The Agency

The Agency is a must watch for anyone a fan of spy thrillers. First of all, the cast is absolutely amazing. It stars Michael Fassbender, Jeffery Wright, Richard Gere and Katherine Waterston. That cast right there is reason enough to five this a try and on top of that it's a really good show too. I won't be surprised to see this show and most of the cast nominated for some awards come award season. The series is about a covert CIA agent (Fassbender) who is ordered to leave his undercover life and return to the field with his ex lover (Waterston) who he's still in love with. His love for her starts to interfere with his real life and the mission. If you're a fan of spy thrillers or a good mystery series then give this a try. You won't be disappointed.

10 episodes of slow, intellectual bliss about the never-failing CIA and its crew of spooks. Has the odd blip of speed, but mainly a plodding, stubborn show of incredible entertainment.

An absolute stellar cast mixed with wonderful writing create a show well worth watching. Fassenger carries the weight as the star whose fallen inove and teying to balance his private life with the job. Along with Wright, Gere, Waterston, Margaro and Turner-Smith, who all provide great characters, the story is full of informative moments and surprising turns.

Who knows who the good guys are is an interesting question throughout the series, never letting up right up to the final second. Totally clandestine and beautifully mysterious for those who love the spy genre.

For anyone who loves games of cat and mouse involved in the spy world then The Agency is for you. It's not the best spy series that I've seen but it's definitely worth watching. Michael Fassbender is perfect for roles like this, as is Jeffery Wright. The two of them are incredibly underrated actors. Add in Richard Gere, Katherine Waterston and Saura Lightfoot-Leon and you have one of the most talented casts on tv. The show might start off slow for some but stay with it because it does pick up. It just takes its time as it builds its world and its characters but if you don't have the patience for slow burn, well told shows then this isn't for you. The Agency does a great job of showing the cost and the sacrifices it takes to be in this line of work. I hope we get several seasons of this.

I have not seen the original to compare. However, knowing it was a remake of a French original I approached this with some trepidation as US remakes are usually pretty poor on the whole.

This though I was pleasantly surprised by. It offers something different to the usual spy thrillers focusing more on relationships to agents, colleagues, and loved ones that are often not touched on or rarely developed. Whilst this could still go further than it does those elements are just as important to the story as the main plot line. It's that plot line that is the slow burn as it takes it time to unfold but it is refreshing in a US remake that there is no reliance on action sequences. Action sequences are few and far between and only introduced when necessary. Instead we get a greater focus on the who what and why of the of the various plots and sub plots.

I found it compelling, with Michael Fassbender as Martian/Paul excellent in the main role ably supported by an excellent cast.

There is one thread throughout that seems to have little relevance to everything else that is going on but I suspect it is there because it will become much more important in subsequent series. However, it appears as a little padding to this series, although it is an interesting and watchable side plot. That and the slow burn stop it from becoming a 10/10 series but overall it is well with the watch.

A well-made series where Richard Gere and Michael Fassbender are wasted on it and play at 40-55 percent of their abilities and instead of the latter, though playing nicely and convincingly good, I would have liked to see Richard Armitage in his place and rank. The Russian and Ukrainian situations and visuals are mostly good as well as are the scenes with Sami Zahir and Danny.

A little suspension of disbelief here and there and you got yourself ten convincing episodes of high value targets drama.

Please bear in mind that it's mostly done right without stellar realism that are impossible to reach at a fictional level without making fuss, creating conflicts and deteriorating the storylines' plots.

• Screenplay/storyline/plots: 7.5
• Production value/impact: 7
• Development: 8
• Realism: 7
• Entertainment: 8
• Acting: 8
• Filming/photography/cinematography: 8.5
• VFX: 8.5
• Music/score/sound: 7
• Depth: 7
• Logic: 6.5
• Flow: 7.5
• Political/Drama/thriller/psychology/sp i: 7
• Ending: 7.