Malayalee from India

The first half was laborious! Everything is a cliche situation, rolling in one after another. There is no twist to be expected. The story basically flows like many before, and once you understand the direction, you know what to expect.

There is an attempt to establish the timeline, to take advantage of the "lockdown"! Even that seemed very contrived. Also the "aadujevitham", where they trying to make this a pun??

Finally Malala !! Oh my god, they trans navigated the globe and had nothing to say, or rather didn't say it in an interesting way.

Very few performances stand out. There was nothing in the script to do. Sad. I wasted 3hrs of my time.

I don't know what they were trying to do with the movie. Other people in the industry are trying new concepts and styles and it felt like the writer and director are still stuck in the 6th century AD. Me as a viewer, is not interested in this topic anymore. Nivin was good. And that song felt like one of those fake photoshoots which pops up during Christmas and Onam(papanji+sanyasi+ustad). The two halves of the movie felt disconnected. My request to the writer is to try something new. Not all movies have to be about politics, people get frustrated by watching this over and over again. And I went in without watching the trailer, all the other promo videos were very misleading.

Malayali from India became India vs Pakistan in a short while. It seemed to tell us so many stories and tranfer so many morals but ends up making the audience so much confused about where they were getting with all this. Be it political riots (Shine Tom Chacko brought some excitement), the reach of cricket, slavery in Arab countries, desert farming, educating girls, IS, COVID in remote areas. Not one theme could milk substantial emotions although each one has potential when explored properly, with depth and dedication.

Nivin Pauly acting in some areas were good and the bromance between him and Dhyan brought about few but fleeting moments of laughter. However, the audience couldn't escape from the lag. After some exceptional movies from mollywood in the past few months, this one certainly falls flat, in all areas. None of the songs nor the visuals seemed to have lasting, especially in contrast to aadujeevitham which had a similar setting, although it is an unfair comparison. In some areas, the background score, especially chenda melam use seemed to hit the right chords. Otherwise the movie had very less going for itself.

*** Malayalee From India Malayalam Movie Review ***

Directed by Dijo Jose Anthony starring Nivin Pauly, Dhyan Sreenivasan in the lead role.

Plot of the Movie.

Nivin Pauly plays the character name Alaparambil Gopi, an irresponsible man who is always a nuisance to his family. A night when an unforeseen incident Gopi needs to fleed away from his place & shifts to Dubai but his life changes. How & what is that impact in Gopi's life is all about the movie.

Movie Analysis.

1) Nivin Pauly factor is the main highlight of the movie. His natural comic performance makes the movie watchable.

2) Dhyan Sreenivasan also adds a cherry to the movie. Expected a full-time screen presence with Nivin which did not happen and made me disappointed.

3) Overall, the movie talks of the brotherhood between Hindu & Muslim which in today's time more than an awareness it has become a reminder which does not needs to be reminded.

4) In second half the duration could have been trimmed as at one point it was like a kind of detachment but again as mentioned Nivin's screen presence brought us back.

5) In second half, the artist portraying the rule of a Pakistani had beautifully performed.

6) Able to witness the a Bhajarangi Bhaijaan & GOAT LIFE comic version in this.

Overall, a repeated told topic but with Nivin Pauly we could able to sustain at the big screen for 2.40 Hours.

Malayalee from India was a letdown. There were only a few laughable moments, and hardly any truly good ones. It felt like a rehash of familiar elements from other films. The film overdid many aspects, particularly in trying to recapture Nivin Pauly's charm, but it ultimately fell short. Despite Nivin's talent, the movie didn't do him justice. If it weren't for him, I wouldn't have sat through it.

The last scene was particularly cringeworthy, epitomizing the irritating Malayali Pwoliaada concept. The film's agenda overshadowed genuine storytelling. The characters were poorly utilized: Dhyan and Anaswara's roles felt underutilised and added no value. Overall, Malayalee from India is a forgettable film that fails to entertain or enlighten, with poor execution overshadowing any understandable underlying message.