Dead Mail

Pretty standard indie fare. Acting, cinematography, and dialogue all are hit-and-miss, hitting more than missing. There are some plot holes, but nothing that really degrades the movie. I have no idea why the type of epoxy would affect sound quality. Even from a heat dissipation aspect, there wouldn't be such a thing as "good epoxy", since modeling epoxy would be different from electronics epoxy. Normally only nerds like me would think about this, except that they bring it up like 10 times for whatever reason.

Around half the movie is spent on the actual kidnapping. While the kidnapping part IS actually creative, it's not creative in an interesting way. There's a few points where it seems the movie is going to pull a Saw, but then it just ends the scene. The rest of the movie is the post office stuff, which once again is creative but not all that interesting.

It's FAR from the worst indie movie I've seen, but it lacks the creativity and execution of say, a Benson & Moorhead movie. Overall it just feels like a good idea that suffers from inexperienced writers. DeBoer and McConaghy are probably worth keeping an eye on, but Dead Mail is something you'll watch mildly entertained, and forget the following day.

This 2024 Shudder original called Dead Mail, with a rather interesting-looking poster and a decently intriguing plot synopsis on IMDb, was shot in slightly faded color with grainy visuals, really giving it those 80s retro vibes. Sadly, that's about the only thing this movie does to make itself entertaining or stand out from most other releases nowadays. It's a style choice that can work and mostly does in this film but the narrative needs to be more than a rather dull kidnapping story like the one we get here.

We follow different characters after an ominous help note finds its way into a post office. The movie presents various perspectives; from the victim, the abuser, and other side characters while also incorporating a few time jumps, which are easy enough to follow. And even though the story has some interesting elements and brings a bit of uniqueness to the table, it's overall really dull. It reminded me a bit of 2021's Censor, which had similar problems in my opinion, though it featured stronger pacing and a more engaging narrative.

In this film, I kept finding myself bored and unable to immerse myself in the story or connect with the character arcs. The acting from the main cast is pretty solid, and there's definitely talent involved both in front of and behind the camera. The movie features several scenes that feel unnecessarily drawn out, seemingly only to show off some aesthetically pleasing visuals. That being said, this is definitely a slow burn, and people who don't enjoy that kind of horror should stay away from this one.

If you're a fan of slow-burn horror, this might be worth a watch. However, I personally didn't find anything particularly compelling here and will probably forget about this movie soon. [4.9/10]

Dead Mail (2024): Another Neo-Noir thriller which trespasses on horror territory. Shot in grainy slightly faded colour it gives us the feel of it's 1980's setting. Though the actors play their roles straight, a Coenesque line of humour runs through the film, just about strong enough to leaven the dark horror and violence which also permeates Dead Mail. Jasper (Tomas Boykin) is a dead mail agent, he can track down correct addresses from arcane pieces of information, checking with the weather bureau or if all else fails an overseas hacker friend. Coming across a blood stained scrap of paper supposedly from a kidnapped man Jasper gets cracking. We already know from the opening scene that the "letter" is genuine. The kidnapper breaks into the post office and attacks Jasper. We then flashback to how the kidnapper met up with his victim. A tale of compering synthesizer designers. Unrequited love and a touch of Killing for Company as the kidnapper does have a Dennis Nilsen vibe about him. The dark comedy of the film is what sets it apart from more mundane thrillers along with taut direction and a clever script which makes all the twists and turns make sense. You'll gasp, laugh and maybe cry but I reckon in the end you'll agree that this is a good Noir/Psychological Horror movie. Directed and Written by Kyle McConaghy and Joe DeBoer. 8/10.

Don't know what it is with some of these reviews they could'nt have been watching the same movie .This movie was alright i thought definetly an indie movie and i actually thought that this was an 80's movie because they seemed pretty accurate with the 80's synths and the general look of the film etc. I thought it was quite original .Took me a while to grasp the concept because the movie is told in flash back i thought that it was clever how the whole movie comes together. The acting was'nt that groundbreaking except for maybe the actor who played the kidnapper he was pretty good . Overall i thought the movie was pretty good definetly worth a look.

I get that people want to give this flick medium ratings because it is very much a niche indie film that isn't for everyone. But I think objectively as a horror fan Dead Mail deserves props for various elements, ranging from the grainy realistic 1980s atmosphere (and weirdly accurate details like those big buckets of cheap Neapolitan ice cream) to the truly original plot points about sound engineering in the late 20th century and nerdy info on how cool and sleuthlike dead mail was prior to the world wide web.

I also think that the writers/director did their research on serial killers such as Richard Ramirez frequenting a low-income shelter for men during his murder spree, and Jeff Dahmer with his predilection for victimizing poor black males that he justified with his disturbed inability to form healthy gay relationships.