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IMDbPro

As Ladras

Título original: Voleuses
  • 2023
  • 14
  • 1 h 56 min
AVALIAÇÃO DA IMDb
5,7/10
7,8 mil
SUA AVALIAÇÃO
Mélanie Laurent, Adèle Exarchopoulos, and Manon Bresch in As Ladras (2023)
Assistir a Wingwomen | Official Teaser
Reproduzir trailer0:55
2 vídeos
29 fotos
AssaltoAçãoComédiaCrimeSuspense

Cansada de viver se escondendo, uma ladra profissional decide se aposentar. Mas só depois de um último roubo com a parceira no crime e uma nova motorista para a fuga.Cansada de viver se escondendo, uma ladra profissional decide se aposentar. Mas só depois de um último roubo com a parceira no crime e uma nova motorista para a fuga.Cansada de viver se escondendo, uma ladra profissional decide se aposentar. Mas só depois de um último roubo com a parceira no crime e uma nova motorista para a fuga.

  • Direção
    • Mélanie Laurent
  • Roteiristas
    • Mélanie Laurent
    • Christophe Deslandes
    • Cédric Anger
  • Artistas
    • Adèle Exarchopoulos
    • Mélanie Laurent
    • Manon Bresch
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,7/10
    7,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Mélanie Laurent
    • Roteiristas
      • Mélanie Laurent
      • Christophe Deslandes
      • Cédric Anger
    • Artistas
      • Adèle Exarchopoulos
      • Mélanie Laurent
      • Manon Bresch
    • 41Avaliações de usuários
    • 32Avaliações da crítica
    • 54Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    Wingwomen | Official Teaser
    Trailer 0:55
    Wingwomen | Official Teaser
    Official Trailer
    Trailer 2:16
    Official Trailer
    Official Trailer
    Trailer 2:16
    Official Trailer

    Fotos29

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    + 23
    Ver pôster

    Elenco principal26

    Editar
    Adèle Exarchopoulos
    Adèle Exarchopoulos
    • Alex
    Mélanie Laurent
    Mélanie Laurent
    • Carole
    Manon Bresch
    Manon Bresch
    • Sam
    Isabelle Adjani
    Isabelle Adjani
    • Marraine
    Félix Moati
    Félix Moati
    • Clarence
    Philippe Katerine
    Philippe Katerine
    • Abner
    Ismaël Sy Savané
    Ismaël Sy Savané
    Alphonse Bourbeillon
    • Le commanditaire des bijoux
    Foued Nabba
    • Carapuce
    Meriem Serbah
    • La gynécologue
    Myriam Azencot
    • La bonne amie d'Abner
    Damien Zanoly
    Damien Zanoly
    • Le directeur de courses
    Théo Kailer
    • L'homme qui résiste à l'anesthésiant
    Jean-François Perrone
    • Le Corse peu loquace
    Olivier Kissita
    Olivier Kissita
    • Le fêtard qui veut se joindre au couple
    Micaëla Etcheverry
    • La collègue d'Abner
    Leona D'Huy
    • La régisseuse ventouses clip
    Aurélien Gabrielli
    Aurélien Gabrielli
    • Le technicien clip
    • Direção
      • Mélanie Laurent
    • Roteiristas
      • Mélanie Laurent
      • Christophe Deslandes
      • Cédric Anger
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários41

    5,77.8K
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    10

    Avaliações em destaque

    7chiaramariecapritta

    Loyalty isn't just for men

    It's not an action movie, actually, it has very little to do with action, it's a funny and enjoyable movie about love and friendship.

    There are flaws and holes in the plot in my opinion and some parts could have been written better, it seems to me that the movie is a little bit static throughout all of its duration, there are not major plot twists, I don't know... I didn't mind it but it didn't convinced me 100% neither, it's not bad, but it's also not good, it's enjoyable and the actresses are really good in their roles, mostly watched for them, they really did an amazing job.

    I know that the robbery was not the main subject in the movie but I wouldn't have mind it if they put some more action during that scenes Still, it's worth watching.
    5imseeg

    NOT an action movie, NOT a laugh out loud comedy, although it wants to be both

    Several terrific female empowered action movies have been made lately, but this is not one of them. Bummer.

    The bad: comedy is personal, but I didnt laugh once and this is supposed to be a comedy. The supposedly witty dialogues were run of the mill and became kinda annoying after a while because the two leading actresses constantly chatter with each other about trivial things, which supposedly is meant to be funny, but became a tedious gimmick... sigh...

    More bad: IF only the action part would have been okay, then I wouldnt have minded that the jokes werent anything special. But even the very few action scenes are totally bland and unimpressive.

    They dressed up a chick flick as an action/comedy, but what a failure it is.

    Too bad, because these actresses are really wonderful performers whom I like to watch in many other French movies, but they couldnt save this movie from turning out to be quite bland and uneventful and tedious. I fault the direction and the writing.
    8JCE55671

    Awesome Female Pic

    I loved this film, it's beautiful, funny and entertaining.

    A lot of the reviewers here missed the subtle humour but it had me tickled and had me interested most of the way through it.

    Some reviewers also complained about it not being an action movie and wasting two hours watching it...why anyone would sit and watch something they're not enjoying for 2 hours is their own personal problem.

