Steve Arnott é transferido para a polícia anti corrupçao depois da morte dum homem numa operação contra-terrorista.Steve Arnott é transferido para a polícia anti corrupçao depois da morte dum homem numa operação contra-terrorista.Steve Arnott é transferido para a polícia anti corrupçao depois da morte dum homem numa operação contra-terrorista.
- Indicado para 13 prêmios BAFTA
- 21 vitórias e 61 indicações no total
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Resumo
Reviewers say 'Line of Duty' is acclaimed for its gripping plot, stellar acting, and intricate storytelling. The show's complex characters and unexpected twists are frequently highlighted. However, some critics note issues with the final episodes, feeling they inadequately resolve plot points. A few reviewers also mention repetitive elements and insufficient character development in certain seasons. Despite these drawbacks, the series is widely considered a top-tier crime drama with powerful performances.
Avaliações em destaque
Strong British series, in the Scandinavian style
In recent years, I have generally "moved on" from Poirot-Wallander type of series (usually 1 episode - 1 solved case) to more sophisticated and intertwined series where events take place in parallel and with flashbacks, and for full comprehension, one should watch all the episodes in sequence. It take more time and dedication, but there are more versatile characters and more complex situations where one can ponder on and over more intensely.
Line of Duty is a really fine example of the above. The two series - so far - have been really catchy to follow, there is both mind-work and twisted turns, and they are more or less equal (in my opinion, One has a bit stronger performances thanks primarily to Lennie James as DCI Tony Gates, but Two has a bit meatier script). But anyway, I did really enjoy the course of events, the often thin line between cops and crooks (what about its actuality?), and nice round-up of things that really took place. I would juxtapose Line of Duty with e.g. Engrenages (France) and Ørnen: En krimi-odyssé (Denmark).
I am looking forward to next seasons already.
PS. 3, 4 and 5 are meaty as well, please proceed :) PS. 6 has somewhat less interesting outcome, but interesting twists and turns still visible.
Line of Duty is a really fine example of the above. The two series - so far - have been really catchy to follow, there is both mind-work and twisted turns, and they are more or less equal (in my opinion, One has a bit stronger performances thanks primarily to Lennie James as DCI Tony Gates, but Two has a bit meatier script). But anyway, I did really enjoy the course of events, the often thin line between cops and crooks (what about its actuality?), and nice round-up of things that really took place. I would juxtapose Line of Duty with e.g. Engrenages (France) and Ørnen: En krimi-odyssé (Denmark).
I am looking forward to next seasons already.
PS. 3, 4 and 5 are meaty as well, please proceed :) PS. 6 has somewhat less interesting outcome, but interesting twists and turns still visible.
Another show which has not enough recognition
Once again I stumbled onto this show by accident. Thank goodness. I find British police drama much more intense than the run of the mill American shows. This one is no exception. The acting is very convincing on all accounts. You think in the beginning how can this "kid" be a good main character. He then proves you very wrong and you see that his conviction to the case is what makes him compelling to watch. All the main players are only too human. The stories all have their own twists and turns, keeping you on your toes all the time. Making this show fascinating to watch. I admit there was an awful lot of binge watching as I couldn't leave the plot at the end of each episode.
Please give this a chance and be rewarded for doing so.
Please give this a chance and be rewarded for doing so.
The world we have now
Yes, the final episode of series six of "Line of Duty" was, in a way, disappointing, because we didn't really get all the answers and we didn't get "justice" for everyone. "Chicago P. D." it's not.
What we got was something much closer to reality, the real world, as sad as that may be.
Since "Children of the North" I'll give anything that Adrian Dunbar appears in a chance. Ted Hastings is a truly memorable character, perfectly realised, but everybody connected with "Line of Duty" deserves a standing ovation.
What we got was something much closer to reality, the real world, as sad as that may be.
Since "Children of the North" I'll give anything that Adrian Dunbar appears in a chance. Ted Hastings is a truly memorable character, perfectly realised, but everybody connected with "Line of Duty" deserves a standing ovation.
This has become the Series of the year (again)
A very difficult show to review, overall I'd give Series 1 an 8/10, a very good show, strong characters, intrigue etc, however something happens in the second series and has continued through to the present day, since that very first episode of Series 2 (or in fairness Part 6 of the opening Series) Line of Duty has become the best thing on the box. The cast work together in a way that you don't often see in many shows, the degree of realism each of them injects makes the show feel very real. Dunbar, Compston, McClure, Parkinson etc are all utterly phenomenal, I think though, it was the performance of Keeley Hawes as Lindsay Denton that increased my interest in the show, she was utterly amazing.
The transformation in the character of Steve Arnott has been intriguing, plaudits for Martin Compston, incredible actor, so diverse.
I suppose you could argue it's made in the style of the Scandinavian noir, but it goes deeper then that somehow, offering even more for the viewers. The series treats the viewer as if they have a degree of intelligence, it's deep and intricate without being too clever for its own good.
It comes as no surprise that the show's viewing figures have almost trebled, if you've not seen it, you have no idea what you're missing out on. 10/10
Bring on Series 5
The transformation in the character of Steve Arnott has been intriguing, plaudits for Martin Compston, incredible actor, so diverse.
I suppose you could argue it's made in the style of the Scandinavian noir, but it goes deeper then that somehow, offering even more for the viewers. The series treats the viewer as if they have a degree of intelligence, it's deep and intricate without being too clever for its own good.
It comes as no surprise that the show's viewing figures have almost trebled, if you've not seen it, you have no idea what you're missing out on. 10/10
Bring on Series 5
Stuck. Φοβεροοοοοο
Being fan of British TV, i was hooked and couldn't stop this series. Has everything. Plot, dark and right timing. Great TV. The characters are natural and great acting from all of them. The suspense comes at right levels each episode and there is no way to stop until you find what will come next.
There are some very ... i don't know the right word(not with the bad meaning) with "The Wire". The characters are almost real like the classic good British TV.
The atmosphere is not annoying dark and the lines between "Right and Wrong" are not clear, (like real life).
Absolutely RECOMMENDED...
There are some very ... i don't know the right word(not with the bad meaning) with "The Wire". The characters are almost real like the classic good British TV.
The atmosphere is not annoying dark and the lines between "Right and Wrong" are not clear, (like real life).
Absolutely RECOMMENDED...
Você sabia?
- CuriosidadesBestselling author Stephen King, a huge fan of the series, was especially fond of the Irish catchphrases used by superintendent Ted Hastings (Adrian Dunbar) such as, "Now we're sucking diesel!" (when you've fallen into good fortune thanks to your own hard work) and "Jesus, Mary and Joseph and the wee donkey!"
- ConexõesFeatured in The Wright Stuff: Episode #17.120 (2012)
- Trilhas sonorasSpanish Bull
Written by Miguel Moreno
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Detalhes
- Tempo de duração
- 1 h(60 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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