Avaliações do Metacritic

Carry-On doesn’t aspire to be too much more than good, trashy, yuletide fun, but it consistently over-delivers on that front in the process of telling a sweet little story about a guy who learns that a difficult career setback doesn’t have to result in a lifetime of surrender.

This breakneck Netflix offering confirms the enduring vitality of its chosen formula—and, in the process, proves an unexpected and welcome Yuletide streaming gift.

Though I could easily predict what’s coming next in Carry-On, that didn’t stop me from having a good time. The twists were executed successfully, and I liked that the heroic characters did some unlikable things in order to save themselves.

Egerton and Bateman’s performances elevate Carry-On and contribute significantly to the film’s overall success. Even when the repeated showdowns between the TSA agent and traveler lose potency, these actors maintain the narrative’s tension and viewer investment.

While the picture doesn’t break any new genre ground, it has several jaw-dropping set pieces, including an incredibly physical fight inside a speeding car. Collet-Serra’s staging is excellent throughout.

A good cast and Collet-Serra’s energetic staging elevate the kind of straight-down-the-middle entertainment Hollywood has mostly, sadly stopped bankrolling. It’s not quite Die Hard, but close enough.

Carry-On is pure escapist fare that you can turn on while sitting next to your Christmas tree, and it has enough energy that you won’t feel the need to check your phone every 10 minutes.

The set-up is grabby and effectively alarming, even if it lends itself to more nail-biting stress than actual suspense.

Egerton's got something in this vein. Cruise-esque exceptionalism, but cut with relatability like he came from the everyday world but clearly wasn't meant to stay there.

It’s occasionally diverting, sure, but so is killing time while you wait for your flight to board.