A Lista da Vingança

I think the 4.9/10 rating is a deliberate attempt to minimize the great achievement and multifacetedness of this movie. When it comes to African Diasporic cinema, whatever is done in its authenticity to remain African is never enough. However, when we appease the Western gaze through movies about Slavery or the LGBTQ+ community, our cinema is a masterpiece.

Cinematically, the film has great execution, direction, and imagery that is unprecedented in comparison with other Nollywood films. The cast was perfectly selected in my opinion with all actors/actresses effectively playing their characters. I love the collaboration with women to achieve the demise of corruption, a bit that is often if not always overlooked and or exaggerated for dramatic purposes. I also appreciated all the movie was able to encompass. It drew a keen interest and understanding of Nigeria beyond what two-dimensional films often portray. However, the difficulty in seamlessly capturing this richness made the film harder to comprehend.

The various storylines, the length of the firm, and alignment with the film's title made it really difficult to remain engaged with this project. Though this allowed for unpredictability which negated the disengagement, it struggled to flow with the plot and development of the story. Nonetheless, I believe this is a bigger and more present issue with Netflix film productions than this actual film.

I highly recommend watching! It is an emotional rollercoaster packed with thrills. You will cry, jump, and shout. Honestly, there is no better movie-watching experience than that.

Lastly, big congratulations and kudos to the entire team behind this project. I can speak for most Nigerians by saying THANK YOU for restoring our faith in quality Nollywood films. I hope great things come from this endeavor.

The Black Book directed by Editi Effiong is an action film about a deacon who taps back into his sinful ways to avenge his son's death, absolve him, and give him a proper burial. Paul Edima, deacon and reformed assassin, is played by Richard Mofe-Damijo affectionately known as RMD. At the movie's opening, Edima is a loving father and pillar of his remote community while bearing witness and doing good deeds in the name of his Christian faith. The transformation of Edima from humble Christian to determined marksman without losing his sense of morality was a fine line to walk but pulled off seemingly effortlessly by RMD. His beach scene alone made me want to fly to Lagos, suit up, and join the cause. RMD emoted the stages of grief with surgical precision. When his character finally reached acceptance of the loss and determination to avenge, the movie hit its stride. The supporting cast was filled with some of the writer's Nollywood favorites including: Shaffy Bello, Femi Branch, Iretiola Doyle, Bimbo Manuel, Bimbo Akintola, and the one and only Taiwo Ajai-Lycett. The unexpected breakout actress was Ade Laoye who played Vic, the unrelenting journalist who was researching the murder of Edima's son when her path and Edima's crossed. Vic's scene in the church when she found out who was responsible for her mother's death brought tears to the writer's eyes. This otherwise strong and determined character broke emotionally in a way that was palpable. Ade's Vic evolved with the storyline as though her scenes were shot in sequential order or as though Ade kept the entire story in mind when she shot each scene. Brilliant performance. Also, shout out to the blonde assassin played by Denola Grey. I was expecting big things from him but he was murdered before his third costume change. Pity. Perhaps more of him and less dozens of people holding guns in the air and chasing each other would have fared better.

Though the premise of the story was believable, it sometimes got muddled with all the shootouts. It became difficult at times to figure out who was fighting whom and why or how Nigeria is still a functioning nation with so many warring factions in broad daylight. To be fair, there's a Hollywood blockbuster buster movie director who is notorious for overdoing fight scenes and explosions by having too much going on at once and giving the viewer sensory overload, but his movies are still some of my favorites. So there's that. Overall, it was a really good movie with a cast of heavyweights lead by RMD, beautiful cinematography, and plausible premise. Just use the gang fighting and gun showboating times for a snack break because they don't seem necessary to the story.

This movie was beautifully executed, and I appreciate its relevance to some of the issues we face in Nigeria today, such as government cover-ups involving innocent lives. While the plot bears resemblance to Liam Neeson's "Cold Pursuit," I must commend the director for their remarkable work. Films like this have the potential to engage Nigerians more in Nollywood.

However, there are a few aspects I'd like to address: 1. The dialogues: The accents sometimes felt forced, attempting to mimic Hollywood, which didn't work well.

2. It would be better if the characters embraced their Nigerian identity more.

3. Some dialogues were cringe-worthy and led to second-hand embarrassment.

4. While there were talented actors, some of the cast members came across as inexperienced.

5. Certain relationships in the movie lacked a solid foundation or exploration.

In summary, I enjoyed the film and its message but believe that Nigerian movies should avoid emulating Hollywood excessively. I'd rate this movie 7/10.

The Black Book

This Nigerian Crime Thriller sees its lead character, Paul Edima, on a revenge journey against those involved in the unlawful killing of his son.

As with many blockbusters that Nollywood has been churning out in recent years, The Black Book is star-studded, from the insignificant to the important characters. This helps the movie maintain a firm grip on the performances from the cast, but Ade Laoye and Bimbo Akintola (even with her limited screen time) deserve praise for their portrayals.

The Black Book starts with a simple plot, and the first quarter is backed by its emotional core. But as the movie unfolds it becomes complex, and the twists employed don't always help the story's progress. Some relationships are glossed over, and some characters are unimportant.

Even though the plot needs refinement, the cinematography is beautiful and elevated with its choice of locations and set designs.

The Black Book can best be summed as Nigeria's answer to the American John Wick.

6/10.

It is quite appealing that this movie is a showcase of reality as something similar to this movie has in recent times,occurred in Nigeria. From police harassment, unlawful killing, injustice to corruption. Kudos to the director and the actors because they know their onion well and fully delivered. I had an emotional breakdown when RMD wasn't allowed to carry his son to bury framing him father of a criminal to say that this movie is heartbreaking. This movie came with a lot of suspense and cutting of scenes which left me wondering what happened in the background and I really wished they showed us more without withholding the action part. Nollywood is yet to reach its peak, getting better and better and with that the shortcomings in the movie are not an issue for me as the main focus of the movie was established.