First Shift

This was a really generic cop drama that is almost a ridiculous stereotype of the genre. Eastwood did the exact same movie over and over in the Dirty Harry franchise. But worse, its obviously a pilot for a tv series that no one bought.

Uwe Boll has always been a hack, but this seems more like a director for hire tv movie right out of the 70s.

All that said, I liked the cast. I hope this earns them some more roles. It wasnt their fault the story wandered all over the place, and really had no plot or direction. The ending leaves you looking for the next episode. Its not a bad watch, and I dont feel like I wasted 90 minutes, but it just isnt original at all.

The trailer looked promising though when I saw Boll as the director I had some mighty reservations but all for naught. This was a very entertaining cop movie and certainly not deserving the low score it has here. And while there a few weirdly shot scenes the movie despite as others have said being somewhat disjointed is actually well directed. The strength of the entertainment is admittedly because of the two engaging lead actors ( I've seen him in guest parts on shows and a couple of movies; her never ) and their endless entertaining banter had my wife and I laughing quite a bit. If you're a dog lover there's a small subplot that you'll definitely enjoy. The only thing missing was a good cop shootout but like most cops work lives, that doesn't happen very often. If this were a show we'd definitely be watching but suffice that they have a possible part 2 in the works or already made. Be sure to hear the fantastic music at the beginning of the end credits.

I hate when people write review in the stance that their view is the final view point . Sure you can say you did not like it but don't act like you are a Variety Critic. I thought the two main actors were very good and I like the flow of the film . The gradual connection between partners is true to life as I have had many work partners myself and it takes time to warm up to them and know they are competent and have your back. The side stories are spliced in well and seamlessly add to this short movie. Hope to see a part two like it says. Yes there are different viewers with differing reasons to like a movie. So don't be deterred by a narrow minded , self gratuitous review saying unwatchable.

In a departure from high-profile blockbusters, this film presents a refreshingly grounded narrative that captivates through its sincerity and charm. The story centers on a seasoned New York detective who, despite his initial reluctance, is paired with a dynamic female officer recently transferred from Atlanta. This classic setup-where a grizzled veteran must adapt to a new partner-forms the backbone of the film's engaging plot.

While the storyline unfolds within the familiar confines of a New York detective thriller, it distinguishes itself through its focus on character development and realistic, heartfelt interactions. The film skillfully delves into the personal backgrounds of its characters, adding depth to their motivations and relationships. Although the antagonists may adhere to certain genre conventions and lack complexity, they serve their role effectively within the narrative.

Overall, the film succeeds in delivering an entertaining and emotionally resonant experience, despite its adherence to genre tropes. Its strength lies in its authentic portrayal of human connections and the understated charm of its characters, making it a worthwhile watch for those who appreciate a more nuanced approach to the detective genre.

It's a trifecta... poorly written, poorly acted and poorly directed. A possible career ender for all involved. From its nonsensical plot to the painfully wooden performances, this movie is a masterclass in cinematic mediocrity, leaving viewers with a profound sense of wasted time and a yearning for something, anything, to engage with on screen.

The narrative, if you can call it that, is a jumbled mess of poorly connected subplots that seem to have been thrown together haphazardly. Characters are introduced with no apparent purpose, their motivations unclear, and their arcs abruptly truncated without any satisfying resolution. The story attempts to tackle themes of love, loss, and redemption, but falls flat at every turn, leaving the audience bewildered and questioning if they missed some crucial piece of the puzzle that never actually existed.