Blood Relatives

Francis (Noah Segan) is a Jewish vampire. He drives a Plymouth Barracuda through the night on the highways of America. One night, Jane (Victoria Moroles) shows up claiming to be his teenage daughter. Her mother recently died and she used the internet to track him down.

The premise has some fun potential. It's a vampire movie, a father-daughter movie, and a road trip movie. It's a little odd that he insists on using Yiddish. It's supposed to be funny. In reality, it's funny for the first couple of times. Maybe if he's playing up being Jewish as a character. Instead, Jane calls him out for imitating The Fonz. I guess that's also Jewish, but they didn't make that joke. The humor is not developed enough. I'm not familiar with Segan. A better comedic presence would help. Moroles is pretty good as the sassy teen. This is a good premise, but it needs a bit more work.

First off regardless of a films subject or story, anything that's written, directed and starting the same person virtually never works out well. So why 'Blood Relatives' has a 96% Certified Fresh on Rotten Tomatoes, is beyond me... especially after watching the film.

Now lets talk about 'Blood Relatives'. Its largely absent of both foley and diegetic sounds, mainly consisting of just 1-on-1 dialog and the occasional Yiddish(or punk rock) ditty. Which from my perspective, makes the film just feel hollow. The acting itself and cinematography weren't bad at all, and I did appreciate the on location filming over a studio/green-screen production.

However, 'Blood Relatives' ultimately failed to deliver any meaningful substance, I'd call it neither a comedy nor horror. And again, why it has one of the highest Tomato ratings, with 22 Fresh critic reviews, is beyond me. What I can tell you though, is the theme seems to be founded in a mutual consensus of finding the film "charming". The adjective shows up in almost all critic review synopsis'. IMHO that's just a passive-aggressive way of saying it was bad!

IN A NUTSHELL: A vampire's loner lifestyle is thrown into disarray when a teenager shows up claiming to be his daughter, and she's got the fangs to prove it. On a road trip across America's blacktops, they decide how to sink their teeth into family life.

The movie is both written and directed by Noah Segan. But wait, he also stars in it! That always impresses me, especially for a first-time director! I'm curious to see what else he has to say.

THINGS I LIKED: This unconventional road-trip flick features two vampires played by Noah Segan and Victoria Moroles.

Yiddish words like Mensch, "oy vay", "putz", and "schlep" are used.

It looked like the scenes were actually filmed on location, rather than on a green screen, which is always refreshing.

There is some humor to make the movie more playful and fun.

We get to watch an ancient vampire transition into a dad.

Some moral territory is covered as the vampires discuss the rights and wrongs of vampire life.

The film makes a statement on how we all just want to belong and know where we came from.

The filming and lighting were good, especially considering so many scenes took place at night.

THINGS I DIDN'T LIKE: It's a slow burn with a "meh" payoff.

Not all of the humor lands.

Not that much really "happens" to propel the movie into more than just a road trip film.

Fans of horror will be disappointed that there isn't more action.

TIPS FOR PARENTS: Lots of blood and some gore Profanity, including F-bombs Crude language and conversations

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This was very poorly written and directed, and surprisingly, just bland and boring, and not funny at all. The concept was interesting, but it missed the mark in every other department. The two leads had zero chemistry, I'm sure mostly due to writer, director and lead actor Noah Segan's failure to direct himself and Victoria Moroles properly. The only really convincing actor was C. L. Simpson as Sylvie. Moroles' and Segan's dialogue also felt forced and convoluted, with Segan's occasional high-pitched voice squealing becoming cringe. The story had nothing much out of its basic narrative to offer - nothing really suspenseful or thrilling, or that wasn't cliched and predictable. For a comedy, we never laughed once. A decent effort for actor Segan to newly dabble in filmmaking, but maybe he wore too many hats on this one.

Not well adapted to vampire movies, batting around in the night, even though i am a night nurse of proffesion and most of the preference of a vampire is there, yes, ive got some pfangish molars and love beef tartar ive yet to become draculized...

but this was a kinda original take on the pestilence, very nicely set and gone, in the hands of noah segan , with witts and fun without exhagerating the topic of bloodthirst.

Its a small casted and well acted dark comedy about two strangers that meet in the middle of the night due to the need of darkness, a girl and a man, the man who sowed a seed 15 years ago in the heat of the dark, and the girl who grew out of this seed to become a beautyful daughter of his. But blending into blood relatives has its troubles, so here we go...

thanks to a short runtime, youll get flabbergasted when its over, i did at least, therefore a recommend from the grumpy old man. It has great sets, loads of gadgets and sttuff, its neatly camerahandled( the scene with the train in the background is mesmerizing) and its well edited. And its not horror at all, just comedy.