Um Brinde À Amizade

When the credits roll, Joe Swanberg's "Drinking Buddies" will at least leave you thirsty. Whether you'll be drinking to toast or drinking to forget is another matter.

Regardless in which camp you fall, "Drinking Buddies" is best enjoyed with your favorite craft beer in hand (or several). The story follows Kate (Olivia Wilde) and Luke (Jake Johnson), who both work for a new Chicago craft brewery, and their complicated relationship with their significant others and each other.

There isn't much to the story: if you're a beer nerd from the Midwest like I am, you might have more fun playing "spot the beer" than keeping an eye on what will happen next. The dramatic tension in this comedy comes from a weekend that Kate and her boyfriend, Chris (Ron Livingston),spend in Michigan with Luke and his girlfriend, Jill (Anna Kendrick). The sexual tension between the male and female counterparts is quite palpable and it drives (slowly) the entire rest of the film.

Fans of conventional Hollywood storytelling will likely cite "Drinking Buddies" as why independent films are awful, whereas fans of independent films will commend everything Swanberg does in this movie. It's a natural, true-to-life portrayal of relationships, where the characters live in a fishbowl and we observe them, counting the similarities to our own lives. There is practically no manufactured conflict, just people drinking, talking and trying to make sense of their lives.

Swanberg's script sets up situations in which a major conflict between the characters could break out at any second, but the film relies chiefly on its on-screen talent in order to work. Wilde and Johnson have excellent chemistry, to the point where it's almost painful that the story mostly deprives us of that romantic satisfaction. Wilde in particular hasn't given us a performance this raw since she made it big in Hollywood, so to see her give us the full range of the fun-loving but deeply insecure Kate is perhaps the finest takeaway "Drinking Buddies" has to offer. Johnson, on the other hand, while an ideal fit in his role, is mostly operating in familiar territory for anyone who follows him on Fox's comedy "New Girl."

Kendrick and Livingston, though technically important to the story, feel secondary to what may or may not happen between Kate and Luke. The depth of character is just not there for Livingston's Chris, or really for Kendrick's Jill either, though Kendrick (as always) makes the most with what she's given.

"Drinking Buddies" completely and honestly captures the indefinable nature of contemporary relationships, it just doesn't say anything new about it. You don't need to watch Swanberg's film to see a prime example of the oft-blurred line between Platonic and non-Platonic in a relationship, even if this movie does it particularly well. Similarly, the role that craft beer and beer culture plays in the film feels minimal if not irrelevant. The one idea that can be gleaned is that alcohol accentuates the complication of feelings by releasing impulses that otherwise can be repressed, but that's not exactly visible upon watching.

Expert talents and a filmmaker who truly understands relationship dynamics help elevate "Drinking Buddies" above the level of less astute indies that bank more on situational comedy and drama to bolster their themes. Yet the consequence is it hurts the entertainment value to a great degree. "Drinking Buddies" isn't boring, but it's underwhelming despite its strengths.

~Steven C Thanks for reading! Check out moviemusereviews.com for more

As a warning to anyone wishing to see this movie: it is not a COMEDY nor was it designed to be. Jake Johnson usually plays comedic roles but do not expect any big laughs from him or the cast. This movie is essentially a new take on a classic relationship quagmire - 2 adults who are doomed to remain friends despite a strong sexual attraction towards each other.

The films strongest point is the portrayal of realism in regards to adult relationships. You won't find any cheesy romantic quips or witty comedic banter - just adults trying their best to deal with the problems of love and life. A large portion of the film may seem uneventful but for anyone who has been in this type of situation before, you will establish a greater connection to the lovelorned co-stars.

Olivia Wilde is surprisingly genuine and in-depth along with Johnson. Jason Sudeikis has a wasted cameo (probably decided to be in the film to keep tabs on his new wifey, Olivia). Other then that, no one else really stands out.

It is best to come into this film with the realization that it is not a comedy; that way you will have a greater appreciation of the adult themes laid out.

From the threadbare 'Hannah takes the Stairs' to the layered, clever 'Alexander the Last', the quality of Joe Swanberg's films has traditionally been erratic. 'Drinking Buddies' falls somewhere in the upper half of his range as it portrays how a couple of brewery co-workers deal with mutual sexual attraction while engaged in relationships with other partners. Kate and Luke use their love of beer as an excuse to hang out while concealing their amorous agenda and ambivalence in an alcoholic haze. The improvised dialog does deliver some amusing moments, but there are too many repetitive exchanges which dissipate the film's energy.

The two lead actors create credible characters, but Swanberg doesn't give them anywhere particularly interesting to go, and there doesn't appear to be anything of great value at stake. Kate and Luke's Romeo and Juliette saga turns into a circular song-and-dance routine, until their friendship becomes infected by frustration, leading to dishonesty and irritability. The concept is intriguing, but the film turns into an effective endorsement of sobriety. Swanberg has shown he can do better than this, and the end titles arrive just in time.

It's official: watching a bunch of twenty-somethings figure out who they want to date is boring.

"Drinking Buddies" is about two couples who kind of wish each of them were free to hook up with the opposite-gendered member of the OTHER couple but who don't do anything about it. There are many scenes of some combination of these four people drinking copious amounts of beer and talking about nothing that's at all significant. This might recreate the actual experience of going out to bars and staying there long after all of the exciting people have gone home, but it makes for tedious and unengaging dramatic material. I would be tempted to shrug the film off as a total loss, but the final few scenes finally deliver something interesting in the way of writing and acting, so the film's not a complete wash.

Olivia Wilde is the main protagonist, and she's basically a male fantasy come true -- in other words, a dude who just happens to have a vagina. Anna Kendrick is the boring girl who wants her boyfriend to propose to her, and she looks just about as bored to be in the movie as we are by her character.

The film was of particular interest to me because it takes place in Chicago (where I live), but it could have been filmed in any city that has nondescript apartments.

Though I'm not THAT much older (38) than these characters are supposed to be, I felt watching this movie like I might as well have been born in the 1950s. You know you're a parent when you want to tell all the characters to drink some water and eat a vegetable.

Grade: C

This is not your ordinary rom/com. This movie focuses on conversations and relationships. Long, realistic conversations with buddies, work colleagues and partners. It's so sad to see reviews complaining that this movie is too realistic and that nothing happens, when that's exactly what the movie aims for.

I was expecting another generic romantic Hollywood drama/comedy like The Dilemma or the Change-Up, with an obvious plot to work around and some clichés thrown in. Instead it felt more like Blue Valentine meets Closer, but lighter than Blue Valentine and more realistic than Closer.

I liked the long camera shots that follow the characters around, focusing on them and their interactions. I liked that I didn't know what was going to happen in a scene because there's no obvious overall plot in the movie. There's just ordinary people having ordinary conversations.