How to Blow Up a Pipeline

Do the ends truly justify the means? That's an age-old question that has been asked countless times in countless contexts, but what's the answer? That's a decision left open for viewers to ponder in this taut ecothriller about a group of zealous environmental activists who plan to blow up a west Texas pipeline in an effort to draw attention to such issues as global climate change and public health considerations. Writer-director Daniel Goldhaber's second feature skillfully combines elements of various cinematic genres, including Westerns, heist films, political thrillers and ecological dramas like "The East" (2013), but it does so in some highly unexpected ways. In particular, this well-constructed, smartly produced offering is heavily character-driven, presenting genuinely compelling back stories about its crew of protagonists told through a series of strategically placed flashbacks. What's more, the picture's gorgeous cinematography, superb editing, fine performances and intense original score all lend themselves to a splendidly crafted package, certainly much more than what one would typically expect out of a low-budget indie. Of course, these strengths aside, this still leaves open the question about the impact of this story. What kind of message does it send? Is it appropriate to make and release a picture that depicts such a subversive venture such as this? Can the kind of collateral damage at stake here be justified, be it even theoretically told through a work of fiction? But, then, can society continue to willfully ignore the kinds of environmental damage that are being allowed to unfold without taking any meaningful action? And what of the law enforcement questions involved in a scenario like this? "Pipeline" gives viewers ample food for thought while simultaneously reminding us that the clock is ticking on these issues - and that we had better start making some serious decisions soon.

When I read about "How to Blow Up a Pipeline", I just had to see this movie. It is a timely political thriller that follows a group of eco-saboteurs who target an oil pipeline. Led by Xochitl, played by Ariela Barer, the group includes a diverse mix of characters, each with their own reasons for taking drastic action against the things that are killing the planet. The movie intercuts between their operation in Texas and flashbacks that reveal each character's motivations. We follow the group's nerve-wracking operation in Texas, where they check out their target, rig up explosives, and then set about doing the deed. Despite its political leanings, the movie doesn't preach or glamorize its characters, and the actors deliver strong performances that bring the characters to life. A very enjoyable movie to watch.

I did enjoy 'How to Blow Up a Pipeline', but I couldn't help but want to rewatch 'The East' (dir Batmanglij, 2013), which had a similar structure (re denouement), but the stakes seemed higher in 'The East', and the psychology of the characters were a lot more deep and varied. I think that was because you come at 'The East' from the point of view of an outsider, and you watch her character arc alongside that of the eco-terrorists, and see how interacting with them changes her (and changes you, as a viewer, too).

But, even so, I'm very glad I did watch 'How to Blow Up a Pipeline', and the film made me want to read the source material.

How To Blow Up A Pipeline is sold as a crackling environmental thriller with a message. The fact that it presents the message it has with a hammer doesn't hide the fact that as a film it is just shallow. It is exactly what the title says. It's about a group of climate change activists that plan and carry out the disabling of an oil pipeline in Texas. The problem is that the characters are paper thin. They are just a collection of grievances and slogans, not three dimensional people. I have watched many films like this where I may not agree with the cause or politics of the characters but at least in better movies of this kind I can relate or at least empathize with at least one or some of them. Even though this film uses flashbacks to set up the characters you don't get to know any of them. Those scenes are used to set up and justify their actions which we know is the blowing up of the pipeline. There is no suspense because I didn't care for characters. They are just stereotypes as opposed to fleshed out characters. Each character seems like a bumper sticker representing a particular grievance. This film wants the audience to think about how deep the message is but fails to create compelling characters to support the ambitions of their message.

The film is well made but is content with not really delving into the subject it wants to represent. The filmmakers sabotage their own message by being so superficial.

Grade: C-

It was a well crafted film from start to finish by Goldhaber, fuelled by a young and talented cast, especially in Lucas Gage's performance. The choice of flashbacks were sensibly done, something I'd normally avoid saying. It was a cheeky move executed confidently by Goldhaber using peak points of tension to cut back and learn about the characters. It worked, and strengthened the audience's connection with each character. The film had a hard time finding a consistent level of maturity. It plays more as a YA novel wanting to be like Mission Impossible. The stakes were high, but it lacked some unexpected sacrifice that would come with an emotionally charged team, driven by revenge to attack the oil industry in Texas. The reason it still worked is because the cast was so youthfully motivated and their energy kept things grounded in plausibility.

This cast and crew did a spectacular job in creating a sense of a blockbuster with a festival film. And though my phone screen was found to be shattered after the screening was over at TIFF, I enjoyed the film. Looking forward to more from the filmmakers.