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IMDbPro

Parthenope - Os Amores de Nápoles

Título original: Parthenope
  • 2024
  • 18
  • 2 h 17 min
AVALIAÇÃO DA IMDb
6,6/10
16 mil
SUA AVALIAÇÃO
POPULARIDADE
663
52
Celeste Dalla Porta in Parthenope - Os Amores de Nápoles (2024)
Partenope is a woman who bears the name of her city. Is she a siren or a myth?
Reproduzir trailer1:58
1 vídeo
99+ fotos
AmadurecimentoDramaFantasia

Uma mulher nascida no mar de Nápoles em 1950 busca a felicidade durante os longos verões de sua juventude, apaixonando-se por sua cidade natal e seus muitos personagens memoráveis.Uma mulher nascida no mar de Nápoles em 1950 busca a felicidade durante os longos verões de sua juventude, apaixonando-se por sua cidade natal e seus muitos personagens memoráveis.Uma mulher nascida no mar de Nápoles em 1950 busca a felicidade durante os longos verões de sua juventude, apaixonando-se por sua cidade natal e seus muitos personagens memoráveis.

  • Direção
    • Paolo Sorrentino
  • Roteirista
    • Paolo Sorrentino
  • Artistas
    • Celeste Dalla Porta
    • Stefania Sandrelli
    • Gary Oldman
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    16 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    663
    52
    • Direção
      • Paolo Sorrentino
    • Roteirista
      • Paolo Sorrentino
    • Artistas
      • Celeste Dalla Porta
      • Stefania Sandrelli
      • Gary Oldman
    • 86Avaliações de usuários
    • 130Avaliações da crítica
    • 52Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 25 indicações no total

    Vídeos1

    Official Trailer
    Trailer 1:58
    Official Trailer

    Fotos126

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    Elenco principal61

    Editar
    Celeste Dalla Porta
    Celeste Dalla Porta
    • Parthenope
    Stefania Sandrelli
    Stefania Sandrelli
    • Parthenope anziana
    Gary Oldman
    Gary Oldman
    • John Cheever
    Silvio Orlando
    Silvio Orlando
    • Devoto Marotta
    Luisa Ranieri
    Luisa Ranieri
    • Greta Cool
    Peppe Lanzetta
    Peppe Lanzetta
    • Vescovo
    Isabella Ferrari
    Isabella Ferrari
    • Flora Malva
    Dario Aita
    Dario Aita
    • Sandrino
    Antonio Annina
    • Raimondo 10 anni
    • (as Antonino Annina)
    Margherita Aresti
    • Vittoria da Casamicciola
    Martina Attanasio
    • Debbie da Casamicciola
    Francesca Romana Bergamo
    • Madre Sandrino governante
    Liliana Bottone
    • Lucia Esposito
    Maria Rosaria Bozzon
    • Vecchia megera
    • (as Mariarosaria Bozzon)
    Luigi Bruno
    • Ragazzo meraviglioso
    Giovanni Buselli
    • Gennaro Criscuolo
    Paola Calliari
    • Giovane assistente incinta
    Ciro Capano
    • Capasso
    • Direção
      • Paolo Sorrentino
    • Roteirista
      • Paolo Sorrentino
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários86

    6,615.8K
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    Resumo

    Reviewers say 'Parthenope' by Paolo Sorrentino is visually stunning with breathtaking cinematography and beautiful Naples scenery. It explores themes of beauty, youth, love, and self-discovery. Celeste Dalla Porta's performance is praised for its allure and enigmatic quality. However, the film has mixed reviews, with some finding it pretentious and lacking substance, focusing too much on aesthetics. The narrative structure and character development are contentious, with some appreciating the philosophical approach and others finding it incoherent and shallow.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    8lorenzo-pillitteri

    A Painting Alive

    Paerthenope isn´t just a film, it is a painting alive: every scene is filmed with such sensibility... If you wonder what real Beauty is, then the film will give you the answer. A real masterpiece in my opinion, that will make you fall in love with the main actress (you can´t escape that !) but also with the beautiful city of Napoli, a city filled with culture and history, the heart of the Italian authenticity. A film that takes you for a walk through essential philosophical questions such as the true essence of Beauty and the ephemeral youth. To put it into a nutshell, I would say Parthenope is a BEAUTIFUL DEPRESSING movie.
    7panta-4

    Sorrentino's signature style is on full display in Parthenope

    In the enchanting world of Parthenope, director Paolo Sorrentino weaves a tapestry of captivating imagery and compelling storytelling. The film, named after the mythical siren and the city, is a breathtaking exploration of life, beauty, and self-discovery.

    The mesmerizing performance by debut actress Celeste Dalla Porta is the heart and soul of Parthenope. Her enigmatic portrayal of the titular character is a masterclass in subtlety and allure, drawing the audience into her journey of self-realization. The partnership between Sorrentino and cinematographer Daria D'Antonio is once again a match made in heaven, as they paint a vivid picture of Italy's stunning landscapes.

