Tony, um solitário motorista de táxi de Liverpool, começa a ter uma visão de mundo distorcida e uma obsessão doentia por um apresentador de programa de rádio noturno.Tony, um solitário motorista de táxi de Liverpool, começa a ter uma visão de mundo distorcida e uma obsessão doentia por um apresentador de programa de rádio noturno.Tony, um solitário motorista de táxi de Liverpool, começa a ter uma visão de mundo distorcida e uma obsessão doentia por um apresentador de programa de rádio noturno.
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The negative reviews don't understand the fact that Tony is such an accurately drawn character of a teacher who is no longer needed. I've not watched it all yet,and if it ends with his character doing something dubious it's cheap drama that doesn't really explore the normality of life at the wrong end of the spectrum, but if it takes that slice of normality and runs with it we could be seeing something a little interesting and a lot realistic, now before I go on I've got to lay my cards on the table and say that while I have just retired, I've never felt happier and think teaching is a great profession, although people often face the large sacrifices being made.
Just lately there has seen a spate of four part dramas on channel five, with its fair to say mixed results. The Night Caller staring the excellent Robert Glenister and Sean Pertwee is a psychological thriller set in Liverpool.
Glenister plays a taxi driver who has recently lost his job as a school teacher due to a tragic accident he blames on himself. During his night shift he listens to the late night phone in on local radio, and believes he has found a soulmate in Pertwee who plays the Phone in's host.
What follows is pretty grim, as we see a man suffer a mental breakdown as he try's to come to terms with how his life has come to this point.
Overall a really well made, well written drama. More of the same please channel five. 8/10.
Glenister plays a taxi driver who has recently lost his job as a school teacher due to a tragic accident he blames on himself. During his night shift he listens to the late night phone in on local radio, and believes he has found a soulmate in Pertwee who plays the Phone in's host.
What follows is pretty grim, as we see a man suffer a mental breakdown as he try's to come to terms with how his life has come to this point.
Overall a really well made, well written drama. More of the same please channel five. 8/10.
Glenister and Pertwee are absolutely superb in this dark drama about depression and deception. Other very good performances from some faces you'll recognise too. I don't recall seeing Pertwee before but his voice was just fantastic as the radio host.
Yes some found it slow but some of the best of the genre from the likes of Hitchcock built slowly and exploded at the end. It doesn't need to be a thrill a minute gore-fest car crash to be a great drama which this is.
The night time darkness adds to this study of haunting depression, guilt and hopelessness. The simple but basic locations were just right too.
Glenister's face and Pertwee's voice deserve special mention..
Lots of parallels drawn with Taxi Driver but Play Misty for Me was a big memory for me.
Yes some found it slow but some of the best of the genre from the likes of Hitchcock built slowly and exploded at the end. It doesn't need to be a thrill a minute gore-fest car crash to be a great drama which this is.
The night time darkness adds to this study of haunting depression, guilt and hopelessness. The simple but basic locations were just right too.
Glenister's face and Pertwee's voice deserve special mention..
Lots of parallels drawn with Taxi Driver but Play Misty for Me was a big memory for me.
Put simply: this series is a real treat. It's well made. Brilliantly acted. Perfectly scripted. And beautifully photographed.
Both Robert Glenister & Sean Pertwee are on top form. The connection between the two actors and their characters is excellent. The dynamism is magic.
The story is a perfect length. At 4 episodes the miniseries is just long enough without being dragged on and on. And as over-lengthening - or over-shortening - is a common flaw in modern dramas, this ideal length was a sign of good editing.
The storyline is credible. As are the lead characters. The plot's development is realistic, the characters' backstories are sufficiently fleshed out, and the lead-up to the finale is well paced. We believe the two leads' pain and how they each got where they are.
Other good points: The minor characters are all scoped out well. There is no spurious box-ticking. Even the incidental music is on point. The characters are written as human - i_e_ making crass mistakes - but, as imperfect is how human beings are, this is what we need to see.
The storyline references modern issues: school teachers' stress, kids' peer pressure, social media hassle, binge-drinking, generational differences, ex-military PTSD, loneliness. I challenge any series to give a viewer more in a range of issues with which to identify.
Seeing two characters in their maturity/middle age - and actors of their performance magnitude - play off each other on screen, is a template for TV dramas. And as Channel 5 all too often rolls out dramas that verge upon dross, this series belies the pattern. The series lifts up the channel in my estimation. And to great heights. It shows us what a production unit can do when the team put their mind to it.
I see TV awards in the offing . . .
Both Robert Glenister & Sean Pertwee are on top form. The connection between the two actors and their characters is excellent. The dynamism is magic.
The story is a perfect length. At 4 episodes the miniseries is just long enough without being dragged on and on. And as over-lengthening - or over-shortening - is a common flaw in modern dramas, this ideal length was a sign of good editing.
The storyline is credible. As are the lead characters. The plot's development is realistic, the characters' backstories are sufficiently fleshed out, and the lead-up to the finale is well paced. We believe the two leads' pain and how they each got where they are.
Other good points: The minor characters are all scoped out well. There is no spurious box-ticking. Even the incidental music is on point. The characters are written as human - i_e_ making crass mistakes - but, as imperfect is how human beings are, this is what we need to see.
The storyline references modern issues: school teachers' stress, kids' peer pressure, social media hassle, binge-drinking, generational differences, ex-military PTSD, loneliness. I challenge any series to give a viewer more in a range of issues with which to identify.
Seeing two characters in their maturity/middle age - and actors of their performance magnitude - play off each other on screen, is a template for TV dramas. And as Channel 5 all too often rolls out dramas that verge upon dross, this series belies the pattern. The series lifts up the channel in my estimation. And to great heights. It shows us what a production unit can do when the team put their mind to it.
I see TV awards in the offing . . .
Black Cab earns ten stars from me based on Robert Glenister's outstanding performance as Tony. He captures perfectly the pain that a person in his position would suffer, and the intensity of his facial expressions gave me chills. This series won't leave you laughing for sure but will hopefully touch your heart. Suzanne Packer as Rosa, Sean Pertwee as Lawrence, and Stephen Walters as Rob also deserve recognition for the portrayals of their respective characters. Some viewers might find things move a bit slowly and I might agree to an extent. Overall, however, I found Black Cab excellent and very moving.
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Ночной разговор
- Locações de filme
- Irlanda(Set in Merseyside, but filmed in Ireland)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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