Grandes Fracassos: Woodstock 99

Ahh, the late '90s. Such a wild time. The rise of nu metal and the rising popularity of alt rock. That was the first time I got introduced to the likes of RHCP, KoRn, Limp Bizkit, and all those names. At a time when popular music was perceived to be soft (and focused primarily on positive feelings alone), these guys who screamed at the top of their lungs delving into deep, inner levels of anguish and distress became more relatable to the average youngster. Back then, there were no smartphones or social media where you incessantly receive validation from. Life was simpler, but it was also still heavily focused around the male gaze (in everything pop culture - and music was no different).

Now, we can't blame the team of Woodstock in their attempt to revive a classic music festival which symbolized peace, love, and harmony in trying times. But the makers of this three-part documentary run us through the finer details - we get to know early on that Woodstock '99 was never meant to work in the first place because it was an attempt at cash-grab with no real sense of organization, safety, security, personal hygiene, or sanitation. You can put big names on a poster and expect people to attend in droves, though no one would remember a show if the music alone was decent.

What makes a days-long concert memorable is firstly of course, the music and its presentation (stage setup, sound systems, pyro etc.). Then comes the F&B, decent sanitary facilities and so on. But more importantly, you coming out alive and healthy at the end of it all is what matters the most (Astroworld and many recent incidents come to mind). Woodstock '99 probably only worked in one aspect alone - getting thousands of people to a single spot all in the name of music (and drugs, and hopes of getting laid, etcetera). Everything else seems like a natural clusterfuck - the choice of location, the ultra expensive food & beverages, the main acts themselves which were focused around riling people up (than calming them down), the lack of a proper security system, and riotous crowds acting like they were ready to raise hell any moment.

It's insane to still see part of the Woodstock team (the OGs i.e.) continuing to blame a few bad apples and not admit how criminally chaotic things got. I'm glad the documentary brings these things to light with crazy footage, insights from people who ran the event and who attended it, and also including the perspective of some of the musicians (good to see you, JD!). If you watched the more recent Fyre Festival documentary and found that amusing, then this one will certainly grab your interest and maybe, even make you look up more content on this infamous event.

They didn't touch on the lack of resources enough- clean toilets and showers! By day two we left and found a place to shower at a local park; just couldn't take it anymore! And even though we paid for the entire event, we could never find a way back in. They had it all sealed off. After driving in circles for hours, we gave up and angrily left.

Maybe that was a blessing in disguise after seeing the horrors of day 3.

And they were correct on the ridiculous prices. Most of us were under 30 and didn't have a fortune to spend on simple bites to eat and waters.

These promoters really should be ashamed of themselves, but they obviously won't take the blame.

I happened across this documentary by accident, and being a huge music fan, I was intrigued by the subject. What unfolded was more of a statement of the social status of the US at the time than the music scene. The thing I took away from this was the unbelievable naivety of the organisers, the lack of understanding of the current music scene and the rampant capitalism of the licenced vendors. Back in the '60s, the music scene was all peace and love and hippies. Hendrix, Lennon, Crosby Stills and Nash, Santana. All mellow stuff. Cut to post grunge USA, the music is angry, violent and aggressive. Korn, Limp Bizkit, Chilli Peppers, Rage Against The Machine. Add to that the appalling facilities, price gouging for food and drink and the 100c + weather. It is almost an A-Z of how not to organise a rock festival. The scenes of 300,000 people undulating to Limp Bizkit on stage is mesmerising, and must have been intoxicating for the artists. The organisers seem to ty and deflect blame on the artists for getting the crowd over excited, particularly Korn, Limp Biskitz and RHCP. That is literally their job FFS! Recommended viewing for any music fans, or anyone interested in the Mob Rules mentality.

The original Woodstock was a cultural turning point, Woodstock 99 was also a turning point but in the opposite direction.

It's clear from the start that Lang doesn't know what he's doing and that it was only will hardwork of his 3 partners for the original Woodstock that it actually work. Without them Woodstock 99 failed.

John Scher defending all the rapes (especially of children) was just sickening, what an absolute disgrace of a human being.

The tried to capture the hippy magic of the original but then decided to play metal/rock/aggressive musics/bands, so obviously that's not going to bring in a hippy band. They you don't do the festival in a field/farm, the idiots decide to do it on asphalt in 40C heat. Banning drinking being brought in was ridiculous and letting a bottle of water go for $15 (in today's money) was just an absolute joke. No wonder people were kicking off.

The original Woodstock wasn't about money and it had even less regulations and security. People were giving out their food and drink for free. Woodstock 99 you'd be lucky to get a slice of bread for less than $5.

I'm glad they didn't do any other Woodstocks after this as Lang clearly was riding on the coattails of his original peers, and the greedy corporates pigs as responsible for it's death. Thank God Glastonbury still knows how to do it right.

Woodstock conjures up images of peace, love and unity, Woodstock 99 however conjures up very different images.

Here you'll see what people will do when they're pushed to extremes, those behind this event set this up, wound people up, ripped them off, and failed to control the subsequent fallout.

Incredibly well made with some amazing and shocking footage. Surprising interviews, some of what you'll hear would make Pinocchio look honest.

It's an interesting look at the generation of the time, it may just give you an insight into where we're at in 2022.

Enjoy it for the music, you'll be reminded of some of the amazing tunes from the 90's, an incredible era musically.

The biggest shock comes at the end of Part 3, a very sad moment, sad end to the series.

Well worth watching, 8/10.