Quando o casal de investigadores paranormais, Ed e Lorraine Warren se encontram presos a mais um medonho caso envolvendo criaturas misteriosas, eles se vêem na obrigação de resolverem tudo p... Ler tudoQuando o casal de investigadores paranormais, Ed e Lorraine Warren se encontram presos a mais um medonho caso envolvendo criaturas misteriosas, eles se vêem na obrigação de resolverem tudo pela última vez.Quando o casal de investigadores paranormais, Ed e Lorraine Warren se encontram presos a mais um medonho caso envolvendo criaturas misteriosas, eles se vêem na obrigação de resolverem tudo pela última vez.
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Resumo
Reviewers say 'The Conjuring: Last Rites' is a mixed bag, with praise for its emotional depth and the performances of Patrick Wilson and Vera Farmiga. Many appreciate the film's focus on the Warrens' family dynamics and the closure it provides to the franchise. However, criticisms abound regarding the film's reliance on jump scares, lack of originality, and failure to match the intensity of earlier entries. Some reviewers feel the horror elements are underwhelming and the story is predictable. Despite these criticisms, the film is seen as a fitting, if not spectacular, conclusion to the series.
Avaliações em destaque
Ever since James Wan handed off the conjuring universe to the much less effective Michael Chaves, these conjuring films have been just ok..
The conjuring and the conjuring 2 remain some of the best horror films within the last 15 years for my taste. Some would even say the conjuring is one of the top horror films of all time. WAN found his niche within his created conjuring universe with the likes of these films, insidious, and all of the other spin offs. With this has come quite a few more filler movies from other directors that are much less experienced aside from (Whannell) at the helm. Michael Chaves is not a bad director by any means, but this simply does not hold a candle to the first two films or even the last one which was actually decently solid. This one just feels like the most uninteresting of the four and while it has a few decent demonic scares and visuals, it simply does not serve that much of a purpose other than a supposed ending. I actually do not think this will be truly the last of the conjuring films either, though I think it should've ended after the last one. I can think of at least three other films within the universe that aren't even great by any means, but are still more interesting than this. Annabelle Creation, The Nun, and even insidious 4 are all more effective . That's not to say this doesn't have a few redeeming qualities if you're a fan, but if it really was the end, Wan should've ended the Warren's story ...
Lackluster ending to a great legacy
While aiming to build upon a great legacy, the film ultimately disappoints. It lacks the intense horror that defines the genre's best works and struggles to deliver genuine scares. Consequently, it falls short of being a proper horror movie, particularly when compared to earlier installments in The Conjuring series😔
Well, where do I start...
First off, the based on a true story tagline is like that one friend who tells you that he met a extremely good looking girl and that she was extremely down for him the whole night, but in reality, these two just had a coffee and talked about the economy or smth the whole night, maybe she slightly striped her feet upon his knee or something but... that's it.
These film are overly-exaggerated pieces of HALFWAY real events, and I don't mean that by scenario or concept, I also mean that by performance and cinematography. When you look at a film like The Exorcist from 1973, it roughly cuts fast, it is very slow paced for today's standards, the camera holds itself long, not many effects or anything, the whole horror is made by build-up and performances... it's the simple things. Lightning and Sound-Design are top tier and makes you feel unease. Here, we have so much of it, and it still feels flat. Why? Because they don't know how to CREATE and USE tension. It is a tool to boost emotional development of the characters. It is also a tool to increase our feeling of unease for example. And to anyone who says, The Exorcist was the first film and is hella old, they can't just redo that all the time, you don't get the point.
Veronica, a Spanish horror film, made in I believe 2013, falls into this category of great reality-inspired horror. It is terrifying because it doesn't hold or loses its tension, it does neither of that. It just FLYS by, and what we care for, is her psychological well-being and the survival of his brother. We gotta care, and know that THESE characters aren't safe, these films don't play anymore with psychological fears of the human mind that are deeply rooted in our nature. Recently I watched and film from France, Spoorlos, or The Vanishing. Without context, there's a scene where a character lies in an tomb alive. That was scary and made me feel uneasy, it made me sick for minutes. Same with claustrophobic environments, they just want to scare us with LOUDNESS and unexpected things. And that is the main problem.
There are a few scenes where that feeling gets transported, for example when someone looks around and see's a demon in silent darkness, or when someone suddenly starts to throw up glass and blood, these scenes are great, especially the second one catched me, but that is made by the performances of her and everyone standing beside her.
Conjuring's Final isn't bad by any means, but It is so exaggerated in its simplicity of that makes sense. It's not bigger, it's not more intense, it's just overly-more exaggerated in the way it pays-off its scenario. The actual characters, especially the Main Cast, they deliver well and the chemistry of Lorraine and Ed is again what makes this film halfway good. I just think they're chemistry and love is perfect and felt through every scene of these films, especially in this one.
I enjoy it for what It is, but looking back, the first Conjuring was something that still gave you shivers weeks after watching only by thinking about it...
These film are overly-exaggerated pieces of HALFWAY real events, and I don't mean that by scenario or concept, I also mean that by performance and cinematography. When you look at a film like The Exorcist from 1973, it roughly cuts fast, it is very slow paced for today's standards, the camera holds itself long, not many effects or anything, the whole horror is made by build-up and performances... it's the simple things. Lightning and Sound-Design are top tier and makes you feel unease. Here, we have so much of it, and it still feels flat. Why? Because they don't know how to CREATE and USE tension. It is a tool to boost emotional development of the characters. It is also a tool to increase our feeling of unease for example. And to anyone who says, The Exorcist was the first film and is hella old, they can't just redo that all the time, you don't get the point.
