Malayalee from India

Malayali from India became India vs Pakistan in a short while. It seemed to tell us so many stories and tranfer so many morals but ends up making the audience so much confused about where they were getting with all this. Be it political riots (Shine Tom Chacko brought some excitement), the reach of cricket, slavery in Arab countries, desert farming, educating girls, IS, COVID in remote areas. Not one theme could milk substantial emotions although each one has potential when explored properly, with depth and dedication.

Nivin Pauly acting in some areas were good and the bromance between him and Dhyan brought about few but fleeting moments of laughter. However, the audience couldn't escape from the lag. After some exceptional movies from mollywood in the past few months, this one certainly falls flat, in all areas. None of the songs nor the visuals seemed to have lasting, especially in contrast to aadujeevitham which had a similar setting, although it is an unfair comparison. In some areas, the background score, especially chenda melam use seemed to hit the right chords. Otherwise the movie had very less going for itself.

Malayalee from India was a letdown. There were only a few laughable moments, and hardly any truly good ones. It felt like a rehash of familiar elements from other films. The film overdid many aspects, particularly in trying to recapture Nivin Pauly's charm, but it ultimately fell short. Despite Nivin's talent, the movie didn't do him justice. If it weren't for him, I wouldn't have sat through it.

The last scene was particularly cringeworthy, epitomizing the irritating Malayali Pwoliaada concept. The film's agenda overshadowed genuine storytelling. The characters were poorly utilized: Dhyan and Anaswara's roles felt underutilised and added no value. Overall, Malayalee from India is a forgettable film that fails to entertain or enlighten, with poor execution overshadowing any understandable underlying message.

The first half of the movie is filled with combination scenes between Dhyan and Nivin, along with a lot of unnecessary political content that left me frustrated. I don't get what Anaswara Rajan's role significance the movie. When it comes to the second half, the movie deal with the a malayali outside india. Try to include a lot of emotional connect between an indian and pakistani. A sentimental drama they have tried to portray in the second half eventually made the audience numb with their feelings. It's surprising that the same writer and director of "Jana-Gana-Mana" created this movie. Personally, I found myself eagerly awaiting the interval during the first half and wishing for the movie to end during the interval. I wouldn't recommend watching this in theaters, but ultimately, the choice is yours.

It's a below average movie. The jokes are far below standard. The story is weak and some scenes will make the audience think of the overall purpose the movie is built for. The bonding between characters is also questionable. First half is irritating and second half is boring.

A movie like this which is made for just fans should at least have some element of likeability of the characters. The cast done by Dhyan Sreenivasan is the biggest example (of failure) of casting done in this film. There are many songs which does not have much music element in them, just they have some keywords which supports the situation.

Amazing movie ,Acting, Story plot .Comedy worked well and surely I can say this is nivin Pauly comeback movie of this year. We need to support this film as we supported manjummel boys , Aavesham and aadujevatham. Then only malayalam cinema will go up surely tamil audience will love this film Nivin acting and comedy is adipoli I'm sure his upcoming movies will have a huge responses from audience. The film explains about the friendship doesn't required caste religion and languages only love I'd enough to understand eachother the concept of the story is good and climax is heart touching. Nivin performed well.