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A group of small-time pro wrestlers find themselves fighting for their lives.

I figured the whole wrestling thing was probably just going to be a bit of set dressing, like stuff usually is in these kinds of movies. It turned out to be a bigger part of the movie than I expected. If you're like me and don't care for wrestling, it shouldn't be a deal-breaker.

Our protagonist is an interesting character. She's aloof, sullen, and has a mean streak. She's also sick of playing the bad guy and propping up white people. Quite understandably, she wants her own shot at the big leagues. A flawed character like that is always a bit chancy, but I thought Ayisha Issa did a good job making her likable, or, at least someone you can root for. I'd be curious to see Miss Behave's further adventures.

Steven Ogg, who plays her boyfriend and a kind of mentor figure, was great. He stole several scenes, and it felt like he was really trying to make this the best movie it could be. He reminded me of Lance Henriksen in that respect. It makes me want to go looking for other movies he's been in. Although some of his lines might come off as a bit preachy, I thought he made them work.

The only others who really got to shine were Mo Adan, who played a mostly mute wrestler, and Sara Canning, who played Issa's opposite: white, perky, and privileged. Canning got to have some fun, and her character had a bit more depth than it first seemed. Still it would have been nice to have seen even more depth. The character had some real potential if they'd mined deeper. Adan was also given more than you'd expect but, again, not as much as you'd like.

Chris Jericho shows up. As someone who doesn't know anything about wrestling, I didn't recognize him. I thought he was a bit theatrical and hammy, but it certainly makes a lot more sense now that I've done a Google search on him. It also probably suits his character. If you're a wrestling fan, I think this will probably be the highlight the movie for you. For me, some of his scenes seemed kind of like filler.

I liked the writing and directing, but I also felt that this could have a great B movie if they'd tried just a bit harder. Not everyone wants to watch B movies. I get that. But for a certain audience, these are the most fun ever put on film. After seeing WolfCop and Dark Match, I think Lowell Dean has what it takes to make a cult movie in that will live forever in the minds of fans. One day, I think he's going to knock it out of the park, and it's going to be the most memorable thing you've seen on Netflix.

The characters were nearly there, but they needed another little push. The plot was a bit close to Green Room, which featured a punk band in dire straits. But I liked how bonkers the plot was, and I wanted it to be even more bonkers. I wanted it to go off the rails, like it teased at the end. I wanted it to go to 11. I think that if we ever get a sequel, it may in fact do so.

I liked Dark Match more than I thought I would, and I think other fans of WolfCop will like it, too. Give it a chance.

The movie is better than expected, with many positives. I like the grainy, old-school visuals; and the movie makes the right decision in taking place in the late 1980s: the 1980s time period eliminates any cell-phones (all horror movies nowadays must either take place before cell-phones, or the characters simply have no signal in their location); and as wrestling fans know, the late 1980s was the territorial era where kayfabe lived amongst wrestling fans, which makes the premise more credible. Visually, the movie manages to get some decent kills, and nothing looks embarrassingly cartoonish or fake. Some minor scenes might tickle wrestling fans, such as when the characters talk about maintaining heel/face dynamics in public, when they load on the bus to travel to their next show like a circus act, and when they whisper instructions to each other in the ring. The movie's brisk run-time is just about perfect.

But most of all - the character Joe (played by Steven Ogg) absolutely steals the show. He's the best actor in the entire movie, and his character comes off as cool and badass at various points. There is one part where he skillfully narrates the background of Jericho's character over some creepy montage - that scene is the best moment of the entire movie; it's an A+ scene in an low-budget, made-for-TV movie

That said, many flaws remain: the plot is predictable and ultimately forgettable in the long run. The movie could have done a lot more with the character Kate, particularly with her relationships with Jericho and the main character named "Miss Behave." The villains, like Jericho and his group, needed some fleshing out. The movie at various times suggests that Jericho's character is driven by revenge against Joe and the company he works for. Then elsewhere, the movie suggests that Jericho's character and his group are just satanic whackos. Then elsewhere, the movie suggests that Jericho's character and his group are seeking money by filming the whole ordeal. Then there's stuff involving Jericho's character's daughter ... it just seems disorganized

Regardless - if this movie were a TUBI movie, it would be one of the best horror movies on that service. And among wrestling movies, it's also one of the strongest (though that might be a low bar). It's not a bad watch. If 5.0 is average, then a 5.5/10 sounds right

5.5/10.

Also no pun intended - the Wolfcop is back ... well the actor himself only has a small part ... blink and you'll miss him. But the director thought of this little movie to do. I really wanted to like this more by the way ... but I think I am being way too fair with my rating as it is ... the idea is fun, I reckon and the characters have their moments.