Veronica, a Spanish horror film, made in I believe 2013, falls into this category of great reality-inspired horror. It is terrifying because it doesn't hold or loses its tension, it does neither of that. It just FLYS by, and what we care for, is her psychological well-being and the survival of his brother. We gotta care, and know that THESE characters aren't safe, these films don't play anymore with psychological fears of the human mind that are deeply rooted in our nature. Recently I watched and film from France, Spoorlos, or The Vanishing. Without context, there's a scene where a character lies in an tomb alive. That was scary and made me feel uneasy, it made me sick for minutes. Same with claustrophobic environments, they just want to scare us with LOUDNESS and unexpected things. And that is the main problem.
There are a few scenes where that feeling gets transported, for example when someone looks around and see's a demon in silent darkness, or when someone suddenly starts to throw up glass and blood, these scenes are great, especially the second one catched me, but that is made by the performances of her and everyone standing beside her.
Conjuring's Final isn't bad by any means, but It is so exaggerated in its simplicity of that makes sense. It's not bigger, it's not more intense, it's just overly-more exaggerated in the way it pays-off its scenario. The actual characters, especially the Main Cast, they deliver well and the chemistry of Lorraine and Ed is again what makes this film halfway good. I just think they're chemistry and love is perfect and felt through every scene of these films, especially in this one.
I enjoy it for what It is, but looking back, the first Conjuring was something that still gave you shivers weeks after watching only by thinking about it...
Slow burn to nothingness
The movie has a slow build-up but lacks interest in developing the story of the demon, or it had a rushed ending with a lot of questions not being answered. As the movie has a few sequels, we expect more as an audience. For me, The Conjuring 2 is still the best, with a perfect build-up and living up to the characters. It was a shame to see such a good story turn into another "fast food" movie.
A Lacklustre Finale Of The Conjuring Saga
The 9th film in The Conjuring Universe and the intended finale of the saga so far, The Conjuring: Last Rites starts on a rather promising note and even features a strong first half but soon heads downhill after that to finish as another underwhelming chapter in the series. Definitely no match to the first two films but certainly an improvement over the third, this latest entry settles for a lot less than what was up for grabs.
Directed by Michael Chaves (The Curse of La Llorona & The Nun II), the story finds the Warrens taking on one last case that forces them to confront an evil from their past. Chaves never really was the right choice to helm the main stories but he does get some things right before resorting to cheap thrills. The film takes a slow-burn approach that patiently guides us towards the finale that proves to be downright forgettable.
The first two films directed by James Wan had that vintage quality, old-school flair, foreboding atmosphere & effective scares that heightened the experience. This one borrows bit of that for the build-up but fails to capitalise on it later in the story. Patrick Wilson & Vera Farmiga remain the glue holding this picture together and their warm chemistry helps keep things afloat for the most part but the film needed more on all fronts.
Overall, The Conjuring: Last Rites brings the Ed & Lorraine Warren journey full circle and gives them a proper send-off with its radiant epilogue but for a climactic chapter, it is disappointing without doubt. Add to that, like most instalments in the franchise, the jump scares are bland & predictable, lacking in intensity, and also devoid of the ingredients that made its predecessors stand out. In short, a lacklustre finale of The Conjuring saga.
Directed by Michael Chaves (The Curse of La Llorona & The Nun II), the story finds the Warrens taking on one last case that forces them to confront an evil from their past. Chaves never really was the right choice to helm the main stories but he does get some things right before resorting to cheap thrills. The film takes a slow-burn approach that patiently guides us towards the finale that proves to be downright forgettable.
The first two films directed by James Wan had that vintage quality, old-school flair, foreboding atmosphere & effective scares that heightened the experience. This one borrows bit of that for the build-up but fails to capitalise on it later in the story. Patrick Wilson & Vera Farmiga remain the glue holding this picture together and their warm chemistry helps keep things afloat for the most part but the film needed more on all fronts.
Overall, The Conjuring: Last Rites brings the Ed & Lorraine Warren journey full circle and gives them a proper send-off with its radiant epilogue but for a climactic chapter, it is disappointing without doubt. Add to that, like most instalments in the franchise, the jump scares are bland & predictable, lacking in intensity, and also devoid of the ingredients that made its predecessors stand out. In short, a lacklustre finale of The Conjuring saga.
The Best New and Upcoming Horror
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Você sabia?
- CuriosidadesThe chilling story of the Smurl family's alleged haunting was dramatized in the TV movie A Casa das Almas Perdidas (1991).
- Erros de gravaçãoWhen the movie starts "1964" is shown on the screen. After a scary event, Lorraine goes into labor and gives birth to Judy Warren. The real Judy Warren was born in 1946, not 1964. Later the movie moves to 1986. The movie shows a young Judy (19-20) with a boy friend. Judy actually met and married her husband, Tony Spera, in 1979 or 1980. The movie showed them being married after 1986.
- Cenas durante ou pós-créditosThe opening New Line Cinema, Atomic Monster and Safran Company production logos are in black-and-white.
- ConexõesEdited from Larry King Live (1985)
- Trilhas sonorasShe Sells Sanctuary
Written by Ian Astbury and Billy Duffy (as William Duffy)
Performed by The Cult
Courtesy of Beggars Banquet Records Ltd
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- How long is The Conjuring: Last Rites?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El Conjuro 4: Los Ultimos Ritos
- Locações de filme
- Knebworth, Hertfordshire, Inglaterra, Reino Unido(scenes filmed in Knebworth park)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 177.752.454
- Fim de semana de estreia nos EUA e Canadá
- US$ 84.006.121
- 7 de set. de 2025
- Faturamento bruto mundial
- US$ 494.052.454
- Tempo de duração
- 2 h 15 min(135 min)
- Cor
- Mixagem de som
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