    Sorrentino's signature style is on full display in Parthenope, with the film's episodic structure allowing for a deep dive into the protagonist's experiences. While some may argue that the film prioritizes style over substance, it's hard to deny the sheer visual splendor and emotional resonance that Sorrentino achieves.

    Parthenope is a celebration of youth, beauty, and the transformative power of self-discovery. It's a testament to Sorrentino's unique vision and unwavering commitment to his craft. While it may not be a radical departure from his previous works, Parthenope is a stunning addition to his filmography and a must-see for fans of his distinct cinematic style.
    6fabiosciarra-1

    A faint memory, faded like the summer youth that once was.

    The main issue with Parthenope is that it adds nothing new to Paolo Sorrentino's filmography. Too many familiar scenes, too many obsessions already portrayed, too many mannerisms endlessly repeated. While it's true that cigarettes have become a signature of the director, when every actor-from the beautiful lead to the extras in the background-keeps lighting one up, it quickly becomes cloying, if not outright ridiculous. I truly enjoy Sorrentino's cinema, but the excitement I felt leaving the theatre after watching The Consequences of Love is now only a faint memory, faded like the summer youth that once was.
    6Portobella

    Strangely draining

    I was so close to leaving the cinema half way through this film, but stayed. And the best bits are actually in the 2nd half so Im giving it 6 stars instead of the 4 which the first half deserved. However, I still dont think this is a good movie. Fantastic visually yes, for Sorrentino is a master of unforgettable filmic tableaus, but that just isn't enough.

    The overall problem...There is no plot, it's more a series of separate scenes on narcissism, or rather that's how they come across. I think Sorrentino wanted to create something profound but the result feels contrived and sad.

    And then there's the anticlimactic ending - a sudden flash forward 50 years to an oddly empty/vacant character that is Parthenope in her 70s. What? Why?
    7alanaharperova

    Not only the visuals are attractive, but to me it was the movie's three profound subjects

    Why would you watch this movie? Probably based on what we know that is said about Sorrentino and his perfect eye for the breathtaking visuals. Indeed, with the first shot in the movie he makes it clear - showing a carriage and the "Captain" floating on the sea with the view on the stunning coast of Napoli!

    Not its beauty, but the Napoli itself is one of the key topics. If this city could be personified, it will definitely be a beautiful woman. Only, just like a person, Napoli is much more than a beauty and it definitely has its dark places.

    It personally touched me that one of the key topics (and a key question) is also (what is) a study of Anthropology. Anthropology, formed of two Latin words, meaning a person and science. No other study could have been better for this movie, rather than a study of the most complicated being in this world. I will save you from spoilers and let you think of what Anthropology is before the movie answers it for you, but keep in mind that it is shown by the biggest "superpowers" of Parthenope and especially in her brother Raimondo, who in my opinion was the one that taught that to Parthenope.

    The third matter that made me absolutely passionate about this movie was the precise choice of words and creation of dialogues. Her love interests were mostly people who had the most beautiful way of expressing their emotions. Listing to their dialogues made me feel like I've read a book.

    I highly recommend watching this movie, although it may have some bizarre moments that can make you feel uneasy. But if you are open to understanding and accepting the strangeness, it will definitely let you "get carried away."

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Paolo Sorrentino said he reached out to Gary Oldman about filming a cameo after hearing that Oldman was a huge fan of his. Oldman immediately accepted saying Sorrentino was at the top of his wish list to collaborate with.
    • Citações

      Devoto Marotta: It's very difficult to see, because it's the last thing you learn.

      Parthenope: When do you learn to see?

      Devoto Marotta: When everything else begins to be missing.

      Parthenope: What is everything else?

      Devoto Marotta: Love, youth, desire, emotion, pleasure.

    • Trilhas sonoras
      Warmth
      Written by Peter Gregson

      Performed by Peter Gregson, Warren Zielinski, Magdalena Filipczak, Laurie Anderson, Ashok Klouda

    Principais escolhas

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    • How long is Parthenope?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 27 de março de 2025 (Brasil)
    • Países de origem
      • Itália
      • França
    • Centrais de atendimento oficiais
      • Apple TV Store (MENA Official)
      • Official Site
    • Idiomas
      • Italiano
      • Napolitano
      • Inglês
    • Também conhecido como
      • Parthenope
    • Locações de filme
      • Nápoles, Campânia, Itália
    • Empresas de produção
      • The Apartment
      • Pathé
      • Numero 10
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 26.300.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 289.303
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 31.588
      • 9 de fev. de 2025
    • Faturamento bruto mundial
      • US$ 11.623.475
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 17 min(137 min)
    • Cor
      • Color
      • Black and White
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.39 : 1

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