O Regime

Based on the first episode I'm all in and look forward to the rest of series. Some critics say it isn't funny. I guess that depends on one's particular brand of humor. There are levels and genres of humor. The Regime certainly isn't laugh out loud hilarious and I don't know why anyone expected it to be based on the trailers. Our main character is a very quirky, eccentric woman who believes she is righteous in all she does but has a paranoia of mold. Well, so do I, even if not to her degree. In this episode we learn that her father died of lung disease so it stands to reason she'd be scared and to the degree she is scared is the funny part. Kate Winslet delivers in spades and she gets better every time I watch her. She has the capacity in The Regine to garner sympathy while just having brow beaten one of her staff. It's kooky!

There's a lot to like about this show. The depiction of a geographically vague old dictatorship in Europe is spot on. It reminds of old autocracies like Romania or present-day Belarus , and constantly balances between amusingly farcical and quietly frightful. And Kate Winslet is absolutely at her peak here, as a nutty, narcissistic ruler.

It's a good thing that they've written it as a mini-series too, because the absurdities could have easily become stale after too many episodes. Unfortunately, the energy built up by the first five installments is not matched by what is essentially a cowardly sixth and last chapter. It opts for an unfulfilling ending that refuses to pick sides and leaves plenty of unanswered questions.

Still, it's highly entertaining and deserves to be watched.

This was a series with so much potential. Funny, no - at least I never found anything to laugh at, but satire does not need to be side splittingly hilarious.

I would have loved to see more of Andrea Riseborough. I thought she was one of the more interesting parts of the series, but it was not to be. What happened to the child? Throughout the entire 6th episode Kate Winslett's character does not enquire about him once. Even for a megalomaniac that is quite something.

I seem to be one of the few that did not take to the "butcher". I found her fascination with him quite baffling.

I agree with those who think that Kate Winslett had too much screen time to the detriment of the other characters. Less is more. And this could have been so much more.

I have to say I expected it to be way worse, and after watching 3 episodes I'm pleasantly surprised. Being from a post-communist country, I can definitely sense the satire and sarcasm of this show. They managed to portray the absurdity of dictatorships and its dictators pretty well. It reminds me of Lukashenko's Belarus or Ceausescu's Romania. I liked the subtle references to certain people and events. The "reunification" thing is basically what happened in Crimea, the Corporal practically became Elena's Rasputin for a while, and the whole "rural craze" was a spot on too, as such things really happened in my country during communism, not to mention faking some pseudo-historical theories of one's origin to boost their egos ("The Foundling"). I have to admit I am quite entertained, intrigued and want to watch more. Lastly, I will say that I'm not really surprised at the low rating, as there is many things about this show that your typical western audience simply wouldn't get.

Several people have mentioned that the negative reviews are from people too dense or too uneducated to see this series as anything but brilliant. That's an uneducated take in itself. It is possible to both understand the satirical narrative of the series and its winking lambasting of geopolitics, political theatre, and the delicate dance of those who keep the powerful in power, and still find it unpalatable.

It's not a bad series; the acting and cast are fantastic, and there is an interesting story being told. But it's buried beneath so many layers of mismatched cinematic styles, jaunty musical score, and washed out color palettes that the effect was like a confusing mishmash of distinct film styles like Expressionism, Film Noir, and Postmodernism. Each of these styles are great on their own, and perhaps there is a new genre of television being formed in the making of The Regime. It's promising, it's bold, but was ultimately too distracting for me to get lost in the narrative.