A Noite do Jogo

This hilarious gonzo comedy has a sharp script, clever direction, and an excellent cast. In Game Night, writer Mark Perez and directors John Francis Daley and Jonathan Goldstein have crafted a tightly structured story with little visual tricks that turn out to be significant. That said, the movie really lives and dies by its cast, and this is a top-notch ensemble. Morris -- dependably funny on TV's New Girl -- gets laughs from his bubbling jealousy and dead-on Denzel Washington impersonation, clicking well with Bunbury. Horgan drily delivers as someone who's far too smart for her date; you'll likely wish there was more of her in the film. Magnussen is spectacularly idiotic as Ryan, which is a gift. Open-hearted blockheads are always welcome in comedies such as this, and Magnussen -- who's shown his dramatic chops in the likes of Birth of the Dragon -- hits it out of the park. Plemons' dead-eyed Gary generates big laughs by doing as little as possible. His stony "I see you" face and monotone delivery steal every scene he's in. (At one point, he happily invites the group into his house ... and, with a frozen smile, slowly backs into the darkness.)

And as Max and Annie, Bateman and McAdams have great chemistry. Their timing together, their small reactions to each other; they really read as a couple who love each other, have a lot in common, and accept each other's quirks. Oh, and they're really funny. Bateman, as usual, is an effective straight man with subdued wit. McAdams gets to be a little wackier than usual and has some superb reaction moments. They're an appealing pair, and we're happy to follow them through this gleefully bloody comedy with a fair amount of twists and genuine laughs.

This movie was a great comedy that also kept me guessing to the end. A lot of comedies turn me off lately because they rely too much on adolescent humor that's gross or mainly sexual jokes. This movie got laughs the old fashioned way and felt like a smart Cary Grant / Katherine Hepburn comedy. It also made me think of the types of British comedies you see Simon Pegg in.

There are a lot of reviewers who panned this quite harshly and when I read those reviews I feel like they were watching a different movie. I'd be interested to know how old these reviewers were - perhaps older people will enjoy this more than people in their 20s? (I'm in my mid-40s). Some complained about the acting - I think everyone was spot on. Some complained the plot was predictable - I actually found myself surprised at several turns the plot took and found it quite funny when the audience was clued into new information that the characters hadn't figured out yet.

Rachel mcAdams had great chemistry with Jason Bateman and the supporting cast were each terrific. The characters were well drawn and funny, and the side plots were all engaging and humorous. I was impressed with the writing and acting, and the pace of the movie never made me look at my watch to see how long was left. I definitely recommend it.

"Where'd you find her? TED Talk?"

If you're game for a hilarious night at the movies, then see the black comedy Game Night. This romantic thriller is a mix of screwball comedy, Marx Brothers slapstick, and witty repartee you'll vow to go back for (about the handsomer brother: "He's like the Mark Wahlberg to Max's Donnie!") so you can catch at least half of the brilliant dialogue from the pen of writer Mark Perez.

Max (Jason Bateman) and Annie (Rachel McAdams) is a childless married couple who relax with friends playing highly competitive games like Scrabble and Charades. This night, however, with the return of his charming, successful brother, Brooks (Kyle Chandler), the game becomes fraught with sibling rivalry and violence that somehow never eclipses the humor. For the audience, determining what is just a game and what is real is the enjoyable endgame, and not easily solved.

The high-flying chases and quips remind me of Grant and Russell in their screwball days, throwing intellectual barbs while their lives are at stake (about a ditzy blonde guest: "Where'd you find her? TED Talk?"). Although Bateman has cornered the market on the clueless but still sharp middle class professional with the classic slow burn, McAdams is a discovery as a robust bright partner only a little clueless but plenty savvy. Her takeoff on Amanda Plummer with the diner hostages in Pulp Fiction is priceless.

Besides McAdams' surprise comedic chops, Jesse Plemons as the off- center, next-door cop Gary sheds his Matt Damon lookalike calling card and crafts a memorable role to prove his talent as a comic character. However, he's just another achiever in an ensemble overloaded with charm. Now and then a fine film comes in this dead-zone time of year: Game Night is that one, a promise of good films to come long after Oscar has gone to hibernation.

While unlikely to ever be regarded as a classic side-splittingly hilarious comedy kingpin, Game Night is a refreshing and original mainstream experience, which is far and away the best high-profile Hollywood comedy to come our way in sometime.

Directed by Horrible Bosses writing duo and Vacation director's John Francis Daley and Jonathan Goldstein, Game Night takes the one-time nerd only board game night to the big-time as we find ourselves a part of a games night with a difference as Jason Bateman and Rachel McAdam's game loving couple Max and Annie and their collection of friends find themselves trying to rescue Max's successful brother Brooks (played brilliantly against type by Kyle Chandler) from a real-life hostage situation.

It's a high concept central idea and one that works thanks to Daley and Goldstein's assured and often imaginatively constructed direction and the ability for the film to both not take itself too seriously or not playing to the lowest common denominators.

It feels like many moons since a comedy of this ilk wasn't filled with unnecessary profanities, sex jokes and loud-mouthed side characters but thankfully Game Night largely avoids these comedic pitfalls and just focuses itself on telling a genuinely good story with a large collection of jokes that work on their own merits.

It's great to see Daley and Goldstein advance from their Horrible Bosses writing breakthrough and the relative misfire of their updating of the Vacation series as Game Night is without question the most assuredly filmed Hollywood comedy in sometime.

David Fincher himself would be proud as the duo give the film a visual flair and pizazz not often found in such genre films, from the way in which they shoot some establishing shots like a real-life board game or an eye-popping keeping's off sequence in a glamorous house, Game Night is filled with visual gems that when combined with Drive and Neon Demon composer Cliff Martinez's score, create a memorable mood and setting.

Coinciding with Daley and Goldstein's wins is the work of the films cast. Jason Bateman is as Jason Batemany as you'd expect but surrounded by the likes of Rachel McAdams (who looks like she's never had this much fun) and a downright hilarious Jesse Plemon's as Max and Annie's super awkward and potentially serial-killer like neighbour Gary, the whole cast elevate each other's work to a level that makes you hope this isn't the last game night we will be spending with this colourful bunch.

Final Say -

Like any good games night, Daley and Goldstein's film provides a lot of fun, laughs and genuinely memorable times. Game Night is Hollywood comedy filmmaking done right and by avoiding the problems that have faced its recent cohorts (overlong running times, unnecessary vulgarity, annoying characters); Game Night becomes a highly recommendable night out at the movies.

4 Fabergé egg's out of 5

This is not a movie I went in expecting to love, in all honesty it was just the next film showing. Imagine my surprise when I was treated to one of the best comedies I have see in quite a while. Bateman and McAdams are as likeable and charismatic as you would expect and the rest of the cast are pretty great too. It helps that this cast were given well written, interesting characters to work with. This film also boasts brilliant and creative camera work as well as very imaginative transitions that help to draw the viewer into the story and show that a lot of thought and effort was put into the making of this film. There are a small handful of jokes that don't land and a small number of logical errors but for the most part it is a very funny and entertaining thrill-ride, also stay during the beginning of the credits as they are very well done. Keep away from trailers for this film as they do give some things away that are better not to know going in, once this hits Netflix definitely check it out.