    If you're a die hard Tom Cruise or Vin Diesel action type film fan then maybe this is not for you. It's a love story. With some action on top. All perfectly balanced.

    It's female at the helm and behind the script. It's female in the staring roles...feminity runs through its veins and I'm a better man from watching it 😊
    7jdxcrow-49035

    Flawed but very enjoyable

    I came to this movie with no expectations. I knew I'd seen Melanie Laurent before, but couldn't remember where from. I didn't watch the trailer, all I had was the two sentence description on Netflix. Going in cold, I have to say, I really enjoyed this.

    Movies depend on forgiveness. Plots are never perfect; there is always something that the audience has to agree to ignore. Characters, accents, real life details... the audience has to put those aside to enjoy the movie. In some ways, movies have an "enjoyment ATM card". If it stars your favourite actor, your card starts with a positive balance. Favourite director, same thing. Hopefully, we click "play" with some degree of goodwill built into the process, giving a starting positive balance of some amount.

    Then the movie starts, and as you are watching, things either increase the balance on your card, or decreases it. Hopefully, you finish the film with a positive balance. But the slips in the movie will eat away at your balance to the point that, if there are too many of them, you finish the movie with negative enjoyment. Sometimes, a movie is so bad that you exceed your credit limit before it ends, and you stop watching. (I'm looking at you, Michael Bay.)

    In this case, the storyline is a little bit lightweight, and they make a few wrong turns in telling the story. These mishaps will leave a definite negative entry on your enjoyment balance sheet. Depending on how much you have enjoyed the movie to that point, you may end up with a negative balance.

    For me, there were enough positives in the movie that, when the plot holes showed up, I had enough on my card to forgive them for their screenwriting sins and keep the balance in black.

    Among the positives, the acting was superb, and in particular the actress playing Alex was a real delight. Isabelle Adjani makes an impact in a small role, and if you don't know her age, you might be shocked to find out what it actually is.

    Visually, it's a beautiful film to watch. The locations are spectacular, and the action scenes are very well choreographed. Throughout the film there is a frequent change of the colour palette as it moves from sequence to sequence, much in the way that Kill Bill vol. 1 did in a more exaggerated manner. The movement from a beige base to the blue of the ocean, back to beige, to the green of the forest, to the coldness of the forest at night, back to beige, then to the red in a private screening room.... It's another way that the movie continues to engage with the viewer and contribute positively to the experience.

    There is a wonderful action sequence involving Alex that really has no business being in the movie from a storytelling perspective. But it was done so creatively that, for me, it added to the enjoyment rather than detracted from it. Later on, there's another sequence which begins with the majestic line (en anglais) "We're taking a ferry to Italy tonight. We're going to get revenge for my bunny." Again, from a storytelling perspective it could have been shorter. Given its place in the timing of the movie - at the 70% mark - one might hope that they would speed things up a bit to get to the end. But the scene is executed (ha ha) so beautifully that again, it's a positive not a negative for me. However, they did go to the style well a few too many times. There is a sequence in the last act where Caroline unexpectedly has a conversation with someone while she's doing something. It's cute, but that is one of several cuts that probably should have been made to the film. It takes far too much at that point of the movie that the overall pacing is hurt.

    Lawyers have a saying: "When the facts are against you, argue the law. When the law is against you, argue the facts. When both are against you, just argue." That is kind of what we have here. Melanie Laurent had a script that was against her. What she did was to concentrate as much as she could on what we see on the screen to make it a positive experience. I think she succeeded, and I hope she gets the opportunity to direct many more movies for years to come. But with better scripts.
    8kaitbroe

    I loved this movie, (french with English cc)

    For all the people who wrote reviews saying there's no comedy, I think they are likely men, and/or the naysayers don't like intelligent comedy. Maybe they don't speak French or can't read fast enough to keep up with the English captioning.

    I loved the relationship btwn the main characters. I understood and could relate to their connection, and even when the third team member gets brought in, there was strengthening amongst them all. Honestly, this film is a really funny, poignant film about love and loyalty and companionship; but mostly, it's about found family: both good and bad. It's brilliantly directed, solidly acted, and overall earns the 8 and a bit more. I'm happily looking for more films by this director.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Based on "Le Grande Odalisque" a french graphic novel by Vives, Ruppert and Mulot.
    • Erros de gravação
      Alex uses a suppressor (silencer) on her high-powered sniper rifle. The main reason modern snipers commonly use suppressors is not to silence the shots, which is not very effective on a high-powered rifle (they will still be quite loud, which is correctly depicted in the film); the main reason is to eliminate muzzle flash, allowing the sniper to make follow-up shots without revealing her position. Despite this, the rifle produces plenty of brilliant orange muzzle flash during the church tower scene.
    • Trilhas sonoras
      Si j'Étais un Homme
      Music by Diane Tell

      Lyrics by Diane Tell

      Performed by Diane Tell

    Principais escolhas

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    Perguntas frequentes13

    • How long is Wingwomen?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 1 de novembro de 2023 (Brasil)
    • País de origem
      • França
    • Central de atendimento oficial
      • Official Netflix
    • Idioma
      • Francês
    • Também conhecido como
      • Wingwomen
    • Locações de filme
      • Paris, França
    • Empresa de produção
      • Gaumont
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 56 min(116 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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