secluded setting to create a sense of dread and unease. The jump scares, though frequent, are well-timed and genuinely startling. The performances, particularly from leads Sam Claflin and Antonia Thomas, are commendable, conveying the characters' fear and vulnerability convincingly.
However, "Bagman" suffers from a reliance on familiar horror tropes. The plot follows a predictable pattern, with the family members making questionable decisions that escalate the danger. The antagonist, while visually unsettling, lacks a compelling backstory or motivation, reducing it to a generic force of evil.
Furthermore, the pacing feels uneven. Some scenes drag, while others feel rushed, disrupting the flow of the narrative. The film also fails to delve deeper into the psychological impact of the terror on the family, focusing primarily on the physical threats.
Despite its shortcomings, "Bagman" offers a decent dose of jump scares and a chilling atmosphere for horror enthusiasts. However, those seeking originality or a more nuanced exploration of fear may find it underwhelming.
Bagman has low ratings, but I usually don't let that stop me from watching something that seems interesting. Sometimes the movies are incredible, and sometimes they are worse than the ratings. Horror movies are not ever scary to me, but I enjoy the atmosphere and psychological parts of them. Bagman was not anything very original, but it was still a decent watch. I didn't find the movie hard to follow and I didn't see the parents as terrible like so many other reviewers have said.
I gave this a 6 rating and would have a 7 if not for the "ending" of the end of the movie. After how the movie turns out, and that was definitely different and I wasn't really expecting that, but it's after what happens that I felt was a little flat. I guess it ended how it should as not to be carried out to be a 3 hour movie, but I kind of wanted to see more. The climax was good though and I felt made it worth seeing the movie through. That's a good thing. Just when you think you know what's going to happen, because again, it wasn't anything with an original plot. That was a really good way to turn the movie into something different.
I say give it a go. It was a decent movie with a really good ending.
I gave this a 6 rating and would have a 7 if not for the "ending" of the end of the movie. After how the movie turns out, and that was definitely different and I wasn't really expecting that, but it's after what happens that I felt was a little flat. I guess it ended how it should as not to be carried out to be a 3 hour movie, but I kind of wanted to see more. The climax was good though and I felt made it worth seeing the movie through. That's a good thing. Just when you think you know what's going to happen, because again, it wasn't anything with an original plot. That was a really good way to turn the movie into something different.
I say give it a go. It was a decent movie with a really good ending.
This is just like all the other films with the same boogeyman premise. This "Pied Piper" uses a bag. That is pretty much all.
And because of the narrative skipping around the way it does, this is not only boring - it gets really confusing. So they couldn't even copy the formula in a productive way.
The effects are kinda meh. I guess there was music too. But it was probably some cliched horror music library of tiresomeness.
Oh and that dreadfully atrocious, terribly deplorable, shamefully abysmal, horrendously annoying, abominably appalling, stratospherically ear-piercing wooden deal that the kid treasures. Yeah, no.
This movie just wasn't my bag, man.
And because of the narrative skipping around the way it does, this is not only boring - it gets really confusing. So they couldn't even copy the formula in a productive way.
The effects are kinda meh. I guess there was music too. But it was probably some cliched horror music library of tiresomeness.
Oh and that dreadfully atrocious, terribly deplorable, shamefully abysmal, horrendously annoying, abominably appalling, stratospherically ear-piercing wooden deal that the kid treasures. Yeah, no.
This movie just wasn't my bag, man.
The Bagman had an intriguing premise but left a lot of questions unanswered, especially when it came to the characters' decisions. One of the most perplexing choices was leaving the child alone while all the horror unfolded. It felt illogical, given that the adults were clearly aware of the danger and opted to sleep together for safety. Why would they separate the most vulnerable person? This inconsistency really pulled me out of the experience and made it hard to connect with the characters' survival instincts.
That said, the movie did have its moments. The atmosphere was chilling, and there were a few genuinely unsettling scenes that kept me on edge. However, it often felt like the pacing was off, with long stretches of buildup that didn't always pay off.
Despite these issues, I'm actually interested in the sequel. The film has laid down some groundwork that could go in a great direction. If the sequel addresses the characters' decisions better and tightens up the storytelling, it could deliver on the promise that the first film hinted at. There's potential here, and I'm curious to see how it develops.
That said, the movie did have its moments. The atmosphere was chilling, and there were a few genuinely unsettling scenes that kept me on edge. However, it often felt like the pacing was off, with long stretches of buildup that didn't always pay off.
Despite these issues, I'm actually interested in the sequel. The film has laid down some groundwork that could go in a great direction. If the sequel addresses the characters' decisions better and tightens up the storytelling, it could deliver on the promise that the first film hinted at. There's potential here, and I'm curious to see how it develops.
I mean come on... your house has been invaded 10 times and you still choose to watch your kid on a monitor, leave him unsupervised in a tub, and constantly move out of sight of the child to allow things to happen further? Where is the common sense meter when it comes to writing. I understand movies need suspense points but when you have to insult our intelligence to achieve suspense then that's just a recipe for a bad review. No parent will put their in law who has been attacked in the bed with them while they put their baby in another room to watch on a monitor. Lots of holes in the story and terrible editing. At one point a loud bang in the babies room and both parents started running somehow in that 2 seconds the wife was on the phone with the police. God this was awful.
Você sabia?
- CuriosidadesThis is the first PG-13 horror film to feature "Lionsgate Red Gears" logo since Possessão (2012).
- Citações
Patrick McKee: Ever since we moved back I've been having these white-knucklers about Jake being snatched.
Principais escolhas
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- How long is Bagman?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El hombre del saco
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 14.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 1.816.919
- Tempo de duração1 hora 33 minutos
- Cor
- Proporção
- 2.39:1
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