A Corte Marcial da Nave da Revolta

I love the echoey, stark sound of the set....masterful. It shows how these things actually are on occasion. As a former military officer who sat on two courts martial, one was held in a small office, one was held in an actual courtroom that echoed eerily like this set.

It was refreshingly taut, and my gut was taut as well during the entire production.....bravo on that point. When these types of proceedings occur, people's lives are irretrievably altered...whether for good or ill.

And the lack of music was awesome! Real life has no soundtrack......

I thought the lighting was accurate, and the whole atmosphere felt like something large was going to happen....whether that was going to be good...or bad....we don't know....

As a lawyer, I was pleased that the objections and decisions by the court were pretty accurate.

Final verdict? We could all benefit from more productions in this sphere...well done.

Having recently watched the original Caine Mutiny, I was excited to see how such a strong cast and director could retell the story for a modern audience.

Right out of the gate, the pace of the movie was off. Cut scene to each witness, no time spend on any transition between them.

Then there's the scene with Lt Keefer. The original movie provided a clear understanding of his motives. In this one the Keefer and Maryk dynamic during the trial is not explored. No dots connected for the viewer, just a simple glazed over opportunity to develop the story.

The final scene left me puzzled. The message it sends is diminished from the takeaway of the original. Moral courage and fortitude are nowhere to be found. Maryk is made to be a one dimensional buffoon.

9/10 for the actors, 4/10 for the message and muddled delivery.

Final films by William Friedkin and Lance Reddick RIP.

This is a single setting courtroom court martial hearing that expands on the legal themes of the original from the fifties.

The original showed the various incidents of Queeg and then the trial. This is just the trial and aftermath.

Everything is a lot more fleshed out. Jason Clarke is great as the prosecutor and Keifer Sutherland does a passable Borgart homage.

I watched it as a companion piece to the original and would recommend doing it that way.

I always find the ending, where the solicitor speaks to the officers party a wonderful scene. Watch it for that at least.

The original novel and movie took place during WWII. The play now takes place during the Gulf War, but it doesn't lend itself to modernization. Kiefer Sutherland does a credible job as Captain Queeg, but lacks the depth that Humphrey Bogart gave to the character in the original movie. Jake Lacy, however is a bit shallow in his characterization of Lt. Maryk. I liked the acting by Jason Clarke as Barney Greenwald, but the gray hair on a fairly young Navy Lieutenant was a bit too much. I also thought Monica Raymond's portrayal of the JAG prosecutor was over the top. Yes, prosecutors have to be zealous in their duties, but...

Quartermaster 3rd Class Urban's character was clearly miscast. First, while it's not unusual for a 20-year-old to be an E-4, it would be virtually impossible for a sailor of his age to have been in the Navy for four years.

Now, to the makeup of the officers on the board. As far as I can remember, flag officers do not serve on courts martial boards for decidedly junior officers. Dale Dye's portrayal of an "Admiral Dewey" was not only farcical, but his uniform decorations were way over the top. There were also several incidents where Navy uniforms were not worn properly, although I can imagine that the short shooting schedule was a major cause of continuity errors.

Navy courts martial don't have Chief/Senior Chief Petty Officers as court MP's. Those duties are handled by U. S. Marines, especially at larger Naval facilities.

In all, the entire play would have been much better had more time been taken to "get it right".

And so it ended. With a career that comprehends more than 60 years in the film business behind classics such as "The French Connection", "The Exorcist" and "To Live and Die in L. A." William Friedkin was a towering expressive voice just as much as Coppola, De Palma, Scorsese and many others that revolutionized the world of cinema. At age 87, he still managed to get behind camera, gather up talented actors to appear in his film and deliver a quite masterful work worthy of appreciation. He puts to shame many young filmmakers out there who probably just watch films made in the past 25 years or so, but never beyond that to actually learn the craft of filmmaking and how to tell a story.

"The Caine Mutiny Court-Martial" it's Friedkin's final work, not exactly the send-off he deserved but it's the one he needed since it was a passion project and he knew his reasons in bringing an updated version of Herman Wouk's classic novel and play that had two filmed versions before: Edward Dmytryk's in 1954 which presents the whole action on board of vessel Caine and later on the trial; and Robert Altman's version in 1988, of which this film owes it a lot since they just cover the trial. All great films on their own; if compared with each other the criticism can affect the experience, of which I won't do all that much because others already did that, and one must think about the audience who haven't seen those other films and might want to see this new take and they must see it.

It'll be a mystery as to why Mr. Friedkin wanted to retell this classic ethical battle of a lieutenant (Jake Lacy) on trial for mutiny after relieving his commanding officer (Kiefer Sutherland) after considering that the man was out of his right mind as a typhoon approached their ship.

And most important, why updating it - the original story takes place during WWII and it makes more sense there than in a context of peace times of 2022.

Anyway, he had his reasons and there's also the factor of attracting new audiences to a highly important story so you have to make things a little flexible. It works in a way because the material is strong enough while addressing topics such as ethics, moral, the judgments on people and their actions in stressful difficult times and also how fallible and frail the men of force can be. It's never a high criticism on the institution (the Navy, here) but of the people in charge. And it also deals with the value of discipline and how the power of questioning authority can be used and enforced when one has a total understanding of discipline.

Friedkin's "The Caine..." is thrilling, with many edge of the seat moments and you never feel distracted or out of the story. It's quite fast-paced despite it's claustrophobic settings and wordy dialogues. I didn't agree with some of his choices, at times things make some abrupt transitions unlike Altman's patient work that gives you some time to breathe in between the cross-examinations of the witnesses. Small criticism, almost pointless.

And as usual, the director extracted great performances from his cast, being the highlights coming from Jason Clarke as the defendant's lawyer, and Kiefer Sutherland as Commander Queeg, a role previously played by Humphrey Bogart (Oscar nominated performance) and Brad Davis. Unlike the other two performers, as great as they were, his take on the delusional captain made the character more challenging for audiences to find out if he's really insane or not whereas with the other two I always knew what went on because it's a role that can easily go to an over-the-top direction. With Kiefer I had to give him the benefit of the doubt and sort of erase my memories of the previous films.

My take is based solely on the film alone and that kind of view must come sometimes, without judging a career as a whole or what came before with the same material. It's a highly commendable work by a master storyteller, it certainly has a great deal of importance with the themes worked and I had a great time with it. For a final film, it was really impressive and knowing that very few directors can pull it off with an outstanding final work, the man did it. Au revoir, Mr. Friedkin. 10/10.