Adicionar um enredo no seu idiomaIn New York City, potent strands of bath salts have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch... but somet... Ler tudoIn New York City, potent strands of bath salts have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch... but something has gone horribly wrong.In New York City, potent strands of bath salts have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch... but something has gone horribly wrong.
Dustin Mills
- Sal
- (as Dustin Wayde Mills)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film begins in New York City where a chemist by the name of "Sal" (Dustin Mills) has just made a new batch of the designer drug known as bath salts and given it to a pusher named "Bubbles" (Ethan Holey) to test on the street. Bubbles, being the persuasive marketer that he is, gives a free sample to an addict named "Richie" (Brandon Salkil) with the understanding that if he likes it he can come back and purchase some more. What Bubbles doesn't tell him is that Sal had strengthened the new drug with a powerful chemical stolen from an Army laboratory which also has the benefit of making it extremely addictive as well. In any case, Ritchie is more than happy to try it out and takes it back to his friend's apartment to enjoy. Not long afterward he comes out of his drug-induced stupor to discover that he has blood all over his face and shirt with his buddy's girlfriend lying on the bed partially dismembered and devoured. Yet even though he is initially horrified at what he has done, he still craves more of the drug and rushes to get another sample from Bubbles so that he can share it with some other friends. And then the wave of murders really begin. Now rather than reveal any more I will just say that this film started off relatively well but the low-budget aspects were apparently too much for the director (Dustin Mills) to overcome with the most glaring problem being the audio which was quite erratic in nature. Other major weaknesses included poor acting and extremely bad special effects. And I mean really, really bad special effects. To that extent, other than being used as an example of poor film technique for aspiring directors I cannot recommend this film to anyone and have rated it accordingly.
An odd theme that had the potential to be quite funny, but wasn't. Cartoon-style intro was good, but rest of the film appears to be very home-made and poorly directed. Sexy/erotic scenes were pointlessly long. Don't bother watching unless you're just intrigued by the title.
Acting:Not great - Plot:Poor - Ending:Odd- Effects:Basic
Laughs:None - Scares:None - Twists:None - Gore:Poor - 3d Version:N/A
Overall opinion:
>>Worth watching for free: No
>>Worth watching at bargain price: No
>>Worth watching at standard price: Hell No
Acting:Not great - Plot:Poor - Ending:Odd- Effects:Basic
Laughs:None - Scares:None - Twists:None - Gore:Poor - 3d Version:N/A
Overall opinion:
>>Worth watching for free: No
>>Worth watching at bargain price: No
>>Worth watching at standard price: Hell No
I'm not really sure what film the other reviewers saw. The movie I saw, for the budget, rocked. Some great performances, good soundtrack, nice direction and good editing. Is it a masterpiece? Nope. Is it blood, gore, drugs and gratuitous nudity. Yup. Can it be mistaken for The Shining or Dario Agento movie? Nope. Can you enjoy the living hell out it? Yup.
Seriously, there was some great writing and performances. For the budget they had, the special effects were fine and inventive. My biggest complaint is that the fight at the end went on for far too long. Outside of that, the lack of pretension that the other reviewers apparently expect in their low budget horror films worked in its favor.
I spent $0.99 to watch this on a Roku channel because who can resist blowing a buck on a movie called Bath Salt Zombies? It's literally the best bang for the buck I've gotten in a long time.
Seriously, there was some great writing and performances. For the budget they had, the special effects were fine and inventive. My biggest complaint is that the fight at the end went on for far too long. Outside of that, the lack of pretension that the other reviewers apparently expect in their low budget horror films worked in its favor.
I spent $0.99 to watch this on a Roku channel because who can resist blowing a buck on a movie called Bath Salt Zombies? It's literally the best bang for the buck I've gotten in a long time.
There's many ups and downs in bath salt zombies, at times it's pretty impressive what they've done with this no budget flick, while in other instances it's pretty apparent that they're filling time until the good stuff can happen again. Judging it as a no budget movie I've certainly seen worse, hell the last half hour is quite good and makes you wonder why the same care and attention wasn't used in the slower moments. Also the sound editing is a huge issue as it's almost non existent. Blaringly loud one minute to super quiet within the same scene. Overall if nothing else this is a good starting point to all those involved, they're definitely on their way up! If they improve on what's here their follow up projects will be worth viewing. It's just too bad they've already burned through this great concept. These are the kinds of remakes that need to happen.
In 'M is for Mastication', an episode from the 2014 horror anthology 'The ABCs of Death 2', a user of the recreational drug known as bath salts turns into a flesh-eating zombie. But low-to-no-budget SOV horror director Dustin Wayde Mills got there first
Mills' 2013 film Bath Salts Zombies sees a potent and highly addictive strand of the designer drug (developed from a missing chemical weapon that sounds suspiciously like the one from Return of the Living Dead) being pushed to junkies, with precisely the same results: the user is transformed into a violent, uncontrollable monster with a hunger for human flesh.
Working with very little cash but lots of enthusiasm, Mills brand of horror is unashamedly lowbrow, his films designed to appeal to fans of splattery trash, with lots of cheapo gore and gratuitous T&A. However, for a purveyor of such gleefully lurid entertainment, Mills also displays a remarkable sense of style and creativity: Bath Salt Zombies might feature full frontal nudity, severed breast and penis gags, and a crazed ghoul that eats peoples' faces, but it also sees the director experimenting with some surprisingly impressive film-making techniques, including a neat POV sequence complete with 'blinking eye' effect, cool slo-mo shots, experimental use of colour filters, and time-lapse photography. There's also a highly stylised comic-book inspired smack-down between the main character and a SWAT team. For such a cheap production, this is ambitious stuff indeed.
The film opens with a crudely animated intro that I found rather perplexing (and which almost had me turning off before the film had really got started), and Mills does struggle to keep the momentum going at times, but I still had enough fun with this flick to recommend it to fellow gore-hounds and fans of underground horror.
Mills' 2013 film Bath Salts Zombies sees a potent and highly addictive strand of the designer drug (developed from a missing chemical weapon that sounds suspiciously like the one from Return of the Living Dead) being pushed to junkies, with precisely the same results: the user is transformed into a violent, uncontrollable monster with a hunger for human flesh.
Working with very little cash but lots of enthusiasm, Mills brand of horror is unashamedly lowbrow, his films designed to appeal to fans of splattery trash, with lots of cheapo gore and gratuitous T&A. However, for a purveyor of such gleefully lurid entertainment, Mills also displays a remarkable sense of style and creativity: Bath Salt Zombies might feature full frontal nudity, severed breast and penis gags, and a crazed ghoul that eats peoples' faces, but it also sees the director experimenting with some surprisingly impressive film-making techniques, including a neat POV sequence complete with 'blinking eye' effect, cool slo-mo shots, experimental use of colour filters, and time-lapse photography. There's also a highly stylised comic-book inspired smack-down between the main character and a SWAT team. For such a cheap production, this is ambitious stuff indeed.
The film opens with a crudely animated intro that I found rather perplexing (and which almost had me turning off before the film had really got started), and Mills does struggle to keep the momentum going at times, but I still had enough fun with this flick to recommend it to fellow gore-hounds and fans of underground horror.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- US$ 5.000 (estimativa)
- Tempo de duração1 hora 10 minutos
- Cor
- Proporção
- 16:9 HD
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente