Acompanha Luke Fitzwilliam, que se encontra na trilha de um assassino em série depois de conhecer a Srta. Pinkerton em um trem para Londres. Agora, Fitzwilliam precisa encontrar o assassino ... Ler tudoAcompanha Luke Fitzwilliam, que se encontra na trilha de um assassino em série depois de conhecer a Srta. Pinkerton em um trem para Londres. Agora, Fitzwilliam precisa encontrar o assassino antes que mais sangue seja derramado.Acompanha Luke Fitzwilliam, que se encontra na trilha de um assassino em série depois de conhecer a Srta. Pinkerton em um trem para Londres. Agora, Fitzwilliam precisa encontrar o assassino antes que mais sangue seja derramado.
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Agatha Christie wrote many dozens of murder mysteries, some famously ingenious; but either 'Murder is Easy' was a dud, or this adapatation is badly screwed up. People start dying in a small English village, but everyone still alive is remarkably unperturbed and several seem not to care if they're suspected to be the killer. Eventually, the real culprit is unearthed, and explains exactly how they've done it, although our amateur detective hero has identified the villain without in fact piecing any of it together for themselves. I've seen Christie adaptations that were fun, preposterous, or anachronistic; but none as anemic as this.
Well, the scenery and locations didn't disappoint. They're absolutely gorgeous (filmed in Scotland I believe).
Agatha Christie stories are pretty rote so the bar isn't too high, but this two-parter didn't manage to clear it.
The body count was really too high for Our Hero (Luke Fitzwilliam) to sink his teeth into any one murder and frankly while he did ID the killer in the end ... he was one step behind the whole way, unlike say Miss Marple.
About the casting and the plot line:
I was very distracted by the fact that David Jonsson's left eye is much smaller than his right. There are many many closeups of his face where this affected my ability to focus on the plot.
Apparently in order to justify casting a Black actor in the lead role, they gave him a back story as being from a rich Nigerian family and coming to London to work in a diplomatic post as an attache to some British muckymuck. He speaks with a posh accent and there is almost no relevance to his African background in terms of the plot.
We get some stereotypical racist comments about "mud huts" from the local high and mighty lord of the manor, but almost everybody else in the film basically just accepts him and appears virtually color-blind. In 1954 rural England? I dunno about that.
Also, he's not given much to do, other than to wander around snooping, and then give a knowing smile in almost every scene.
The dialogue he was given to say didn't help at all.
I couldn't help feeling, this would have been a much better production if they'd just stuck with a snoopy old maid like Miss Marple as the detective.
Agatha Christie stories are pretty rote so the bar isn't too high, but this two-parter didn't manage to clear it.
The body count was really too high for Our Hero (Luke Fitzwilliam) to sink his teeth into any one murder and frankly while he did ID the killer in the end ... he was one step behind the whole way, unlike say Miss Marple.
About the casting and the plot line:
I was very distracted by the fact that David Jonsson's left eye is much smaller than his right. There are many many closeups of his face where this affected my ability to focus on the plot.
Apparently in order to justify casting a Black actor in the lead role, they gave him a back story as being from a rich Nigerian family and coming to London to work in a diplomatic post as an attache to some British muckymuck. He speaks with a posh accent and there is almost no relevance to his African background in terms of the plot.
We get some stereotypical racist comments about "mud huts" from the local high and mighty lord of the manor, but almost everybody else in the film basically just accepts him and appears virtually color-blind. In 1954 rural England? I dunno about that.
Also, he's not given much to do, other than to wander around snooping, and then give a knowing smile in almost every scene.
The dialogue he was given to say didn't help at all.
I couldn't help feeling, this would have been a much better production if they'd just stuck with a snoopy old maid like Miss Marple as the detective.
My wife and I were really looking forward to this, it should have been right up our street as we live this sorry of things, but it was very disappointing. Just felt very tedious, disjointed and a bit of a chore to watch. Good cast and basis of a good story but it really, really dragged.
Maybe it was the script that was the problem, and having. Also we found the excessive colours jarring, almost cartoonish. Some of the characters were just caricatures and the "reveal" felt forced. A real opportunity missed as it probably cost a lot to make. The romance felt unconvincing and some very good actors came across like they were in panto. Not recommended.
Maybe it was the script that was the problem, and having. Also we found the excessive colours jarring, almost cartoonish. Some of the characters were just caricatures and the "reveal" felt forced. A real opportunity missed as it probably cost a lot to make. The romance felt unconvincing and some very good actors came across like they were in panto. Not recommended.
This quite village murder mystery was pitched just right. Is there a serial killer in their midst or is it just a bizarre series of accidents? Sometimes it takes an outsider to see through to the truth. The outsider being David Jonsson who is solid as the Nigerian finding his way in post war britain. What connects these victims and who has a motive for their murder. All these are answered but not before the body count is increased. This is a period Mid Sommer style of mystery. I have not read the book, but was certainly entertained by the two part drama. A solid seven. See for yourself on iPlayer before dismissing.
Firstly I'm a big fan of the whodunit period drama. From Miss Marple to Poirot etc. When I saw this advertised on the BBC over the Christmas period I was hoping for a good watch.
This starts off intriguing with Miss Pinkerton boarding a train, making her way to Scotland Yard. On the train, she meets Luke Fitzwilliam, whom she tells her tale of a murderer in her village. Fitzwilliam, an investigator himself, who is frustrated at a delay in starting his new job and so goes to Miss Pinkerton's village to investigate her claims.
To be honest, I found this one a bit boring. The way it played out and was acted it almost felt like a parody of Agatha Christie rather than a serious drama.
Although David Jonsson carried the lead well enough it didn't really suit the story to have Fitzwilliam's character changed to Nigerian. It made it difficult to believe the setting where the story takes place and that it was 1950s Britain.
I would recommend spending two hours doing something better than watching this. There are much better adaptations of Agatha Christie's work than this and time would be better spent watching them. Sadly yet again another Christmas and another sub par BBC adaptation.
This starts off intriguing with Miss Pinkerton boarding a train, making her way to Scotland Yard. On the train, she meets Luke Fitzwilliam, whom she tells her tale of a murderer in her village. Fitzwilliam, an investigator himself, who is frustrated at a delay in starting his new job and so goes to Miss Pinkerton's village to investigate her claims.
To be honest, I found this one a bit boring. The way it played out and was acted it almost felt like a parody of Agatha Christie rather than a serious drama.
Although David Jonsson carried the lead well enough it didn't really suit the story to have Fitzwilliam's character changed to Nigerian. It made it difficult to believe the setting where the story takes place and that it was 1950s Britain.
I would recommend spending two hours doing something better than watching this. There are much better adaptations of Agatha Christie's work than this and time would be better spent watching them. Sadly yet again another Christmas and another sub par BBC adaptation.
Você sabia?
- CuriosidadesLuke Obiako Fitzwilliam's character is based on the 1939 book's Luke Fitzwilliam -- a role that has been played by Bill Bixby in the 1982 TV movie, Peter Capaldi in the 1993 London stage version, and Benedict Cumberbatch in the 2009 TV version alongside an additional amateur detective, Julia McKenzie's Miss Marple.
- Erros de gravaçãoWhen the lead character is pushing through the group to get to the character killed in the street, the lady in the orange hat gets hit twice in the head with his umbrella, firstly from behind then to the front which you can clearly see her flinch.
- ConexõesVersion of É Fácil Matar (1982)
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- 1 h 57 min(117 min)
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