Temporário 12

Greetings again from the darkness. "An indie gem" is meant to be a term of respect for a little movie that manages to make an emotional connection, usually while being screened at a film festival or in a very limited and brief theatrical run. The best ones drive us to encourage everyone we know to take the time to see it. Such is writer/director Destin Cretton's latest.

Some movies offer a promising premise and then let us down with faulty execution. Short Term 12 is actually better than its premise would lead you to expect. Credit goes to Mr. Cretton's quasi-documentary directorial style, tremendous acting from support characters played by John Gallagher Jr (Mason), Kaitlyn Dever (Jayden), and Keith Stanfield (Marcus), and a stunning lead performance from rising star Brie Larson (Grace).

Grace and Mason help run a foster care facility. We witness first hand their daily work with the kids, some of it quite mundane ... though other moments incredibly powerful. Grace and Marcus have their own personal connections to this way of life, and also happen to be in a relationship that seems built on avoiding the communication and connection that goes into their daily jobs.

The use of art as a communication device plays a role throughout. Marcus uses his rap lyrics, newcomer Jayden draws and writes children's stories. These two kids are particularly important because they also mirror the inner sanctum of Mason and Grace, and we see these people all battle demons in hope of living a "normal" life. This is not a story of saints and sinners ... these are just people coming to grip with the deck they've been dealt.

You will recognize Gallagher from his work on HBO's "Newsroom", and Dever made quite an impression in her time on "Justified". Larson's star is on the rise thanks to her presence in The Spectacular Now and Don Jon, as well as some upcoming projects. She IS what critics have been trying make Greta Gerwig ... an actress who breathes life into character we feel we know.

After seeing this movie, I realized how the Academy works. If a movie doesn't have the budget to distribute their film to a vast amount of cities or campaign well, then it is unlikely to get its deserved recognition. I sat through the 96 minutes of this Indie film that got raved with impressive reviews at SXSW to see what the fuss was about. The people behind this movie deserve SO much more praise than they have gotten. This film, though not technically masterful, is emotionally wrenching. I laughed, I freaking cried my heart out, and overall it felt real. There was a connection to the film that was surprisingly amazing. The movie reminded me to Blue is the Warmest Color in the sense that it was raw, powerful, real, and astonishing. Brie Larson should have easily been one of the five nominees for Best Actress as well as Keith Stanfield for Best Supporting Actor. This film is a portrayal of neglected youth, a rare look at relationships, an articulation of the fears in the world, and a new point of view that most films have never shown before. I truly recommend this film to everyone, and will always give it the praise it deserves.

It's rare that a film moves you to tears and in the next moment makes you belly laugh, all within a context of a very real, grounded story.

This film has some of the strongest writing, acting, and directing I've seen in American cinema since American Beauty was released. Subtle, incredibly deep, and full of unsentimental heart and compassion. It's about people who have been damaged by the people who are supposed to protect them the most: their parents. And it's not just about that. It's about how the human spirit can, with care and respect, somehow sustain after such darkness. It's about real love.

This film is why I go to the movies. This film is why I've made my livelihood movies. Bravo Mr. Cretton and everyone involved with the film. I wish you nothing but the best.

One of the few movies in my life I cried at. Due to some of my background I was moved by the subject matter. It is one of the most natural movies I have ever seen. The entire cast seemed like real people and not one of them seemed like an actor. Great movies plunge the viewer into real lives as if they suddenly discovered someone else's life in front of them. The writer/director also had balance in the story, The most emotional scenes had tremendous impact because the timing when they occurred was not suspected. The scenes were gut-wrenching and drove me to emotional experiences as if I was a person in the film. Thus, the tears. This may be a hard film for viewers to be involved with, but it is worth every minute of it. The private lives of the leaders were weaved into the film and gave great understanding to the people who ran the agency. The child acting was without a flaw, and I felt as if I knew them in real life. I urge you to see it, but prepare yourself for an emotional ride with people in dire circumstances. A simply great film!!

At its core, Short Term 12 is a film about kids looking after kids. That youthful always-learning energy gives it a warmth and sincerity that's extremely endearing and a joy to watch these vulnerable and intriguing characters. It's about outcasts fitting in together and finding their place making it relatable for whenever you've felt alone and brings in a welcoming sense of community. It's Brie Larson's protagonist Grace who heads the entire ensemble on her shoulders. She gives a heartfelt performance, tough on the outside, swirling chaos on the inside, and she's able to get that on screen and develop it in every scene. In the way she is written, she shows the value of a nurturing character and how that can get the audience's sympathy regardless of any negative behaviour. The screenplay is terrific, juggling its arcs very efficiently and delivering comedy and drama in equal doses.

It can get too comical or sentimental at times but its overall maturity cancels it out. With its hand-held photography, it has a raw aesthetic that cuts through potential contrivances and predictability and gives it an involving sense of authenticity. The majority of the scenes are long and dialogue driven, often reflecting on short sharp outbursts or telling stories within the story be it an anecdote, rap or children's story read aloud. It provides an ideal pace and length it to feel brisk yet able to breathe and feel like a fulfilling 90 minutes. It's a film about catharsis and connection after deep repression, and the fact it's about young people makes the tragedies hurt more and the sense of hope more touching. It does have a bad habit of using the cliché of misplaced anger a bit too often, where a character furious at someone will instead hit those closest to them, but the deep rooted empathy for these characters allows those moments to feel at least somewhat justified as we feel that intense release with them.

The supporting performances are also fantastic, characters that although may follow a convention feel like they're coming from a genuine place. It's not often that a film like this would start its story with a relatively optimistic relationship as that dials down the potential for conflict, but John Gallagher Jr. and his chemistry with Larson makes it one we love watching and dread that moment where it inevitably goes wrong. Keith Stanfield is a standout from the younger crowd of actors whose powerful tenderness constantly gave me chills and Kaitlyn Denver who navigates around cliché and provides an earnest and passionate performance. Short Term 12 knows its deck has familiar cards, but it plays them just right. It's nice to have a film that knows that an original perspective is more engaging than original content. Despite its flaws, it's a really great emotional film and definitely the type of film I'd love to make.

8/10