Love Rat
- Minissérie de televisão
- 2024–
Emma se apaixona pelo proprietário do hotel Niko em uma viagem de férias ao Chipre, mas ele a engana. Seu ex ajuda a recuperar seu dinheiro.Emma se apaixona pelo proprietário do hotel Niko em uma viagem de férias ao Chipre, mas ele a engana. Seu ex ajuda a recuperar seu dinheiro.Emma se apaixona pelo proprietário do hotel Niko em uma viagem de férias ao Chipre, mas ele a engana. Seu ex ajuda a recuperar seu dinheiro.
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Avaliações em destaque
Totally unconvincing acting and storyline despite having some good actors in it. That is about all that needs to be said. Each episode seemed to become worse than the previous one
There are no redeeming features about this series except that we only have to endure three episodes. The lead character, Sally Lindsay, lurches from one disaster to another. The crooks in Cyprus are weakly and poorly acted. The ex husband is a total loser and a waste of space, he is pathetic. The only one with any redeeming features is the police woman. I would not recommend this to anyone and I wish I had not wasted my time watching it. There is no real suspense.
Whoever wrote this pile of garbage needs to go back to Comprehensive School and complete her CSEs. How on earth could such established actors could allow themselves to be dragged in to such an implausible plot, banal script and amateur dramatics direction. There were more holes in the plot than in Blackburn, Lancashire. The " clever twists" were not clever and were ridiculously predictable. Most importantly, how could Channel 5 be stupid enough to present it? I can only assume that the scriptwriter was the author's mother who is married to the commissioning editor. If it's so easy to get on screen I'm going to submit all my novels.
OK its C5 and we expect something cheap and cheerful, but this only managed to over deliver on the cheapness.
Sally was introduced to us living in a house in the woods, which didn't seem to have any lights? Not surprisingly she went to Cyprus for some holiday sun - but her room there didn't have any lights either. The darkness followed her.
Seems like they couldn't afford a film crew...
This was a real Turkey in every single respect, Direction, Writing, Acting, Production Values, Score - they all sucked big time.
An embarrassing effort, one to avoid - or watch for laughs if you've had a few (too many) drinks.
Sally was introduced to us living in a house in the woods, which didn't seem to have any lights? Not surprisingly she went to Cyprus for some holiday sun - but her room there didn't have any lights either. The darkness followed her.
Seems like they couldn't afford a film crew...
This was a real Turkey in every single respect, Direction, Writing, Acting, Production Values, Score - they all sucked big time.
An embarrassing effort, one to avoid - or watch for laughs if you've had a few (too many) drinks.
I taped this as it was shown whilst I was away on holiday so binge watched it on my return. In truth, I needn't have bothered - this really was the worst piece of drama I've seen on TV for many a year. The production and direction were tolerable for the most part but the acting was dire. Not entirely the fault of the cast ... they were let down by a poor script. It was wooden, cliche-ridden and lacked any credibility in terms of characterisation. Such a shame. The scenario had huge potential and I was drawn into it by the title alone. Alas it failed to deliver. Sorry to be so negative but there it is.
Let's keep my review as simple as I can by keeping to the following pointers .. Very.wooden acting- totally implausible plot with so many holes in it like managing to hire a car in seconds. Nobody recognises the hotel owner! Sally Lindsey knows how to load a gun. Her Daughter manages to book a flight and arrive in record time. I could go on and on and what amazes me is how it makes the screen at all by managing to get past producers , cameramen and even the actors who surely must have some input by recognising the poor script or holes in the plot . Even the extras in it were thin on the ground .
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