Jana - Märkta för livet

This was a good thriller for the first five episodes but I am afraid it degenerated into complete nonsense in the sixth and final episode. Very disappointing. The plot reveal was nonsense.

The actual film for the most part was far too dark. It was extremely difficult to see what was happening. I even had to try and adjust the brightness on the TV.

A lot of holes in the plot regarding the actions of the eponymous Jana and the police.

Familiar faces - Johan Ulvesen (Bonus Family and The Truth Will Out), Fredrik Hallgren (Bonus Family), Suzanne Reuter (The Restaurant).

Madeleine Martin was good in the title role.

Jana Markta för livet is basically about facing the ghosts of the past. It is based on the first book of Emeli Schepp's Jana Berzelius novels. Jana Berzelius is the leading character portrayed by Swedish actress Madeleine Martin. I liked the way how Madeleine Martin is acting and she does not make you irritated. Norrköping is beautiful and it is fascinating to watch the dark atmosphere. August Wittgenstein is great as usual. His performance was great at the Das Boot series. Although there are some plot holes, the series is worth watching. I assume that there may be a second season. I will certainly watch it. Finally, I do not think that Madeline Martin needs too much makeup. They should reserve her natural beauty.

Nonsensical plot, second rate production....what was with all the water at every scene change? Amateurish. Lost count of the holes in the story, more frequent and bigger than our local potholes.

Acting was often clunky and unnatural. My credulity was strained too many times;Jana should have been removed from any investigation early on as she was clearly a disturbed and damaged character. I blame myself for wasting so many hours hoping that it might get better.!

Not deserving of the category scandinoir; please, do not consider making series 2 or more!

There is only so much drivel a person can absorb in one lifetime!

"Jana" is a mesmerizing journey into the world of crime fiction, where the intricate characters and gripping storyline of Emeli Schepp's novels come alive on the screen. From the very first scene, viewers are drawn into the complex web of suspense and intrigue that surrounds Jana Berzelius, a character whose depth and complexity are brilliantly portrayed by the talented cast.

The director's meticulous attention to detail shines through in every frame, creating a rich and immersive atmosphere that transports audiences into the heart of the story. Each character is brought to life with nuance and depth, making it impossible not to become emotionally invested in their fates.

What sets this adaptation apart is its ability to seamlessly weave together elements of mystery, drama, and suspense, keeping viewers on the edge of their seats until the very end. From the smallest gestures to the grandest revelations, every moment is crafted with care and precision, ensuring that no detail is overlooked.

One of the most remarkable aspects of the series is its ability to hint at events from the past, adding layers of depth and complexity to the storyline. These subtle nods not only enrich the viewing experience but also serve to deepen our understanding of the characters and their motivations.

Overall, "Jana" is a captivating adaptation of Emeli Schepp's Jana Berzelius series brought to life on screen is a must-watch for fans of crime fiction and mystery. With its compelling characters, intricate storyline, and masterful direction, it is sure to leave a lasting impression on audiences everywhere.

Had this been presented with a more sci-fi slant than it was, I might've found it easier to believe the lead character's strange and somewhat inexplicable actions through the series. Some of the dialogue is also quite stilted or unnatural, where Jana might give a better qualifying answer as to why she couldn't do something with her family at any time or other, her lack of this made her less likeable as a character and her motivations and the cohesiveness of her actions less questionable. Not really giving us any insight into the actual role of a prosecutor in the Swedish judicial system also reduces the believability of her actions throughout. It's not engaging enough to warrant further development because she wasn't likeable enough as a character. Her apartment is also far too fancy for a junior lawyer, regardless of her father's implied wealth and standing. The plot was somewhat far fetched too.