But it can't really decide where to focus on ... Wrestling (some of the actors seem to have learned more or knew more than the others) or the horror of it all. The humor is hit and misses .. and even something I really loved (a Betamax versus VHS joke) probably will go over the head of most of those watching this ... we also get to see a bit of Chris Jericho and Steven Ogg ... and some other actors you may be aware of.

There is charm, there is humor ... but there is something missing ... the X factor ... that even the matches and the effects cannot really save (or put on top ... 1 ... 2 ... 3 and all that)

Rating Breakdown

Story - 1.25 :: Direction - 1.25 :: Pacing - 1.25 :: Performances - 1.25 :: Entertainment - 1.25

TOTAL - 6.25/10

I have often found that the best horror movies operate much like a well-executed wrestling match. They build suspense, mislead, and taunt you with moments of hope before dropping you face-first into despair. "Dark Match" is exactly that sort of film, a supernatural wrestling action-horror fever dream that body-slams expectations and pile-drives logic straight through the mat.

I stumbled upon this little curiosity while scavenging through Shudder's horror catalogue, and it was a choice well-made. The premise is deceptively simple: a group of wrestlers sign up for an underground event, a so-called Dark Match, only to discover that the stakes involve more than championship belts and bruised egos. Instead, their very lives hang in the balance. But this is not just standard supernatural bloodsport. This film delights in leading you down a path, only to smack you with a steel chair of narrative subversion. Every time I thought I had its angle pinned, it wriggled free and took me in another, often stranger, direction.

The writing is sharp, teasing the audience with breadcrumbs of information, throwing in enough red herrings to keep the waters murky but never descending into incoherence. The pacing ensures that the mystery remains tantalising rather than frustrating, each revelation feeling more like a natural progression than a cheap trick.

A large part of the film's success lies in its direction. The wrestling sequences are executed with a verve that suggests someone behind the camera actually respects the sport. The fights are visceral, kinetic, and filmed with an energy that captures the unique ballet of brutality that makes wrestling such an enduring spectacle.

And then, when we move into the film's more dramatic moments, something odd happens. The direction, so vibrant in the ring, suddenly slackens. Scenes stretch longer than necessary, the camera loses its spark, and the momentum stutters. It is as though the director, having exerted themselves in crafting the action, decided to take a breather.

Visually, "Dark Match" leans heavily into shadows and suffocating red lighting. It mostly works, creating an ominous atmosphere, but there are times when it crosses into frustrating murkiness. When you start questioning your screen brightness, you know the crimson rabbit hole has gone too deep.

The acting was better than expected, due especially to Michael Eklund in a starring role. The cast throws themselves into their roles and the wrestling, elevating the experience. The Masked Wrestler, however, should have been a nimble high-flyer but instead moved with all the agility of a refrigerator being tipped over. And then there is Chris Jericho, once a titan of the squared circle, now reduced to a performance so wooden I half-expected termites to start nibbling at his edges.

Despite its occasional missteps, be it the drag in pacing, the overuse of red lighting, or the odd bit of lacklustre acting, "Dark Match" is a wildly enjoyable horror brawl. It is the kind of film that will likely earn a cult following, a homage to both wrestling and horror that understands the grand theatricality of both. I may not always rewatch horror films, but this one? I could see myself stepping into the ring for another round.

Over the years, there have been a few attempts to bring film and wrestling together. While this has resulted in modern favourites such as The Wrestler or The Iron Claw, there have also been some real stinkers, such as Death From Above. There has also been a few attempts to mesh wrestling and horror together too, which yields mixed results in the world of professional wrestling and thus far has provided little entertainment on film, but Dark Match proved to be a step up from the likes of Pro Wrestlers Vs Zombies.

First and foremost, there's some decent acting in this movie, with Steven Ogg once again stealing the show. Very few actors become successful after starring in a video game, but since his infamous role as Trevor in Grand Theft Auto V, he's made the most of every opportunity he's given to display his versatility, even in roles such as this where's if anything, he's the anchor that keeps the viewer, especially wrestling fans, grounded. Elsewhere, Chris Jericho, who isn't the greatest actor in the world but always understands the assignment, does a perfect job as the villain, falling somewhere between Linus Roache's performance in Mandy and Gene Simmons in Never Too Young To Die, giving us a solid mix of cult and camp.

While it's an enjoyable film that has some Easter eggs for fans, it is nonetheless predictable and at times a little flat. In particular our heroine, Miss Behave, feels less like the badass they attempt to portray her as, and more grumpy. Ayisha Issa may also be best known for her role in a video game (namely Fliss from Man Of Medan,) but she feels more real in that role, ironically. She doesn't do a bad job here, but the character itself feels a bit cookie cutter. I won't spoil the ending, but I think I audibly said, "Oh, they're going with this?" which left me a little disappointed.

All in all, Dark Match is a fun way to spend an hour and a half, with plenty of violence for horror fans and insider terms and a good adaptation of the grappling itself to please wrestling fans. Worth a watch if you just want to be entertained.