Kokomo City

Though not the most balanced, this is still a fascinating, well paced, documentary that follows the lives for four black trans-sexual women who make their living in the sex industry. Each of them has a story to tell illustrating what initially drove them to this lifestyle, what keeps them earning their money this way - and, ultimately, what they might care to do were they given a decent kick at the ball and an opportunity to escape their cyclical - and often dangerous - existence. The narrative is left to the women, and though they reach the centre of the wheel using different spokes, their conclusions about sexuality amongst the black communities is consistently and often wittily poignant. The roles that society might attribute to the archetypal alpha male being turned on it's head when curtains are drawn and typical bedroom roles enhanced and/or reversed. At times their deliveries can verge on the rant and one, specifically, needed editing but for the most part this is quite an eye-opening introspective from people who don't weep into their coffee cups, but who extol their own virtues clearly, succinctly, very earthily and ultimately I found engagingly. There are a few contributions from others but they seem there just to allow the audience to take a breather from the intensity of the four who have plenty to say - and agree with them or otherwise, it's well worth listening to.

Saw this at the 2023 Sundance Film Festival

"Kokomo City" is a documentary about a raw depiction of the lives of four black trans sex workers as they confront the dichotomy between the black community and themselves. This is director D. Smith's first film and I gotta say this is one impressive debut project.

The film does a pretty good job exploring black trans individuals and how their lives are impacted, work experiences and the situations they have dealt with in their lives. Smith's direction was well documented as the film was both funny and sad at the same time. The main four participants of this film were incredibly interesting to listen as many of them were able to speak with humor and truth.

The camerawork, production and sound design is pretty good especially for a very low budget type of documentary. The soundtrack choices were purposeful and the pacing is great. Smith clearly understands how to make an interesting documentary and throughout, the mixture of different kind of emotions were shown to me that I was able to connect with.

Overall, this was one of the surprises from this year's Sundance and I do recommend it.

Rating: A-

April 25, 2023 Edit: In the light of one of the main participant name Rasheeda Williams. Rest in Peace Williams.

I often find it fascinating when a documentary provides viewers with an in-depth, inside look at a world seldom seen by those who aren't part of it, yet that's clearly the greatest strength of this debut feature from filmmaker D. Smith. This captivating examination of the lives of four African-American transsexual sex workers in New York, Atlanta and Miami shares stories of their experiences, their outlooks on their vocation and how they view themselves in relation to the Black community at large. It also features interviews with the clients and supporters of these individuals and how they relate to one another, both as objects of desire and sometimes as loving, adoring friends/partners. Beautifully shot in black-and-white, the film holds little back in telling the stories of its subjects, both in terms of dialogue and images (so sensitive viewers take note). And, for its efforts, the picture has been widely honored by film festivals and critics associations, as well as a recipient of best documentary nominations by the Independent Spirit Awards, the Critics Choice Documentary Awards and the Directors Guild of America. That's quite an impressive pedigree for a film that might not have even been made not all that long ago. It's a real testament to how far we - and cinema - have come over the years.

The movie purports to profile some trans sex workers and their trials and tribulations. What it succeeds to do is put the watcher to sleep.

The told stories are clearly manufactured in that they make no sense whatsoever. One of the girls gives her name (first and last) and then says she doesn't want to give her middle name! Ooooo! That's a BIG secret. NOT.

It's ridiculous and you have to sit through this poor excuse for a documentary for an hour and twelve minutes.

The third girl says she worked at a "very famous" restaurant before she got into sex work. I never heard of the place.

Each conversation -- which is rendered annoying by the director finding it necessary to re-enact scenes with really bad actors.

It doesn't take long to figure out the problems these girls have are in their heads and the chips are totally on their own shoulders.

I just saw this one at Madrid LesGayCine Festival. What a great surprise. This is a beautifully shot documentary that goes from light to deep so seamlesly that you would believe it's only ten minutes long.

Us white cis males (gay or not) have a lot to learn here. The documentary is filled by insightful comentary straight away from the sex workers themselves about sistemic racism, transphobia, class, money, women, men, past, future, happiness and the dangers of just being yourself. Knives fly in all directions and that's the funny part. We all can take our share. We are all safe in our movie seats while them are just up there in the barricades.