Leaving D.C.

The actor gives a good, solid performance of someone who, you (a little too quickly) realize was not wound all that tight to begin with, then thrusts himself into an unfamiliar territory thinking it will be good for him. His possible issues come more and more to the forefront in subtle and not-so-subtle ways. Unfortunately the lack of a budget means the ending will make you think the time spent wasn't worth it ( the end of the original Paranormal Activity was a showstopping extravaganza by contrast) but then you think, maybe it was--just to see one guy pull something like this off all by himself.

Right after watching Leaving D.C., which was strangely entertaining I have to admit, I told my wife this looked like a movie that was homemade by a guy that has some knowledge of modern technology, filming, and sound editing. After looking it up on IMDb I see that's exactly what happened. The writer, director and amateur actor is Josh Criss, he basically did everything by himself, probably got bored one day and thought it would be a great idea to make a movie by himself. Handycam movies are normally really not my thing, they always look so amateuristic but in this case it wasn't that bad. Josh Criss, the main and almost only character, acts pretty good, even though is role was to act as normal as possible, but that's also acting if you ask me. There is some mystery, that makes you keep watching, maybe a bit too repetitive at times, but entertaining enough to stay interesting. I would have scored it with a seven if it was not for the ending that I found a bit disappointing. Overall it wasn't a bad job for a man alone, better than some big budget productions.

I'm frequently antagonized by found footage films that tend to follow no logic and interrupt any significant action with electronic video interference. Leaving D.C. doesn't fall into any of those traps and presents a straightforward but interesting narrative about an average guy who moves out to the woods, where he's beset by what just may be supernatural phenomena. The film's mystery builds slowly and much of the interest involves simply observing star/director/writer Josh Criss doing his logical best to rise to the occasion of confronting a wave of spookiness. It's entirely watchable and Criss does a creditable job carrying the film as its primary on-camera presence, explaining the reasonable steps he's taking to identify and deflect the bizarre intrusions. While the conclusion could have used a little more oomph, the film is a good ride and an excellent example of what can be achieved with limited resources.

Really creepy and well done. Kept me entertained throughout the whole film. Definitely give it a shot if you are into found footage films.

I was very impressed by this "one man band" version of found footage horror films.

Josh Criss does a great job of keeping you engaged and slowly building suspense. It all feels real, which is key to a successful found footage film.

This is essentially a story about a troubled man, who moves out to the middle of nowhere to escape the hustle and bustle of city living, but becomes obsessed with the odd happenings occuring late at night in the woods surrounding his new home.

It's an intriguing film, mostly for its simplicity, but also for its understanding that less is often more when it comes to building suspense, and budget is not much of a factor or excuse anymore, when rating a film's quality. If Josh Criss can do it with a camcorder and no dough, why can't hollywood?