Colateral

I wonder what all the negative voices expected. The film has a good atmosphere, it doesn't look cheap and Van-Damme shows again that he can act. The rest of the cast acts solidly and there is no disruptive factor. The action scenes are also impressive and are staged subtly but crisply. A particular highlight is a fight scene from the perspective of a van. Very creative and the force is literally noticeable. The days of helicopter kicks and splits are over. And somehow I'm even happy about it. Van-Damme is 63 and his roles should also be tailored to his age. For me, it's the perfect midnight film because of its neo-noir atmosphere.

The film noir poster on the wall is significant, Van Damme plays the washed-up agent with alcohol problems. The focus is on that mime, JCVD focuses on acting aspects in the autumn of acting, certainly also because physical action is only possible to a limited extent. His ambitions in all honour, but let's be honest, what is it that we want to see from him? The budget was there, that's obvious, Darkness Of Man looks good and has some nice cameos. In terms of staging, however, it overreaches itself, wanting to be more audience-orientated than it should be. Above all else, the voiceover constantly echoes with the audience, no doubt intended as a Hemingway-esque pretension screw.

Once again, the cultural enrichment through immigrants is thematised. The living conditions of the original citizens are improved by robbery, murder, receiving stolen goods, drugs, prostitution, blackmail and so on. Funnily enough, we find these officially pure fantasy products in every second action film. Just misplaced stereotypes, I'm sure.

Speaking of action, there's a little brawl every 25 minutes. But Van Damme is just a boxer, with no kick. In the last half hour, there is a categorical final revenge campaign according to the standard formula, at least the level is ok. This release will not end up in any top rating.

After an informant by the name of "Esther" (Chika Kanamoto) dies while in protective custody, the Interpol agent responsible for her safety named "Russell Hatch" (Jean-Claude Van Damme) takes it upon himself to fulfil a promise he made to her to protect her son "Jayden" (Emerson Min) from the bad elements that surround him. The problem, however, is that Jayden lives with his Korean relatives who are involved in the illegal drug trade and the Russian mob is doing everything it can to muscle in on their territory. To that effect, Russell has to try to calmly navigate between these two groups in order to keep things peaceful, while at the same time, Jayden's uncle "Dae Hun" (Peter Jae) is doing his best to stir things up. Now, rather than reveal any more, I will just say that, although the plot had definite possibilities, the overall direction left much to be desired. For starters, I didn't especially care for the narration provided by Jean-Claude Van Damme as it detracted from the movie rather than actually enhancing the overall effect. Likewise, having the main character sustain so many serious injuries within a limited span of time, only to engage in repeated fights to the death not long afterward, really strained all sense of reality. Only in Hollywood. Be that as it may, while I don't consider this to be a terribly bad film necessarily, it didn't quite realize its true potential, and I have rated it accordingly. Slightly below average.

International police Russell Hatch (Jean-Claude Van Damme) is almost killed during a raid. Masked gunmen attack his confidential informant and faked her suicide. He promised to care for her son Jayden. It's two years later in L. A. Jayden is caught up in a Korean gang and Russell intervenes.

This is a crime drama B-movie trying to inject some neo-noir style. JCVD has been around for forty years and his acting has barely improved. This has a lot of narration from him and his accent is still the same. The filmmaking is mostly uninspired and the story is blandly derivative. There is one action scene where they try to make it interesting. The camera is stationed inside a van as the fight goes around the van outside. It would have been nice to have it a long uncut scene. JCVD is an older gentleman now and that may be asking too much from him.

Set against the backdrop of a grim Los Angeles, the film weaves a complex narrative around Hatch's promise to a slain informant to protect her son, Jayden. As Hatch grapples with his own demons and the city's underworld, "Darkness of Man" delves into themes of loyalty, betrayal, and the cost of survival. While the film does not boast the high-octane action sequences of Van Damme's heyday, it compensates with a gritty atmosphere and a focus on character-driven storytelling. The noir elements are executed with a commendable finesse, adding layers to the plot and elevating the film above many of its DTV counterparts. Van Damme's performance is nuanced, showcasing his range beyond physical prowess. The supporting cast, including Emerson Min and Andrey Ivchenko, deliver solid performances that anchor the film's emotional core. The action, when it occurs, is well-staged, albeit less frequent than one might expect. The violence is visceral, with a raw edge that suits the film's darker tone. The cinematography and score complement the narrative, creating a cohesive and immersive viewing experience. In conclusion, "Darkness of Man" is a laudable effort that blends action with a moody, noir aesthetic. It may not reach the heights of Van Damme's classic works, but it stands as a testament to his enduring appeal and ability to adapt to the evolving landscape of action cinema. The substitles reminded me of JOHN WICK Substitles and the action was quite pleased, made me intense a little bit.