O franco-atiradore Chris Kyle salva tantas vidas no campo de batalha que se torna uma lenda. Quando ele volta para casa, ele descobre que não pode deixar a guerra para trás.O franco-atiradore Chris Kyle salva tantas vidas no campo de batalha que se torna uma lenda. Quando ele volta para casa, ele descobre que não pode deixar a guerra para trás.O franco-atiradore Chris Kyle salva tantas vidas no campo de batalha que se torna uma lenda. Quando ele volta para casa, ele descobre que não pode deixar a guerra para trás.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 24 vitórias e 43 indicações no total
Brandon Salgado
- Bully
- (as Brandon Salgadotelis)
Reynaldo Gallegos
- Tony
- (as Rey Gallegos)
Avaliações em destaque
I was very intrigued with the trailer, mesmerized to say the least. The movie was another thing.
When I was the USA I met this Chris, he was no hero. Just a guy with a rifle and a sense that he was right.
For most of the patriots there is no room for the idea that Kyle might have been a good soldier but a bad guy; ()or a mediocre guy doing a difficult job badly; ()or a complex guy in a bad war who convinced himself he loved killing to cope with an impossible situation; ()or a straight-up serial killer exploiting an oppressive system that, yes, also employs lots of well-meaning, often impoverished, non-serial-killer people to do oppressive things over which they have no control.
()Or that Iraqis might be fully realised human beings with complex inner lives who find joy in food and sunshine and family, and anguish in the murders of their children.
()Or that you can support your country while thinking critically about its actions and its citizenry.
I'm even surprised to see that people vote it "Best of"...
Well what do I know, I'm just an European.
When I was the USA I met this Chris, he was no hero. Just a guy with a rifle and a sense that he was right.
For most of the patriots there is no room for the idea that Kyle might have been a good soldier but a bad guy; ()or a mediocre guy doing a difficult job badly; ()or a complex guy in a bad war who convinced himself he loved killing to cope with an impossible situation; ()or a straight-up serial killer exploiting an oppressive system that, yes, also employs lots of well-meaning, often impoverished, non-serial-killer people to do oppressive things over which they have no control.
()Or that Iraqis might be fully realised human beings with complex inner lives who find joy in food and sunshine and family, and anguish in the murders of their children.
()Or that you can support your country while thinking critically about its actions and its citizenry.
I'm even surprised to see that people vote it "Best of"...
Well what do I know, I'm just an European.
it was extremely 'even'. nothing seemed overplayed. well balanced storytelling. as someone else wrote, best war movie i've seen in years...and while we're at it, best clint movie in a few outings, as well... i agree that the ending is a bit sudden. but there was no reason to drag it out, either... i don't feel it lingered on any one dynamic of what would be expected from a film like this...not TOO much violence or proselytizing/flag waving or lingering on casualty horrors... it doesn't, on the other hand, turn away from any of the ugliness, either... i thought bradley cooper did a great job in the role. the changes he gradually instilled into the character were subtle but present. it's as well done a war movie as i'll ever need.
I spent 27 years in the US Army, was in Operation Desert Storm (the original), was vehemently opposed to the wars in Iraq and Afghanistan, and thought this movie was one of the best military/war movies I've ever seen. The realism was there, Bradley Cooper was phenomenal, the angst of a soldier during battle was portrayed brilliantly, the decisions we ask kids to make are real and they were realistically shown on screen, and as this film makes clear--war isn't a walk in the park. Anybody who thinks Bradley Cooper is a flash in the pan is sadly mistaken; this guy is the real thing. Martin Sheen in Apocalypse Now, Charlie Sheen in Platoon, and now Bradley Cooper in American Sniper. You've got to go all the way back to Gregory Peck in Pork Chop Hill or George C. Scott in Patton to get even close to an actor that gave a better performance in this genre. I saw it twice. Couldn't get through it the first time and had to walk out- -I got so damned furious at George Bush, Dick Cheney, and Donald Rumsfeld for murdering all these innocent kids I couldn't watch anymore. Once I got past that I went back to see it again and trust me--it's phenomenal.
Clint did this instead of Spielberg apparently.
Compared to Clints' superb Gran Torino why the horrible empty feeling after watching this.
