Bhimaa

Oh, what a delight, a film where the plot flirts with the idea of being interesting only to take a nosedive into the sea of cliché and cringe. It's like stepping back into an era where boredom was the norm, with a narrative that's as fresh as last week's leftovers. Dialogues so cheesy, you'd think they were competing in a dairy product fair. Our leading lights in the acting department seem to think they're at a shouting match, turning every scene into a test of patience. Priya might be somewhat tolerable, hovering around the realm of just okay, while Malavika proves that stunning looks don't translate to acting prowess. As for the ensemble, they simply meander along the path of least resistance, presumably following the uninspired direction they were given. The cinematography and production values wave a little flag of decency in this desert of mediocrity, and while the songs might have you reaching for the mute button, the background score mercifully doesn't exacerbate the situation. Recommending this film? I'd say you'd have a more enriching experience watching water boil.

Weak direction and, mediocre storyline ruined the film. I don't get it how someone could come up with such a stupid idea! I feel sorry for Gopichand. He tried his best and was good in his role. He even danced superbly in this film. But I couldn't tolerate his look in this film. He looks well with his regular moustache and short hair. Whoever did the styling just ruined Gopi's look. The comedy part was horrible. It was loud and cheap. I almost started having a headache watching the comedy. But the cinematography was surprisingly good. Same opinion for set design and editing. The fighting scenes were impressive, but the climax was too weak. This movie is nothing but a one-time watch.

Film is not bad. It is hopeless. Sequences and scenes look cliche and copied from one movie or another. At a crucial time when Tollywood is moving towards new age with directors like Vidyadhar Kagita making a spectacle named Gaami, we have a director imported from outside to make an outdated and cringeworthy fare.

As audience, I support Gaami for the new concept, direction and story despite its flaws, and more over for its Tollywood's OWN director. Gopi sir should acknowledge and support our homegrown talent.

Mr. Harsha, please head back to your own yard to make thrash like 'Bhimaa'. We will support our Gopi sir when he makes his next movie with our Tollywood director. Supporting local talent and new age cinema always!!

Highlighting as a cop, and a priest, Gopichand experiments it with Bhimaa. Bhimaa is a duty minded cop saving village from Bhavani and his goons. And in the jeopardy of misdirection, the story makes no sense with the elevation of priest role. This is itself a copy of Adhurs and Ramudu, Bheemudu with a loss of story.

The direction is so amateurish as the story takes stupidity in highlighting many forced characters and songs in the making of this ridiculous movie.

I wonder what the direction even wanted to make from this outdated story?? The cop role was good, but the rest is nonsense. So disappointing.

Disappointment is the lingering sentiment as the credits roll, and one can't help but feel a sense of loss for what might have been-a cinematic gem that instead turned into a broken promise.

The film starts promisingly enough, with a premise that intrigues and characters that seem layered. The cinematography is breathtaking, capturing the essence of the setting with a vivid palette of colors. The score, too, begins as a symphony that promises to carry the audience through a spectrum of emotions.

The performances, while earnest, are hampered by a script that feels both overwrought and underdeveloped. Talented actors struggle to breathe life into dialogue that ranges from the melodramatic to the mundane. Moments meant to be poignant feel forced, leaving the audience disconnected and disengaged.