Here

Saw this at the 2023 filmfestival in Ghant (Belgium). A minimal story about two people in Brussels, living their separate lives, meeting each other by accident a few times, and find a connection for some reason or other. No sex, nor any other intimate contact.

When the movie ends, they do not even know each other names, but still there is some bond. We see it grow gradually, mixed with images of Brussels' city nature that also gets its fair share of attention.

Seeing this movie had an unexpected side effect on me. When at home I started making soup from all sorts of remaining vegetables I had lying around, inspired by Stefan who had to clear his fridge before going back to his country. In Dutch, we call this madiwodo soup (does not translate, but is typically made by cafeterias at work on a Friday, out of remaining ingredients from the previous Mon/Tue/Wed/Thursday, or motuweth for short, not a pronounceable acronym).

Notwithstanding that the story went nowhere interesting, the lead actors and the way it is pictured was remarkably compelling. I'm not sure how the filmmakers do it, but it works even for a nerd like me who doesn't do feelings nor atmosphere.

Attended this at the Gothenburg Film Festival and the still-life-inspired cinematography separates the chaff from the wheat in the first 30 minutes. After that it gets very interesting the more you get to know the 2 characters without even getting to know them that much at all. The experimental camera work is a chef's kiss with it's symbolic frames when the characters are alone versus together. A lot of the cinematography reminds me of Edward Hopper's art and the more the story unfolds it's adorable to follow the characters. It gets nerdy on a really wholesome level and such absolute gem to see.

This is the definition of an "artsy" and pretentious movie. Not just a STYLE OVER SUBSTANCE : There is nothing substantial here. Nothing meaningful, nothing that you're gonna remember it for a while. A shallow and hollow movie about Nothing. There is a guy who's obsessively making soups, a girl, at some point near the ending they met each other and take a trip into a Brussels park, and that's it.

I would be less hostile if this hadn't a 92/100 Metascore rating. Movie critics have totally lost any touch with reality.

Still, i gave it 5 stars because for some strange reason, i watched the whole movie without struggling. At some point, for 2 minutes, viewer watches only grass and roots and something like that, and it is less boring than it seems. Probably the best part. It's a sweet movie, nothing vile and twisted here, characters are boring and forgettable but likeable. And its running time helps a lot, it's only 80 minutes.

There is something soul soothing in this movie, and i cannot not appreciate, hence the 5 stars. But this is not Cinema. Just some nice shots are not enough for an artistic creation. There is no story here. It's more like a documentary than a movie.

The thing I love most about Bas Devos is his approach to allowing me to experience his films in a meditative state and how he just let you chill out and really feel what's going on with the characters. It's all so natural, like you're just experiencing daily life alongside them. His latest, "Here," kinda reminds me of his earlier film "Ghost Tropic" with its themes offering a more tender exploration of human connection and isolation.

This 16mm tender embrace, a visual poem of moss, invites us into the bittersweet lives of two strangers in Brussels. A chance encounter brings Stefan and Shuxiu together but parting ways is inevitable. Devos masterfully juxtaposes their inner worlds with the beauty of the natural world, creating a poignant contrast for this simplistic story. Th ending is a thoughtful choice, avoiding the need for both characters to engage in extended dialogue or monologues. And the ending? It's just perfect. No big speeches needed, Shuxiu's reaction says it all and just speaks volumes.

And it's not just about the great outdoors; there's also that quiet feeling of being indoors, meandering reflection on the transience of life. In the calm stillness of "Here," even simple things like a train's reflection or the rain-pelted window, so profound, especially with the way it's framed. It just creates this amazing sense of intimacy.

Intimacy.

Ultimately, "Here" is one of those films that just makes you want to slow down, notice the little beautiful things, and find a bit of comfort in all those fleeting moments we experience. It's a real gem.

The melting pot that is present day Europe should be an inspiration for more uplifting stories about the things that bind us as people. I would be hard pressed to find examples for this, the focus, both in the news and in cinema, being foremost on tension and conflict. It makes sense, conflict drives storytelling and keeps us engaged. Yet, here we are, in the world of Bas Devos, where human connection springs eternal from the most unexpected of sources.

This is a conflict-less story. Or, rather, a story that's not really about the conflict. My namesake Stefan, a Romanian construction worker living in Belgium, is about to travel back home, but needs to get his car fixed before leaving. He also needs to clear his fridge, so makes a big pot of soup out of whatever he finds.

This haphazardly concocted soup then proves a wonderous lubricant of the human spirit, it opens doors in a Balkanic tradition, but also forges moments of connection and intimacy, the way sharing food so often does. Per chance, in pre-departure to and fros, Stefan meets Shuxiu, a Belgian-Chinese woman who works on her doctorate about mosses, while also helping out one of her relatives who runs a small restaurant. It's the unlikeliest of connections, but perfectly in the spirit that Here inhabits.

At just 82 minutes, the movie is strikingly short. Especially if you get into its mood, it will lull you before you even realize it's ending. We are so used to our urban jungles, that nature takes on ever more mystical qualities. In the world of Here, nature provides, in all its delicate simplicity. Stefan Gota and Liyo Gong play their understated parts in this symphony and we feel immediately drawn to them, to join them. We are traveling back to the roots of our quintessential sense of connection, in an almost idealistic form of said conflict-less world. But it's not really a world without conflict, rather one where it has temporarily ceased and made room for tenderness.

Here is a moment in time, the proverbial here and now, which is the most blissful place to exist in. It's mischievously elusive, of course, but Bas Devos somehow manages to capture its essence in this movie, that has all the chances of growing on you and showing you true North. 8.