A Hora do Mal

Weapons is a tense and gripping new horror from Zach Cregger that lives up to much of its immense hype. The story follows a community reeling after all but one child from the same class vanish on the same night at exactly the same time, and from there it unfolds with a sharp mix of mystery, dread, and dark humor. The acting across the board is phenomenal, the suspense is crafted with precision, and the world building for the small town setting feels rich and lived in. Practical effects shine, the score adds weight to the tension, and there are even moments of levity that break up the intensity without ever killing the mood.

What makes Weapons stand out is how confidently it holds your attention. From start to finish, it's a film that refuses to let go, pulling you deeper into its unsettling premise. It's refreshing to see such commitment to originality in mainstream horror, and the movie feels like a love letter to the genre's willingness to take risks. While the final reveal of what truly happened may divide viewers, and for me personally, it didn't entirely stick the landing but the journey there is so compelling that it's hard not to walk away impressed.

"Weapons" focuses on a Pennsylvania town where a large group of children-coincidentally (or perhaps not) from the same home classroom-flee their homes one night and disappear. Suspicion naturally falls on their teacher, but an intricate web of events unfolds, showcasing a dark, if not unbelievable, turn of events.

While writer-director Zach Cregger's "Barbarian" attracted a significant following among genre fans, I was not particularly a fan of that film; while I thought it had its share of strong elements and could see why some people loved it, the tone and genre-bending grotesque humor did not appeal to my taste. Because of this, I had tempered expectations for this film, but on the whole was pleasantly surprised. There is certainly dark humor here, but it is played in a more human way.

The screenplay utilizes segmented vignettes that interlock, forming a larger portrait of the strange, almost Stephen King-esque events unfolding in the small community. Tensions abound, as the missing kids' schoolteacher, Justine Gandy (Julia Garner) receives her scarlet letter, with grief-stricken parents such as Archer (Josh Brolin) blaming her for their children's disappearances. Further characters are thrown into the mix and each have their own narrative strands in the chain of events, including a struggling cop (Alden Ehrenreich), a young drug addict and petty thief (Austin Abrams), and the school principal Andrew (Benedict Wong).

While this narrative mode can often be hit-or-miss, it is played to great effect here and is clever without being too gimmicky or pretentious for its own good. On a purely technical level, the film is solid-the cinematography and locations are atmospheric, the sparse use of music and silence is pointed, and the performances are uniformly good from everyone involved. That being said, Amy Madigan, playing the aunt of the sole child in his class who didn't vanish into the night, steals the thunder from everyone , giving a performance that is of "What Ever Happened to Baby Jane?" proportions.

Many have noted that the less you know about the film going into it, the better, and while I think that adage stands true for most moviegoing experiences, it is especially true here. The interlocking character vignettes are compelling in their own right, and the plot strands playfully connect by degrees, keeping the audience firmly planted on their toes. The truth eludes you until the outrageous final act, which is where I think the film could lose some people; however, by that point, I think even most hardened horror fans will remain invested due to the high level of intrigue that has brewed over the previous hour and a half. "Where could this possibly go?" was a recurring thought as I watched this, and even when it stretched credulity as the answers came, I remained firmly in the crosshairs, just as each of the children in Ms. Gandy's ill-fated homeroom. 8/10.

A Pennsylvania teacher's nightmares begin when her entire classroom vanishes, leaving only one disturbed boy.

The trailer caught my attention, and I went in expecting a decent movie; I wasn't expecting to be as entertained as I was. Weapons absolutely delivered on all levels.

The storytelling was amazing; it was like an onion being peeled back, layer after layer. It was so clever. There were so many creepy moments, and the scenes inside the house were at times chilling and really unsettling.

Great characters; Gladys was an absolute riot and deserves to return in whatever format. Amy Madigan was fantastic, and credit goes to the makeup team as well. This is the most different and creatively imaginative film I've seen in ages. I loved it.

Out of interest, this is a challenging movie for snacks at the cinema, there are multiple silent scenes, you'll hear every slurp of coke and every crunch of popcorn. I'll never take pringles again.

8/10.

I caught an advance screening of Weapons (2025) tonight. The storyline follows a town in shock after an entire elementary school class mysteriously vanishes one night, after all the children suddenly run out of their homes. The blame falls on the teacher, who becomes desperate to clear her name-but she has no idea where to begin. Maybe she should start with the one student who didn't go missing...

This picture is written and directed by Zach Cregger (Barbarian) and stars Julia Garner (Ozark), Josh Brolin (No Country for Old Men), Amy Madigan (Streets of Fire), Benedict Wong (Doctor Strange), and Justin Long (Jeepers Creepers).

Weapons is a unique and gripping addition to the horror genre, evoking the tone of both Hereditary and The Children. The acting is phenomenal-every cast member delivers a grounded, emotionally authentic performance. The story unfolds in a Pulp Fiction-style structure, allowing the audience to piece everything together from different characters' perspectives.

The horror builds slowly and methodically, but once it kicks in, it really kicks in. The gore is intense, and a few scenes even brought Drag Me to Hell to mind. The villain is top-tier, and the central concept is executed with precision. Standout moments-especially the kitchen and gas station scenes-are packed with tension and shot beautifully. The camerawork throughout is exceptional, particularly in the climax, and even everyday settings like the liquor store are filmed with eerie familiarity. There's a cloud of mystery hanging over the film, and as the pieces finally click into place, the ending lands perfectly.

In conclusion, Weapons is everything you want it to be-methodical, well-written, and even better executed. I'd give it an 8.5/10 and strongly recommend it.

"Weapons" (2025) is a truly terrific and groundbreaking film that stands out with its unique direction and a sense of meticulous planning and execution. It's the kind of movie that feels fresh and unlike anything you've seen before, which is a significant achievement in itself.

The film's strength lies in its innovative approach to the genre, with a directorial style that feels distinct and intentional. The planning and execution of its key moments are handled with a precision that speaks to a clear and confident vision. This is what makes "Weapons" so good and memorable for its core strengths.

However, the film is not without its flaws, which prevent it from achieving absolute perfection. The pacing, at times, can be quite slow, with some scenes feeling unnecessary and acting as fillers that detract from the overall narrative momentum. This unevenness can be tiring and makes it a challenge for the viewer to stay consistently engaged.

A particular point of weakness is the film's antagonist. While the central conflict is well-executed, the villain lacks a clear purpose or compelling motivation, making their role feel less impactful than it should. This absence of a strong, purposeful antagonist diminishes some of the film's dramatic weight.

Despite these issues with pacing and the villain, "Weapons" is a highly ambitious and well-made film. Its originality and confident direction make it a worthwhile watch and an impressive cinematic effort.