AVALIAÇÃO DA IMDb
5,0/10
2,4 mil
SUA AVALIAÇÃO
Um homem acaba preso em um desfiladeiro no meio do deserto ao lado de uma mulher solitária, que, na verdade, é prisioneira de um grupo de jovens sádicos.Um homem acaba preso em um desfiladeiro no meio do deserto ao lado de uma mulher solitária, que, na verdade, é prisioneira de um grupo de jovens sádicos.Um homem acaba preso em um desfiladeiro no meio do deserto ao lado de uma mulher solitária, que, na verdade, é prisioneira de um grupo de jovens sádicos.
- Prêmios
- 2 vitórias e 6 indicações no total
Avaliações em destaque
I immediately see the influence of the classic Japanese New Wave film "Women In The Dunes" from 1964, by Hiroshi Teshigahara, based on a book by the Existentialist Novelist Kobo Abe. Teshigahara would go on to adapt a number of Abe's books to film. It is available for free viewing at Archive.org. Some of the scenes are a scene for scene copy (or homage).
The cinematography in "The Seeding" is outstanding, with great wide angle shots, and pans of landscapes. The first scene shows the man's car parking on a desert road cul-de-sac. The overhead shot resembles a sperm cell, with the road being the tail. A symbolic reference to the title and things to come. Ken Russell did a similar shot in the 1969 film "Women in Love", in which a (probably drunk) Oliver Reed dies while walking in snow.
With my expectations elevated for a fantastic sublime film, I was disappointed by the unimaginative screenplay and the real let down of a sloppy and apathetic conclusion.
I would recommend the movie for the filmmaking alone, but it is frustrating to think it could have been better with a rewrite.
The acting is well done, though I would have had the women have a stranger demeanor, considering she has not seen the outside world.
The plot leaves too many questions, and many simple questions are not even brought up by the Man. The writer didn't convey a plausible lead character. In the end, the project is essentially scrapped. The difficult issues are not brought into the screenplay which is disappointing.
As a "Horror" film it has some of the gore, but the film doesn't entirely embrace the genre. In the end the film simply misses the target. This due to the fact that the filmmakers were not sure of what they were aiming for in the first place.
The cinematography in "The Seeding" is outstanding, with great wide angle shots, and pans of landscapes. The first scene shows the man's car parking on a desert road cul-de-sac. The overhead shot resembles a sperm cell, with the road being the tail. A symbolic reference to the title and things to come. Ken Russell did a similar shot in the 1969 film "Women in Love", in which a (probably drunk) Oliver Reed dies while walking in snow.
With my expectations elevated for a fantastic sublime film, I was disappointed by the unimaginative screenplay and the real let down of a sloppy and apathetic conclusion.
I would recommend the movie for the filmmaking alone, but it is frustrating to think it could have been better with a rewrite.
The acting is well done, though I would have had the women have a stranger demeanor, considering she has not seen the outside world.
The plot leaves too many questions, and many simple questions are not even brought up by the Man. The writer didn't convey a plausible lead character. In the end, the project is essentially scrapped. The difficult issues are not brought into the screenplay which is disappointing.
As a "Horror" film it has some of the gore, but the film doesn't entirely embrace the genre. In the end the film simply misses the target. This due to the fact that the filmmakers were not sure of what they were aiming for in the first place.
For what this movie is, I guess the overall film wasn't terrible. It wasn't good either. The main problem I had with it was that the main character wasn't likeable in the least bit. He spends his time on screen being loud and annoying. This is why I don't feel a bit bad for what happens to him. He probably treats everyone around him the way he treats the other characters in this film. The acting wasn't awful but it wasn't exactly great either. The soundtrack is weird but I suppose it fits the movie. If you like a meandering story with not much explanation and static shots of nature; you might actually enjoy this film. For me though, I just found it boring.
As an art film lover, you will surely enjoy "The Seeding". It is slow-paced, as is typical of art films, but that is part of its charm. The leisurely pace allows each viewer to form their own interpretation of the enigmatic story.
The main character can be irritating, but that is probably because he is meant to be. The film sound is fantastic and creates an excellent atmosphere. What's bad is that I saw the end of the film, already in the middle of it. It is also a pity that the lives of those who live above pit are not shown. Overall, "The Seeding" is a solid one-time watch film, that will keep you thinking and interpreting long after the credits roll.
The main character can be irritating, but that is probably because he is meant to be. The film sound is fantastic and creates an excellent atmosphere. What's bad is that I saw the end of the film, already in the middle of it. It is also a pity that the lives of those who live above pit are not shown. Overall, "The Seeding" is a solid one-time watch film, that will keep you thinking and interpreting long after the credits roll.
For those who are big fans of unusual or artsy horror/thrillers, I found that I had predicted the outcome after around 15 minutes- which was overall a shame. Whilst well created, with some beautiful scenes and building tension- it all just seemed pointless considering the plot "twist" was poorly hidden.
If you like stories that are a little bit "weird" than it might be up your ally as you may be surprised, but for those of you out there who are avid fans, I personally found the film forgettable.
There were also some story line aspects that weren't really followed up on/discussed- this feels like the main attempt to "hide" the outcome but in my opinion, makes the outcome more obvious.
If you like stories that are a little bit "weird" than it might be up your ally as you may be surprised, but for those of you out there who are avid fans, I personally found the film forgettable.
There were also some story line aspects that weren't really followed up on/discussed- this feels like the main attempt to "hide" the outcome but in my opinion, makes the outcome more obvious.
I almost didn't watch this, based on several reviews here. After watching, I could understand how the bleak story could divide viewers. Though depressing, I found myself immersed in the situation.
I love the desert, so the setting immediately sucked me in. Though mostly limited to a house in a hole, it made for a fairly dramatic set piece. I'll need to search out how this was achieved.
I was also drawn to the character of Alina. I was wondering why she was so quiet and calm, while the main guy was freaking out. She seemed both disconnected and alluring.
Technically, it was very competent. Good cinematography, wonderfully eerie music. Overall, the movie did a great job of making me believe that this place could exist.
I love the desert, so the setting immediately sucked me in. Though mostly limited to a house in a hole, it made for a fairly dramatic set piece. I'll need to search out how this was achieved.
I was also drawn to the character of Alina. I was wondering why she was so quiet and calm, while the main guy was freaking out. She seemed both disconnected and alluring.
Technically, it was very competent. Good cinematography, wonderfully eerie music. Overall, the movie did a great job of making me believe that this place could exist.
Você sabia?
- CuriosidadesThe movie borrows heavily from the classic Japanese movie Suna no onna (1964) (Woman in the Dunes).
- Cenas durante ou pós-créditosFor the Los Angeles Unit, the production assistants are listed under "Prodcuction Assistants"
- Trilhas sonorasHow Long
written by Tove Lo, Ludvig Soderberg, Sibel Redzep, Tim Nelson
Principais escolhas
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- How long is The Seeding?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.974
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.022
- 28 de jan. de 2024
- Faturamento bruto mundial
- US$ 4.974
- Tempo de duração
- 1 h 40 min(100 min)
- Proporção
- 1.66 : 1
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