Um ladrão que arromba um carro de luxo percebe que caiu em um sofisticado jogo de terror psicológico.Um ladrão que arromba um carro de luxo percebe que caiu em um sofisticado jogo de terror psicológico.Um ladrão que arromba um carro de luxo percebe que caiu em um sofisticado jogo de terror psicológico.
- Direção
- Roteiristas
- Artistas
Ricardo Pequenino
- Street Drummer
- (as Ricardo Pequinino)
Sofia Tesema
- Sadie (Lipstick Woman)
- (as Sofia Tes)
Gabrielle Walsh
- Amy
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Anthony Hopkins must be in financial trouble to have taken on this major disappointment and waste of time. Even the free version of Copilot in Bing could've come up with a better plot and far better dialog.
The characters were so under developed they'd be blank if they had been traditional camera film in a photo lab. The dialog was so undercooked it should've come with a salmonella risk warning.
The movie attempted to be twisted but was annoying. It tried to be twisty but was predictable. It wanted to be suspenseful but was boring.
The audience is the victim locked in the theater suffering through a script that should've been locked away in the depths of a paper shredder.
The characters were so under developed they'd be blank if they had been traditional camera film in a photo lab. The dialog was so undercooked it should've come with a salmonella risk warning.
The movie attempted to be twisted but was annoying. It tried to be twisty but was predictable. It wanted to be suspenseful but was boring.
The audience is the victim locked in the theater suffering through a script that should've been locked away in the depths of a paper shredder.
A man, sick and tired of people breaking into his car, traps the next thief and extend his torture for longer than necessary by making his own justice. A man willing and capable to do anything, and a youngster at the wrong place.
I wasn't expecting the sound design to be so crunchy, or for it to be as gore-y as it was. The setup isn't particularly memorable, and most of the dialogue isn't that good. I enjoyed Collateral (2004) much more than this for that simple reason. But it takes its premise and goes places with it.. but not enough to fill in 90 minutes. Sadly, there's a LOT of "empty space" and the pacing suffers a lot because of its content. The acting is good, but not great.
Overall, it's okay.
You understand what it is doing/saying, and you know where it is going to go (more or less). The sad part is that there is no particular reason to watch this.
I wasn't expecting the sound design to be so crunchy, or for it to be as gore-y as it was. The setup isn't particularly memorable, and most of the dialogue isn't that good. I enjoyed Collateral (2004) much more than this for that simple reason. But it takes its premise and goes places with it.. but not enough to fill in 90 minutes. Sadly, there's a LOT of "empty space" and the pacing suffers a lot because of its content. The acting is good, but not great.
Overall, it's okay.
You understand what it is doing/saying, and you know where it is going to go (more or less). The sad part is that there is no particular reason to watch this.
Totally boring, implausible and pointless. Another disappointing flop featuring Skarsgård. It's not tense so much as just tedious. The back and forth moralizing of the protagonist and his captor seems like a stale attempt at courting the public discontent. The protagonist's complaint that laws serve to only protect the rich elicited a real groan from me. Fortunately this evaporates quickly, and never returns. However there's else here to captivate. All of the characters are ugly, and unlikeable. Save yourself the time and watch the 2000s classic 'Phone Booth' instead, which is much more thrilling.
Locked (2025), the English-language remake of Argentina's 4x4, sets out with a chilling premise-a carjacker trapped inside a high-tech SUV turned psychological prison. Directed by David Yarovesky and starring Bill Skarsgård and Anthony Hopkins, the film delivers on claustrophobia and unease but falls short of leaving a lasting mark.
The plot unfolds as Eddie, a reckless thief, breaks into what he believes is just another luxury car-only to find himself ensnared in a twisted game of justice by a vigilante played briefly, but brilliantly, by Hopkins. While Skarsgård carries the majority of the film, shifting between fear and frustration, it's Hopkins' minimal screen time that lingers most-his voice alone lends gravitas the film sorely needs.
Technically, the film scores well-direction, editing, background score, and cinematography all pull their weight. But narratively, it's a slow-burner that doesn't quite ignite. The tension builds steadily, yet the climax arrives too suddenly and is followed by a rather muted epilogue, dulling the impact of the confrontation and its moral undertone.
In the end, Locked feels like a high-concept thriller that loses steam halfway. It grips, but doesn't quite throttle. A one-time watch, especially for fans of psychological tension, but not one that demands a revisit.
Rating: 3/5 A tense setup with strong performances, but the payoff doesn't quite justify the ride.
The plot unfolds as Eddie, a reckless thief, breaks into what he believes is just another luxury car-only to find himself ensnared in a twisted game of justice by a vigilante played briefly, but brilliantly, by Hopkins. While Skarsgård carries the majority of the film, shifting between fear and frustration, it's Hopkins' minimal screen time that lingers most-his voice alone lends gravitas the film sorely needs.
Technically, the film scores well-direction, editing, background score, and cinematography all pull their weight. But narratively, it's a slow-burner that doesn't quite ignite. The tension builds steadily, yet the climax arrives too suddenly and is followed by a rather muted epilogue, dulling the impact of the confrontation and its moral undertone.
In the end, Locked feels like a high-concept thriller that loses steam halfway. It grips, but doesn't quite throttle. A one-time watch, especially for fans of psychological tension, but not one that demands a revisit.
Rating: 3/5 A tense setup with strong performances, but the payoff doesn't quite justify the ride.
I was able to catch a sneak peek of this movie and I must say it was better than I expected! The suspenseful buildup with Hopkins' character and Skarsgard's character! It was definitely intense! I didn't expect it to end that way, but glad it did! Bravo to the legend Anthony Hopkins and great job to Bill Skarsgard! The games and trickery were pretty on point! The unknowing of how they can keep the audience engaged with a man locked in a car deserves props! Hopkins will always be Hannibal Lecter to me so I was glad to see him in a role like this. Can't forget Sam Raimi either as his movies always stick to me even after I'm done watching them!
Você sabia?
- CuriosidadesThe starring vehicle in Locked is a "Dolus," a custom-built Land Rover Defender-based SUV. It was purpose-built for the film and heavily modified from the Defender platform.
It was designed and built especially for the film and is now on display at Volo Museum. The hero vehicle used in the movie is part of the museum's permanent collection.
It is a one-of-a-kind vehicle with a full custom body design, intricate interior details, and unique finishing touches. The design includes a bespoke exterior, luxury leather interior, detailed trim work, and striking visual elements.
Three "Dolus" vehicles were created: a modular interior rig for camera work, a fully finished hero car for close-up and exterior shots, and a dedicated stunt car for the most intense driving sequences (the stunt car was destroyed during production).
They were built at a staggering cost of 1.3 million USD (2023) This figure accounts for the design, fabrication, and customization of all three vehicles.
- Erros de gravaçãoIn the beginning Eddie argues with the mechanic that the alternator for his van is a "$400 part". On average, for his van, an alternator would cost about $120.
- ConexõesReferenced in Maldito clásico: Soldado universal (Universal Soldier) es un maldito clásico (2025)
- Trilhas sonorasDrive Off: Tchaikovsky Piano Concerto 1
Written by Pyotr Ilyich Tchaikovsky
Performed by Tim Williams (as Timothy Williams) and The Budapest Scoring Orchestra
Published by Something for the Beach House Publishing (ASCAP)
Courtesy of Beach House Music, Inc.
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- How long is Locked?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Locked
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.632.758
- Fim de semana de estreia nos EUA e Canadá
- US$ 924.054
- 23 de mar. de 2025
- Faturamento bruto mundial
- US$ 4.164.917
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Proporção
- 2.76 : 1
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