Film wise great set pieces, sound and action. Also graphically depicts from a single sided point of view anyway, the horror of modern warfare.
Directorially it has plenty of set piece sequences seemingly from video games such as endless spawning enemies to be machine gunned / sniped from various angles.
Cooper & Miller do their bits admirably as cut scene fillers but did we care? Iraqis were "savages". 150 confirmed deaths presented as a game score. Funnily enough the most prominent death: that of our protagonist gets no time at all.
This could / should have been the Deer Hunter of our time but didn't even deliver the Post Traumatic War syndrome message meaningfully.
Compared to Clints' superb Gran Torino why the horrible empty feeling after watching this.
Film wise great set pieces, sound and action. Also graphically depicts from a single sided point of view anyway, the horror of modern warfare.
Directorially it has plenty of set piece sequences seemingly from video games such as endless spawning enemies to be machine gunned / sniped from various angles.
Cooper & Miller do their bits admirably as cut scene fillers but did we care? Iraqis were "savages". 150 confirmed deaths presented as a game score. Funnily enough the most prominent death: that of our protagonist gets no time at all.
This could / should have been the Deer Hunter of our time but didn't even deliver the Post Traumatic War syndrome message meaningfully.
Let me begin by saying I love US middle-eastern war films. I recognise the complexity of the situation that led to the placement of US troops in Iraq, but regardless I thoroughly enjoy the modern war setting combined with middle-eastern cultural elements. Green Zone, The Kingdom, Black Hawk Down, Mosul - all movies that I rate exceptionally highly.
With that out of the way, it couldn't be clearer that American Sniper is painting the most simplistically pro-US message possible. There's no depth to the storytelling past 'we good guys, they bad guys' (several lines in the movie are VERY close to straight up quoting that). My complaint isn't the film's pro-US angle (Black Hawk Down was also pretty pro-US) but the utter simplicity of American sniper's implementation of the viewpoint makes it predictable and mundane. It's like a 12 year old's moral view throughout, and all the potentially great moral conundrums throughout the film are lost because of it.
With that out of the way, it couldn't be clearer that American Sniper is painting the most simplistically pro-US message possible. There's no depth to the storytelling past 'we good guys, they bad guys' (several lines in the movie are VERY close to straight up quoting that). My complaint isn't the film's pro-US angle (Black Hawk Down was also pretty pro-US) but the utter simplicity of American sniper's implementation of the viewpoint makes it predictable and mundane. It's like a 12 year old's moral view throughout, and all the potentially great moral conundrums throughout the film are lost because of it.
Você sabia?
- CuriosidadesTo gain 40+ pounds, Bradley Cooper ate around 6,000 calories a day, which calculates to eating a meal every 55 minutes. Cooper added that it was not fun consuming those calories since his meals were usually in the form of bland protein shakes he had to choke down between weight lifting. Using his own trainer, he worked out four hours a day for several months. Cooper also took twice-daily lessons with a vocal coach, and spent many hours studying footage of Chris Kyle. When it came to pointing a rifle, Cooper trained with Navy S.E.A.L. sniper Kevin Lacz, who served with Kyle and was a consultant on this movie.
- Erros de gravaçãoWhile on a night mission, Kyle and marines entered an Iraqi's home and were invited to stay for dinner. The lights were on in the kitchen. There was a large window with its curtains wide open exposing everyone to sniper fire. The curtains would have been closed upon entering the kitchen.
- Citações
Chris Kyle: I'm not redneck; I'm Texan!
Taya Renae Kyle: What's the difference?
Chris Kyle: We ride horses, they ride their cousins.
- Cenas durante ou pós-créditosFootage of the real Chris Kyle's memorial service is featured during the first half of the end credits, while the instrumental "The Funeral" by Ennio Morricone plays on the soundtrack. Following the music and the footage, the rest of the end credits play in complete silence.
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Detalhes
Bilheteria
- Orçamento
- US$ 58.800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 350.159.020
- Fim de semana de estreia nos EUA e Canadá
- US$ 633.456
- 28 de dez. de 2014
- Faturamento bruto mundial
- US$ 547.659.020
- Tempo de duração
- 2 h 13 min(133 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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