I had high hopes for this film, especially since I've been a fan of recent Korean movies and their directors. Unfortunately, Bogotá: City of the Lost tries too hard to be stylish but falls flat in execution.
The protagonist, Cookie, is simply unconvincing. His rapid rise to the top in just seven or eight years-surpassing bosses who have ruled for decades, like Uncle-feels unrealistic. He doesn't display any remarkable intelligence, bravery, or leadership skills that justify his success. In fact, he often comes across as foolish, like when he grabs two pieces of underwear to prove his loyalty-a gesture that failed to evoke any emotional impact.
His unwavering respect for his father also feels undeserved. This is a man who abandoned him in Bogotá, later became a gambler, and even stole his son's money, knowing it could cost him his life. If he was that desperate, he should have considered other options instead of putting his son in danger. Cookie's devotion to such a father is baffling and unearned.
The chase scene where Cookie pursues the woman and his father after they steal his money is particularly weak. Korean cinema has evolved significantly, but action sequences-especially car chases-still lag behind Hollywood by at least 20 years. The scene was clumsy and lacked tension, making it almost laughable.
Ultimately, the film's biggest issue may not just be the genre itself but the casting and direction. Neither the lead actor nor the director seemed capable of delivering the depth and intensity needed to make this story believable. While Korean films have made great strides in storytelling, Bogotá: City of the Lost is a step backward in action filmmaking.
