Amizades Perigosas

No Spoilers.

The basic premise of Playdate is one that has been used, tried and tested in at least a dozen movies i can name off the top of my head.

ie'Family move in next door and attract curiosity from there neighbours by odd or suspicious behavior.'

Because these types of films are not new to the genre, there storyline can be stale and formulaic.

However with good performances and a solid screenplay, the antagonist of this movie is ambiguous throughout which leaves us wondering who to trust.

I find that in poorly made movies, the actors respond to situations differently to the way i would or the way reality would dictate.(making it unbelievable) The poorer the movie, the more unfitting and ridiculous the actors respond.

Basing the movie on the unbelievability of there performance I would give it a 5.5/10, although that's not standard for the whole cast.

The end of the movie leaves a few unanswered questions, which is fine as long as it doesn't leave holes in the story, this one doesn't, but i find a bit of resolve would help the conclusion.

This movie had a good concept, but it felt like as if they just wanted to end it quickly. They talk about the neighbors characters background, but only a little and has left the viewer to decipher the rest. I get that some movies do that, but they could've added more depth to the movie and it would've came out a lot better. It's a good movie, but you'll finish it feeling frustrated because they didn't go into detail about the characters just some snapshots which don't even explain much. I think my rating is fair at 5/10 stars because it's not terrible, but it's not the best.

I went into this movie with fairly low expectations, but in the end I was left extremely disappointed.

The build up of this movie was slow but thanks to the acting it kept me interested. It's a recognisable situation, family gets new neighbours & don't know if they're trustworthy. We all worry who our kids play with at some point. During the movie you're left wondering who's to trust and who's not. So far, an OK movie experience. The slow build up made me look forward to the ending, in suspense. Then comes the plot. Which is so incredibly weak & not answering many questions -if any- that left me feeling i wasted my time. Personally I absolutely can't stand movies to end with this many unanswered questions. It feels as though the writer had some good ideas for a story but was suddenly out of inspiration when it came to the end. Also, some things are just not realistic. Without giving any spoilers away, the apparent ease at which an APB is warranted left me astonished. There's plenty of stuff in the last part of the movie that had me scratching my head, which I can't get into without giving spoilers away. I'm sure you'll know what I mean when you've seen it.

Huge disappointment for me this one. 2/10.

A boy is driven off a cliff. Emily Valentine (Marguerite Moreau) leaves work to be a stay-at-home mom for her husband Brian (Richard Ruccolo) and daughter Olive (Natalie Alyn Lind). A new family moves in next door. It's single mom Tamara Moor (Abby Brammell) with her sons Titus and Billy. Olive has playdates with Billy but he seems have a dark side. Titus lurks around and spends his time looking out his bedroom window. A man attacks Emily's family at home. Tamara claims that he's her violent ex-husband. When that man is killed later in a motel room, she claims to not know him. Olive gets hurt while playing with Billy. The family dog shows up dead on their doorstep.

This has the potential of a good horror but as a TV movie, it struggles to be more. It has no style. The dark tension comes mostly from the constant dread of a creepy child. Creepy children is a great horror trope. Otherwise, this does not have much of a punch. I like Moreau but the suburban mom character is limited. The acting is mostly fine. I don't buy the father's cavalier attitude towards his daughter getting rough-housed by a boy. It would make sense for two boys but a girl is different. That's not to say anything is wrong with Natalie Alyn Lind. She's great. In addition, there is a trick to a red herring. It needs to be revealed before revealing the truth. This red herring is somewhat anti-climatic and it loses its power. It could have been a great reveal if it's done earlier. This limited TV horror struggles for mediocrity and almost makes it.

I only watched this because I like Richard Ruccolo, who plays the dad. The dude is capable of much more than the suburban husband role he's stuck in here (and in Rita Rocks, although that was enjoyable). At least he showed physical courage when it was called for; that was nice to see.

I can't tell whether my response to the drawn out slow plot was, as likely intended, anxiety or, more likely, annoyance.

The "nice" family's reactions to the new neighbors, once things start to get odder and odder, are completely non-credible. Bad script. People, even nice white people in the suburbs, don't let their niceness overcome their sense of danger when their only child is involved.

Twas nice to see Mr Ruccolo, even here, but if he were not in the flick, I'd have turned it off after ten minutes.